New book on building: moldings, architraves, base, brackets, stairs, newels, balusters, rails, cornice, mantels, window frames, sash, doors, columns, 45 ... etc., 66 plans of dwellings with size and

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New book on building: moldings, architraves, base, brackets, stairs, newels, balusters, rails, cornice, mantels, window frames, sash, doors, columns, 45 ... etc., 66 plans of dwellings with size and
Michigan Historical Reprint Series
Manufacturer: Scholarly Publishing Office, University of Michigan Library
ProductGroup: Book
Binding: Paperback

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ASIN: 1425507972
Release Date: 2005-12-20

Book Description

This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

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The 1960's in the land of the free............
For Those Who Missed (or Miss) the 1960s
PERSISTANCE OF MEMORY

66 Frames
Gordon Ball
Manufacturer: Coffee House Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1566890829

Book Description

Part record of the New York underground art scene, part history of contemporary American avant garde cinema-Gordon Ball's vivid memoir lays bare the soul of a decade that redefined the photographic image.

Featured within '66 Frames are encounters with Timothy Leary, Allen Ginsberg, and many others as-in the words of poet Lawrence Ferlinghetti-"the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures." Here are nights on Washington Square park benches and a week in the fabled Dakota. Here's everyday life with film pioneer Jonas Mekas in his Third Avenue loft, at his Filmmakers' Cinematheque and Filmmakers' Cooperative; visits with Andy Warhol at his Factory; anti-war marches; tension and violence between flower children and long-time residents of what would become known as SoHo; everyday New York City scenes a generation ago, from St. Mark's Place with its Gem Spa and East Side Bookstore, to the Central Park Be-In of Easter 1967. From the staccato camera movement of Warhol's The Chelsea Girls to the hypnotic close-ups of Ball's own Georgia this author takes his readers on a tour of an era that stretched visual imagery outside the box, beyond the frame. '66 Frames simmers with the sixties' sense of possibility, even as it delves the wreck of the drug-culture and sexual liberation movement with a post-Reagan generation in tow.

Customer Reviews:

The 1960's in the land of the free...................2002-11-04

READ THIS BOOK!
Gordon Balls' intimate recollection of a fascinating time in American history allows a vicarious experience for those unwilling or unable (due to age) to participate. I know of no better writing from a personal perspective on the exploration, freedom, generational misunderstandings and sometimes, excesses, of the 1960's. Perhaps Ball will consider an autobiography of his early teenage years, 60s experiences, and later periods and indicating how those have shaped him. One may drop acid AND love baseball, right?

For Those Who Missed (or Miss) the 1960s.......2000-02-07

The best books about the 1960s were written by people who disliked much about the time: Joan Didion and Tom Wolfe. For those who want to know why one might miss the decade, what it was like to be young and arts-oriented and practice free love, I recommend Gordon Ball's book.

PERSISTANCE OF MEMORY.......1999-10-19

Gordon Ball's fine little memoir of the distant past is a bitter sweet account of growing up to a world that was not what we told it was. I guess, self discovery of the world, is always narcissistic and solipsitic. I admire so much his persistance and devotion to those that influenced and guided him in that discovery. He continues to do a great service to the legacy of that era. We may discover that the 60's are not over. Not by a long shot.

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'66 frames: A memoir
Gordon Ball
Manufacturer: Coffee House Press
ProductGroup: Book
Binding: Unknown Binding

