Strange Fruit: Billie Holiday, Cafe Society, and an Early Cry for Civil Rights
Average customer rating: 4.5 out of 5 stars
  • A Song of Despair that helped end lynching
  • A powerful book about a powerful song.
  • an ACCURATE account
  • HOW COULD A SMART LAWYER WRITE SUCH A DUMB BOOK?
  • Gee Baby, Ain't Margolick Good To Us
Strange Fruit: Billie Holiday, Cafe Society, and an Early Cry for Civil Rights
David Margolick
Manufacturer: Running Press Book Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 0762406771

Amazon.com

Our image of Billie Holiday is that of the elegant and melancholy jazz singer known for her haunting voice and immortal classics like "Lady Sings the Blues" and "My Man." But there was another song she performed that stood out in her repertoire: "Strange Fruit," a disturbing and impressionistic elegy to lynched black men in the South. Now, for the first time, New York Times and Vanity Fair contributor David Margolick uncovers the extraordinary history of this important American composition that few singers dare to perform to this day. For Margolick, "'Strange Fruit' defies easy musical categorization and has slipped between the cracks of academic study. It's too artsy to be folk music, too explicitly political and polemical to be jazz. Surely no song in American history has ever been guaranteed to silence an audience or to generate such discomfort."

Margolick reconstructs that discomfort when he details that fateful night in 1939 when Holiday first performed "Strange Fruit" at New York's Cafe Society. He also writes about the song's composer, Abel Meeropol (who later adopted the sons of spies Julius and Ethel Rosenberg). For the author, "Strange Fruit" was a protest act on par with Rosa Parks's refusal to give up her seat on a segregated bus years later, and he notes the influence the song has had on poets, singers, and writers as diverse as Maya Angelou, Cassandra Wilson, and Natalie Merchant. What David Margolick proves in this small but important book is that art can indeed move people in ways nothing else can. --Eugene Holley Jr.

Customer Reviews:

4 out of 5 stars A Song of Despair that helped end lynching.......2001-12-27

How was lynching ever respectable? Why did nightclub owners discourage Billie Holiday from singing this protest song against the murder of innocent Blacks? How did this powerful, somber song become Time Magazine's Best Song of the Century?

David Margolick traces the history of Strange Fruit from a forbidden, banned song to a celebrated cry for civil rights in a concise style. Performers, club owners, reviewers, and activists are extensively quoted - and the differing perceptions allowed to exist next to each other without comment.

This facinating book should be carried in all public school libraries, read in courses on American music. It's a fine addition to the scholarship on the civil rights movement too.

I do have, however, one serious criticism. Somehow, even if in just a single sentence, Margolick should have noted the irony of sensitive, gentle progressive defending Stalin's regime. Several key people, great souls, involved in the early civil rights movement - including the songwriter of Strange Fruit - were members of the Communist Party during the Stalin's dictatorship. They were outraged at the lack of freedom for blacks in America, and their criticisms of Jim Crowe laws were totally accurate. I wish, however, that Margolick had at least mentioned - once - their blindness toward the brutal rule of Stalin in the USSR.
The vast, vast majority of these progressive activists recognized their mistake, and their committment to the Bill of Rights and individual freedom only increased.

Despite this minor criticism, this is a fantastic book that documents the great change in American cultural norms over the last 50 years.It's hard to imagine a time when Billie Holiday and Strange Fruit would be banned and lynching accepted as a Southern tradition.

Thank God for progress!

5 out of 5 stars A powerful book about a powerful song........2001-08-24

It may seem odd to devote an entire book to a single song, but if ever a song demanded such an exploration, itÕs Billie HolidayÕs recording of Strange Fruit. Almost everyone thinks itÕs brilliant, yet few people listen to it often. Holiday makes this depiction of a lynching so real that the song is physically painful to listen to. To this day, itÕs rarely played on jazz-formatted radio stations. ItÕs too disturbing. IÕve always wondered how Billie Holiday managed to get it recorded in 1939. Did radio stations play it? And where did she sing it? I simply could not imagine Lady Day, with a gardenia in her hair, singing such a horrifying song to people in a nightclub while they sipped martinis. And if she did, how did her audience react? The fascinating thing about this book is that it not only answered my questions, it also raised many issues I hadnÕt thought about. David Margolick has collected comments and anecdotes about Strange Fruit and HolidayÕs performance from a wide variety of sources Ð musicians who worked with her, people who saw her perform the song at different time in her life, and contemporary singers who have recorded the song or performed it. What they say raises a lot of interesting questions about the relationship between art and politics, as well as the relationship between an artist and her art. The most fascinating Ð and shocking Ð thing to me was the number of people who worked with Billie Holiday who insist that her performance was a fluke, that she did not understand what she was singing. She was an uneducated, not terribly intelligent woman, her "friends" say, and didnÕt even know the meaning of the songÕs words. To anyone who has ever heard the song, that suggestion seems insane. The words are powerful, but it is what Billie Holiday does with them that makes this the most disturbing recording ever made. It is clearly a song with a deep, personal meaning for her. In the end, after reading the book, and hearing about how she performed the song throughout her life (sometimes sharing it with an audience she thought would be sympathetic, but just as often using it as a slap in the face to an audience she felt did not respect her), you canÕt help but see that what makes HolidayÕs recording so personal, so deep, is that for her it wasnÕt only a song about lynching, it was a protest against all kinds of racism, including the racism of dismissing a brilliant artist as one more empty-headed "girl singer." Margolick makes a strong case that it was the first cry of the civil rights movement that began more than a decade later.