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ASIN: B0006FBMS8

Book Description

Edgard Varèse, the pioneering composer of electronic music, formed the subject of a major exhibition in Basel in 2006; it displayed many previously unknown documents from the composer's estate, including manuscripts, letters, and other material. This volume contains detailed commentaries on all the items on display, as well as thirty-two essays by leading authors from Europe and America. Varèse's life and music are discussed under the following headings: Influences - Points of Orientation; Conductor and Initiator in New York; Probing Uncharted Territory; Impact and Reception. Many previously unknown documents from the composer's estate, recently acquired by the Paul Sacher Foundation, form the basis of a nuanced picture of Varèse's life, musical thought, and compositional output. The book is lavishly illustrated with facsimiles of manuscripts, letters, and other documents from the composer's collection, as well as reproductions of paintings, drawings and sculpture documenting Varèse's close ties to the visual arts. Contributors: JONATHAN W. BERNARD, GIANMARIO BORIO, DIANE BOUCHARD, AUSTIN CLARKSON, HERMANN DANUSER, MICHEL DUCHESNEAU, SABINE FEISST, KYLE GANN, FRITZ GERBER, THEO HIRSBRUNNER, ANNE JOSTKLEIGREWE, MATTHIAS KASSEL, SYLVIA KAHAN, KLAUS KROPFINGER, ERNST LICHTENHAHN, MALCOLM MACDONALD, GUIDO MAGNAGUAGNO, OLIVIA MATTIS, ULRICH MOSCH, HELGA DE LA MOTTE-HABER, FELIX MEYER, DIETER NANZ, ROBERT PIENCIKOWSKI, WOLFGANG RATHERT, DAVID SCHIFF, ANNE C. SHREFFLER, HEINZ STAHLHUT, JüRG STENZL, DENISE VON GLAHN, CHOU WEN-CHUNG, HEIDY ZIMMERMANN. Published in cooperation with the Paul Sacher Foundation.

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'Poem Electronique' in detail

Space Calculated in Seconds
Marc Treib
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0691021376

Book Description

The pavilion designed by Le Corbusier for the Philips Company at the 1958 Brussels World's Fair showcased a spectacle that remains a landmark in multimedia production. The pavilion's nearly two million visitors encountered no typical display of consumer products; instead they witnessed a dazzling demonstration of cutting-edge technology in the service of the arts. This totally automated bombardment of color, voice, sound, and images was broadcast within a space of warped concrete shells, orchestrated by Le Corbusier and his colleagues into a cohesive 480-second program. The talents and efforts that went into this project, and the interaction of the personalities behind it, make for a fascinating tale that bridges architecture, music, and marketing--one that has never been told, perhaps because the building was dismantled after the fair. In this book, Marc Treib looks at both this remarkable collaboration and the significance of the Philips project, which can be viewed as a pioneering quest into the production of postmodern art or even as a prototype of virtual reality.

Achieving for the first time his goal to use electronic media for a synthesis of the arts, Le Corbusier collaborated with the composer/architect Iannis Xenakis, the filmmaker Philippe Agostini, the graphic designer and editor Jean Petit, and the composer Edgard Varèse, whose distinguished piece Poème électronique was composed for this project. Treib explains in vivid detail the idea and development of the building design--based on the geometry of the hyperbolic paraboloid--and how this ambitious vision materialized through an innovative system of precast concrete panels, engineered by H. C. Duyster. Treib also describes the working methods of the collaborators, depicting, for example, Xenakis's frustration with designing under Le Corbusier's shadow and the tensions suffered by the Philips artistic director coordinating his company's business interests with Le Corbusier's and Varèse's artistic aspirations.

This wide-ranging investigation into the Philips project also examines the role of rhythm, cinematic montage, spatialized sound, and the composition of Varèse's music. The result is an engaging exploration of artistic collaboration in the 1950s, set against the political and cultural context of a world exposition, and of the realization of ambitious architectural ideas.

Customer Reviews:

'Poem Electronique' in detail.......2000-04-25

This book tells the story of the world's first fully automated multi-media experience. The Phillips pavillion at the 1958 Worlds Fair was unusual in that it didn't merely showcase the company's products---Philips demonstrated the technological feats they were capable of through an eight minute display of light, film, color and sound known as 'Poem Electronique.' Two of the key figures in the story are, of course, the architect Le Corbusier and the composer Edgard Varese; anyone interested in either of these two would enjoy this book. Those familiar with Varese's music from this project would be especially interested to learn the context in which it was originally set. Iannis Xenakis also appears here as Le Corbusier's assistant. Anyone interested in Xenakis would enjoy this book as it is after completion of the 'Poem Electronique' that music becomes his primary focus. The book is well-researched, well-written, and well-presented. There are many many illustrations, which help---through them we get a better idea of what the 'Poem Electronique' experience was like, we get to see how the designs for it progressed on paper, and we get to see the constructions as they were being put together. This book examines a very unique meeting of art and technology, one that can neve again be experienced as originally intended.

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Var`Ese: A Looking-Glass Diary
Louise Varese
Manufacturer: W W Norton & Co Inc
ProductGroup: Book
Binding: Hardcover

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ASIN: 0393074617

Grand Street 63: Crossing the Line (Winter 1998)

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Grand Street 63: Crossing the Line (Winter 1998)

Manufacturer: Grand Street
ProductGroup: Book
Binding: Paperback

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ASIN: 1885490143

Ionisation for Percussion Ensemble of 13 Players: Full Score

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revolution/evolution

Ionisation for Percussion Ensemble of 13 Players: Full Score

Manufacturer: Ricordi
ProductGroup: Book
Binding: Paperback

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The Six Brandenburg Concertos and the Four Orchestral Suites in Full Score (Dover Orchestral Scores)

ASIN: 0793546516

Customer Reviews:

revolution/evolution.......2006-10-18

Lion's Roars, cloches, Field drums, tam-tam, Sirens, snare drums, temple block,s wood blocks, cymbals, Varese was hovering around the physical world, he was always interested in how blocks, and densities, like the growing experiences of cities made its way into the world of sound, of timbre. He always had more ideas than he knew what to do with, but his rather modest oeuvres had cast a beacon well into and past what we now call post-modernity. He thought percussion alone could be utilized for materials in music, It is music, although this piece is unfortunatly the most copied, by Hollywood chase scenes and creeping terminators but all the innovators, this was a work everyone needed to get past,we really don't know if anyone did and since then there have been attempts at purely percussion works perhaps holding in abeyance that modernity has past by all of us, as it has past as an angel of 'illumination' or darkness, as the 'sulphurs' of all the 20th Century wars,corruption(s), greed and genocides seems to be with us as strongly as ever.Well EREWHON by Hughes Dufourt is a tepid, tenuous piece, measuring the thousands of timbral particles,prior to its construction;It holds its own something Varese would have liked to hear.Steve Reich also with his modest piece for four woodblocks still contains a gentle fascination, and early Cage. The unaccompanied percussion solos was a good place Ionization felt its influence, Ferneyhough's "Bone Alphabet", Feldman's "King of Denmark". Ralph Shapey as well of all the post dodecaphonists held a close association to 'Ionization' and Varese in philosophy, freedom, committment and timbre.Curious how the percussion solo after the Wars became tamer than 'Ionization', not nearly as explosive,or brutal, percussion inhabited a Zen garden(well with Cage) a lyrical place "quieting" the populations.

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more pronounced Varese

Integrales: Study Score
Chou Wen-chung
Manufacturer: Ricordi
ProductGroup: Book
Binding: Paperback

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ASIN: 0793573459

Book Description

Since its first publication in 1926, Integrales has been revised at least two times by Varese. This study score, edited by Chou Wen-chung, includes program notes of new revisions made by the composer. Duration ca. 11 minutes.

Customer Reviews:

more pronounced Varese.......2006-06-27

Two Piccolos, Oboe, Eb Clarinet, Bb Clarinet, Horn, Trumpet in d, Trumpet in C, Tenor Trombone, Bass Trombone, Contrabass Trombone, 4 Percussion, Suspended Cymbal, Snare Drum, Tenor Drum, Castanets, Sleighbells, Chains, Tambourine, Low Tam Tam, Bass Drum, Slap Stick, you really feel this piece,the physicality of it like a steel girder,I always think of Richard Serra, but there is spirituality there, private, whereas in Varese there is an element of assault, like a siren, or a jack-air hammer, or simply the convolutions of traffic; For its relative small ensemble constitution of instruments there is something grandiose, perhaps a leftover from Varese,his early years; the work has considerable power, the tension many times results from the opening of spaces, and the focus on solo passages, like metal threads,doll-rods that holds the bridge together,against these solos, sustained percussion gong, tam-tam almost imperceptible timbres can be introduced as a premonition to the full bodied ensemble entering, The three trombones as well give,and lend more a clarity,and the fact that there is no Tuba(Contrabass Trombone instead) adds to the clarity. A Tuba, as glorious as it sounds would have functioned to blend/smear more the sonorities,more overtones rpresented per square acoustic footage (here the Contra Bass Trombone sticks out more,has more an edge)also there is not a bevy of snarling, nasty horns,only one with superimposed on whatever the trombones iterate, usually chordal declamations, The two piccolos well serve to "light-up" the work with a stridentcy,piercing moments; they really do not mix,or blend with anything else as the trombones merely claiming a timbral territory,perhaps they are close to the trumpet in D, smaller piccolo trumpet. The solos help contribute to the tension;like something has fallen out of the work, an open space,and in open sapces you can then see or hear lines more clearly,that when the rest of the ensemble enters; the percussion here punctuates whatever the winds do,but they do have a mystery, almost like DiChirico,someone also fascinated by modernities new found language and spaces; same identical rhythms are played much of the time, like this is an etude in how to sustain a timbre,disrupt it,subvert it twist it into other shapes then a dense chord, and slowly take away from it, the reiterations of the sustain timbre as well is what makes the work cohere toward conclusion.