5 out of 5 stars an ACCURATE account.......2001-01-31

This thought-provoking and well-researched book moves beyond the racism and anti-Semitism that have fueled myths, misconceptions, and inaccuracies about its subject for years. Unfortunately, we see many of those those inaccuracies lingering still in a number of popular forums. Do not be duped; read for yourself and learn the truth:

1) Lewis Allan is a PSEUDONYM for Abel Meeropol, a well-known and well-regarded high school English teacher and composer. He also wrote "The House I Live In" (music by Earl Robinson) which Frank Sinatra later made famous. Allan and Meeropol are THE SAME PERSON.

2) Meeropol and his wife LEGALLY adopted the Rosenberg children after their parents were executed and remained their legal guardians ever since. Both Rosenberg sons, Robert and Michael (who use the last name Meeropol) love and revere the Meeropols and consider them their parents.

3) The money to support the Rosenberg children was not raised by the Meeropols, but by a foundation, whose trustees included Shirley Graham Dubois, wife of civil rights activist W.E.B. DuBois. The foundation existed PRIOR to the Meeropols' adoption of the children.

1 out of 5 stars HOW COULD A SMART LAWYER WRITE SUCH A DUMB BOOK?.......2000-12-20

Stanford Law School educated lawyer David Margolick has appointed himself shyster for one of New York City's sleeziest historical figures of the 1930's and 1940's, Abel Meeropol, the guy who claimed he wrote southern author Lewis Allan's famous poem titled STRANGE FRUIT ("Southern trees bear a strange fruit, Blood on the leaves and blood on the root," etc.)

It's a poem about a lynched Black man put to bad music (probably by Meeropol) and made famous in torch song renditions by Billie Holliday and Eartha Kitt (and others).

The audacious Meeropol was no poet, but claimed he was, and even claimed copyright to Allan's poem. The fact is, Meeropol was a famous hustler, later noted for offering "shelter" to the sons of Julius and Ethel Rosenburg and tearfully raising money to support his "cause" of "saving" the Rosenburg children (a New York judge put a stop to all this).

Mr. Margolick's book is dull and poorly written, claiming sympathy for Billie Holiday and lynched Blacks in the South, but actually dripping with Crocodile tears and cynicism.

It's amazing that a piece of crap like this could get into print, but the "Running Press" of Philadelphia has turned the trick, and offers the book for $16.95 ($25.95 in Canada). Don't buy it or read it. It's awful.

5 out of 5 stars Gee Baby, Ain't Margolick Good To Us.......2000-08-08

This warm-hearted generous book captures the bittersweet beauty of Lady and all of her glory. In concise, translucent prose that sparkles, David Margolick tells of the song that forces Americans to face the stark and shared history that brings together black and white, jew and gentile. By honestly facing the wounds of racism and bigotry, prejudice and betrayal, Margolick offers a book that refuses to accept despair and embraces Lady's music as a noble expression of hope born out of pain.
STRANGE FRUIT Billie Holiday, Cafe Society, and an Early Cry for Civil Rights
Average customer rating: Not rated
    STRANGE FRUIT Billie Holiday, Cafe Society, and an Early Cry for Civil Rights
    David Margolick
    Manufacturer: Running Press
    ProductGroup: Book
    Binding: Paperback
    ASIN: B000VCWO06

    Profane Existence #45
    Average customer rating: 5 out of 5 stars
    • great issue, great cd
    Profane Existence #45
    Profane Existence
    Manufacturer: Profane Existence
    ProductGroup: Book
    Binding: Paperback

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    ASIN: 0966203518

    Book Description

    A welcome return for the zine that is truly Making Punk A Threat Again. Now in a new, paperback book format. 100 packed pages,together with a compilation CD, chronicling and celebrating 15 years (1989-2004) of Profane Existence Record releases. Inside you'll find interviews with Phobia, Behind Enemy Lines, Garmonbozia and the artist Marald, Reports from around the globe in the struggle against the New World Order, a Punx Vs Sexism Primer, the multimedia chronicling of resistance 'By Any Medium Necessary', columns, letters, prisoners, anarchism, and a whole lot more. A vital melding of music, and politics.