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good read on a boring life
I'm Still Waiting for a Varese Biography!!!
Varese deserves better
Long-Awaited, Important, But Flawed

Edgard Varese
Alan Clayson
Manufacturer: Sanctuary Publishing, Ltd.
ProductGroup: Book
Binding: Paperback

General | Biographies & Memoirs | Subjects | Books
ASIN: 1860743986

Book Description

French born New Yorker Edgard Varese sound-tracked inductrial society just as Debussy had more pastoral settings.

Customer Reviews:

good read on a boring life.......2007-07-30

Composer's lives are not ALL they are cracked up to be,most live in squalor,neglect and un-recognition most of their lives, the ones that begin by winning prizes are easily corruptible and will prostitute their art if the $$$ is right.We have numerous "composer-hookers" around,no need to worry, great abundances, but knowing some minutae, (mine U-Shah)on a composer's boring uneventful life may serve to shed light on his primary works. In that Varese sought a truth, truth of sound or timbre of construction unpretenciously in his aesthetic, one that should conform with the burgeoning vigours of the modern, the metropolis, flat surfaces, and electronic imports into music, all point toward a fascinating subject.

There is no doubt on Varese's influence WAS, in the PAST tense, I do not know what his influence may be right now, Composers of any philosophic stripe seem to be drawn to the power of his music, the unrelenting-ness of it, the innovative experimental side, all things quickly forgotten, and now with the "comfort zone" of years, Varese is fairly a safe predictable subject.When he began all his works he was largely ignored and thought insignificant, inconsequential. In retrospect we can glibly see all this now, everyone knows everything about everybody, there are no more mysteries or paradigms in the Neo-Liberal order colonizing the hearts and minds of today's populace.

Writing about all this has indeed become problematic for if you do not have an academic perspective of analysis pummeling a work into the ground, tracing evolutions,differences, continuities, paradigms, dead-ends, densities, and complexities what's left??. Pure writing and that's where Clayson falls here, an aspect overlooked by those who find nothing of inherent value herein.
The revolution is over, Mickey Mouse and Bill Gates won it, so the vigours of modernity is merely now today something to be practiced,and thought about,Creators are isolated, marginalized,censored through neglect( like Spinoza who ground Lens for a supportive means)while his philosophic visions were largely ignored in his time ,Varese had always more ideas than he could practically realize,so he was fortunate to hear his primary works during his lifetime largely with gifted conductors as Ralph Shapey.
Clayson's work here is not academic by any means but remains a good read.We need more literary excursions on music;You will never be invited to a seminar of the American Musicological Society to present it, but who cares? all we want is our writers to satisfy the "knowledge" card bringing "16 Wheeler" Tone-Pitch analysis and technical detail to their work, this is their one productive value that makes them part of the working class I suppose,"knowledge (You read Lacan's "Four Discourses") so when it is missing or avoided because others have so vigourously covered the subject we find fault.
Poor Mr. Clayson doesn't get no Respect ! !. Any interest generated in Varese I think is a positive move,He changed contemporary expression in music and ingluenced a generation of composers; good writing is good reading, and Who knows perhaps there is an aspect of Varese work you would never have thought of unless you read Clayson's plagued error-prone account here. READ, Thinkers READ. . .

I'm Still Waiting for a Varese Biography!!!.......2004-07-06

The English-speaking music world has been waiting for a comprehensive biography of musical maverick Edgard Varese for nearly a century. Varese is probably the only important contemporary composer who has never been the recipient of scholarly attention. So imagine my delight when I picked up this book on a recent trip to St. Louis. Finally, the English biography of the elusive composer that I'd been waiting for! Unfortunately, after reading the book, I'm still waiting for a good book on the composer.

This book, written by rock biographer Alan Clayson, is the single worst musical biography I've ever read. Clayson is better known for his tomes on the Beatles, including the popular Backbeat, which told the story of the Beatles' early years in Germany. Unfortunately, he brings the same gossipy qualities and rock-magazine journalist prose to this enterprise and the results are really poor. The facts of Varese's life are basically not very exciting. Like most composers, Varese's profession was solitary and, in his case, marked by extended periods of inaction. Clayson is reduced to creating imaginative scenes and undocumented reactions in an effort to "spice" up the biographical skeleton. He also injects his own opinions into the narrative liberally, ascribing to Varese contempt for more popular composers like Copland that is not bourn out by the facts. And he reserves a chapter and a half for Frank Zappa, a figure that, though he was indeed a great proponent of the composer, never met the man.

All of this would be merely annoying but could be justified if Clayson had anything of interest to say about Varese's compositions. After all, the most interesting thing about a composer is always the music. But Clayson is mind-numbingly braindead when it comes to speaking about music. There is no analysis of the works in question. Rather, Clayson is given to speaking in purple prose about his dubious impressions of the compositions. Ameriques in particular is subjected to ridiculous treatment, as Clayson blathers on about "the otherworldly deliberation of a dream's slow motion in its paranormal and fragmented mindscapes of frontier forts and wide white spaces on a map of emptiness." Often, Clayson seems proud of his musical ignorance, as he ridicules theorists subjecting works like Density 21.5 to analysis, as if the desire to study a seminal modern score is somehow base.

The shame of it is that Varese is a composer that is endlessly fascinating, even given his very small surviving output. No follower of the "isms" of the 20th century, Varese made his own way, and indeed proved prophetic. He was an early and enthusiastic pioneer in electronic music and predicted the day when performers would be replaced by machines capable of directly communicating a composer's thought to an audience, something that, for better or worse, is increasingly common in these days of MIDI. And his attitude toward music as organized sound has had wide-ranging influence in the world of 20th century composition and even experimental rock. All of this is makes the composer a fruitful subject for a comprehensive biography. Someday, someone with ability will attempt the biography I've been waiting for. Until that day, Clayson's book is all we've got. My suggestion is to be patient and don't waste your money on this drivel.

Varese deserves better.......2004-04-09

Varese urgently deserves a decent and independent biography and an approachable analysis of his musical works.

Clayson is not up to either task. This book is poorly written, full of historical inaccuracies and/or misunderstandings, and devoid of any substantial musical analysis.

I truly regret having spent money on this.

Long-Awaited, Important, But Flawed.......2003-10-26

Edgard Varese was one of the most important and influential composers of the 20th century, but somehow no English-language biography of this titan was ever published, until now. I have been awaiting this publishing event for more than 25 years. That this book fills such a major void accounts for most of the 3 stars I gave it. Alan Clawson is generally known as a rock historian, and his style is probably better suited to that. He gives us the details of Varese's life as well as some glimpses of the private man, and does a decent enough job of it. There is also adequate description of Varese's too-infrequent published compositions. But he refers to himself much too often for the biography of a man he never met - and mostly of the "Yeah, I remember listening to the Beatles on my car radio" variety, transferred onto the avant-garde composer. And such flippant words and phrases as "kinda", "feller", and "Oh, Gawd" serve as a jarring distraction from the subject and call still more unneeded attention to the author. There is also a chapter and a half devoted to Frank Zappa, an admirer of Varese. Nothing wrong with that per se, I guess, but I fail to see how Zappa's arrest on a morals charge falls within the scope of this book. There is virtually nothing on how Varese's influence can be heard in Zappa's music. If you like Varese and have wanted to learn more about him, go ahead and get the book. But if you've waited a quarter-century as I have, you may not find it entirely worth the wait.