    Customer Reviews:

    5 out of 5 stars great issue, great cd.......2006-07-26

    Profane Existence is a punk classic, and rightly so. This is an awesome issue with some great interviews, articles and a compilation cd representative of the best of P.E.!

    Viewers Like You?
    Average customer rating: 4.5 out of 5 stars
    • Can public television ever be relevant to the masses?
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    4 out of 5 stars Can public television ever be relevant to the masses?.......2003-09-11

    Laurie Ouellette has produced a scholarly work tracing the origins of public television. On the one hand, she points out that liberals complain that the PBS reliance on funding from private corporations compromises the networks ability to tackle controversial subjects that might be construed to be anti-business. Conservatives argue that PBS is nothing more than a programming service for the elite and that no government subsidies should be forthcoming. Ouellette makes the case that from the very beginning most PBS prime time programming was conceived by and directed at upper middle class and affluent white people. She also points out that in her opinion this remains the case today. I think she has a valid point. The author argues that as long as this attitude prevails public television will continue to be irrelevant to minorities and lower class whites. The author would prefer to see at least some prime time programming aimed at more general audiences. Whatever your opinion of the merits of publicly subsidized public television, this book is well worth your time. I must warn you however that this book is not an easy read and I deducted one star for that reason.

    5 out of 5 stars How PBS came to be.......2002-12-20

    Meticulously researched and refreshingly accessible, Viewers Like You? takes us through the debates that surrounded the birth of public television in the US through to today's congressional funding battles. Ouellette deftly outlines how PBS was forged in the crucible of the turbulent 60s, and how the cultural politics of this institution have played out over the last 30 years. Ouellette is just as adept at fleshing out the origins of Sesame Street and those tedious fund-raising drives as she is weaving in a plethora of voices from the realm of cultural studies. If you're a fan of Masterpiece Theatre--or can't stand it--this book will help you sort out the why's and wherefore's of your own relationship with PBS and gives us a vision of what it could have been--and what it could be still.
    The South Carolina ETV Scandal: Lives destroyed using contributions from viewers like you.
    Average customer rating: Not rated
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      Release Date: 2004-04-01

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      When multi-millionaire Randall Browning tried to build SC's first movie studio, he purchased SCETV's former production facility. Asbestos was soon discovered throughout and the entire business was destroyed. Browning lost everything. An intense investigation not only revealed that Browning was set-up, but that SC State government is plagued by corruption and incompetence. Experience this true story filled with cover-ups, fraud, conspiracy, murder, suicide, and an arrogant disregard by the State for the same environmental laws it's charged with enforcing. See why South Carolina politicians took money from a struggling education system that has consistently ranked last in the nation just to build the largest, most expensive ETV system in the world. Learn why educating your children or opening a business in South Carolina can be a huge risk. State officials say it's your own fault if you aren't careful!
      PBS: Problematic Broadcasting System.(Book Review): An article from: Columbia Journalism Review
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        PBS: Problematic Broadcasting System.(Book Review): An article from: Columbia Journalism Review
        Lawrence K. Grossman
        Manufacturer: Columbia University, Graduate School of Journalism
        ProductGroup: Book
        Binding: Digital

        Book BanningBook Banning | Books & Reading | Literature & Fiction | Subjects | Books
        ASIN: B0008EF4ZO
        Release Date: 2005-07-31

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        This digital document is an article from Columbia Journalism Review, published by Columbia University, Graduate School of Journalism on September 1, 2002. The length of the article is 1386 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

        Citation Details
        Title: PBS: Problematic Broadcasting System.(Book Review)
        Author: Lawrence K. Grossman
        Publication: Columbia Journalism Review (Refereed)
        Date: September 1, 2002
        Publisher: Columbia University, Graduate School of Journalism
        Volume: 41 Issue: 3 Page: 67(2)

        Article Type: Book Review

        Distributed by Thomson Gale

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                8. Peachtree Complete Accounting Workbook: Accounting Principles, Seventh Edition
                9. Seeking Shelter on the Pacific Rim: Financial Globalization, Social Change, and the Housing Market
                10. The Cattle Egret: A Texas Focus and World View