Ameriques for Orchestra (1922): Full Score

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Ameriques for Orchestra (1922): Full Score

Manufacturer: Ricordi
ProductGroup: Book
Binding: Paperback
ASIN: 0634033913

Book Description

Revised in 1997 by Chou Wen-chung.

Die Musik von Edgard Varese: Studien zu seinen nach 1918 entstandenen Werken

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Die Musik von Edgard Varese: Studien zu seinen nach 1918 entstandenen Werken
Helga De la Motte-Haber
Manufacturer: Wolke Verlag
ProductGroup: Book
Binding: Paperback

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ASIN: 3923997566

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Edgar Varese (Musique)
Marc Bredel
Manufacturer: Mazarine
ProductGroup: Book
Binding: Unknown Binding

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ASIN: 286374139X

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The Book of Wondrous Inventions (D&D Fantasy Roleplaying, AC11)
TSR Staff
Manufacturer: TSR Inc.
ProductGroup: Book
Binding: Paperback

General | Puzzles & Games | Entertainment | Subjects | Books
ASIN: 0880384972

Product Description

In today's fast-paced, competitive business environment, everyone needs to communicate clearly and use time productively. E-Mail: A Write It Well Guide is a user-friendly book that is filled with guidelines, tips, and tools. Discover how to write professional e-mail that gets results, make better use of e-mail time, and avoid problems that can be costly. The book includes questions and exercises.

Customer Reviews:

Excellent Tool.......2007-05-12

This book has helped me significantly in writing email. The biggest concept that I learned is that one should be concise with email. Get your point accross the first time without having to send multiple emails. Very good book; I highly recommend it.

E-Mail: A Write It Well Guide.......2007-05-10

Very helpful book,especially for someone who spends a good portion of the day sending and receiving e-mails. There's a little something for everyone. This is a book worthy of sharing.

Surprisingly Useful.......2005-10-26

A surprisingly useful and insightful guide. My first response was that a style guide for email was oxymoronic; and that, I guess, is exactly the author's point. Email is thought to be exempt from the rules of clear communication; but of course, its not. The more concise, and clear, your message is, the more likely you will get a satisfactory response. I consider myself a veteran, long-time, high-volume, email user (Investment Banker: 80+ emails / day) - yet I found much here that I had not thought about before: unique ways to highlight key points, appropriateness of style, effective formatting, etc.. Includes time saving tips, strategies for managing email, and the obligatory reminders of the permanence of email, and the common pitfalls of casual usage in corporate settings. Highly recommended.

Useful Training Resource.......2005-09-23

Helping people learn to write clearly, efficiently, and effectively is an ongoing process. This book is exactly the kind of resource I'm always looking for. It's comprehensive, yet very easy to use. The information is accurate and addresses all the issues that continually come up when people use e-mail to communicate (which is much of the time). The questions and suggested activities make the book ideal for individual learning, team study programs, and workshops. And the checklists, which can be downloaded from the publisher's Web site, [...], make great handouts to reinforce training. I will certainly use this book in our e-mail and writing classes and I strongly recommend it for anyone who is responsible for helping others improve their writing and their use of e-mail in particular. Wanda Ingmire, IT Knowledge Services, APL Limited

The Best Book on E-Mail Style and Etiquette.......2005-09-20

As the author of an English reference guide/workbook, I think this book is exceptionally helpful to everyone needing to send out professional e-mails. E-mail has just about replaced informal memos and even reports. Therefore, we all need to learn how to convey the right tone, present a professional image, get our messages across clearly, learn the etiquette of e-mail, and avoid the pitfalls and hazards that e-mail technology poses. The author provides excellent, relevant examples and lays the material out in a logical, easy-to-understand fashion. I highly recommend it to individuals, HR departments, and training professionals.
Jane Straus
Author of The Blue Book of Grammar and Punctuation
and
Enough Is Enough! Stop Enduring and Start Living Your Extraordinary Life

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