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Edward Krasinski: les Mises en Scene
Dietrich Karner ,
Pawel Polit ,
Adam Szymczyk , and
Edward Krasinski
Manufacturer: Walther Konig
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ASIN: 3865601030
Release Date: 2007-03-01 |
Book Description
Sculptor Edward Krasinski was a key member of Poland's neo-avant-garde of the 1960s and 70s. His work was rooted in Surrealism and Constructivism, but also deftly navigated between Minimalism and Conceptualism. This deeply satisfying and substantial monograph is published on the occasion of the first retrospective exhibition devoted to the artist's work since his death in 2004. It focuses on Krasinski's unique exhibition designs--grandiose settings for his works which completely transformed the original exhibition spaces. It features generous documentary portraits of Krasinski, many of which were created in collaboration with the photographer Eustachy Kossakowski, and many of which are reproduced here for the first time. Special attention is paid to the legendary Foksal Gallery in Warsaw, which Krasinski helped to establish in 1966. Important exhibitions are investigated, including the artist's contribution to the 1970 Tokyo Biennial. Several of Krasinski's key works, whose whereabouts had been unknown for many years, were unearthed while the retrospective was being researched--and they are displayed here at last.
Book Description
Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
Customer Reviews:
What's in a frame?.......2002-05-07
The tenth volume of the Short Cuts series from Wallflower Press is the most narrowly focused and the most modest in intention. John Gibbs claims his task is "...less about saying something new, and more of bringing together in the same place, some of the ways in which mise-en-scene criticism has been brought about and put to use." Gibbs succeeds, offering a good introduction to practical mise-en-scene analysis and a detailed, even affectionate, history of mise-en-scene criticism. The major topics are definitions of mise-en-scene elements ("the contents of the frame and the way they are organized"), how these elements interact to create meaning, the history of Anglo-American mise-en-scene criticism and its relationship to the auteur theory, and the distinctive role of mise-en-scene in film melodrama. Gibbs focuses mostly on directors celebrated in the early days of auteurism--Renoir, Ford, Ray, Sirk, Minnelli, Hitchcock, Ophuls. You can imagine an undergrad raised on high tech blockbusters getting a bit restless. The most important insight for the seasoned reader is how mise-en-scene analysis, as a preferred method of the auteur critics, elevated the role of director and in turn raised the status of narrative film from shallow escapism to profound artform.
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Antoine, l'invention de la mise en scene: Anthologie des textes d'Andre Antoine (Parcours de theatre)
Andre Antoine
Manufacturer: Centre national du theatre
ProductGroup: Book
Binding: Unknown Binding
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ASIN: 2742725121 |
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Benno Besson et Hamlet: Un portrait a travers quelques mises en scene d'Hamlet
Anne Cuneo
Manufacturer: P.-M. Favre
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Binding: Unknown Binding
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ASIN: 2828902870 |
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Cent Ans De Mise in Scene Lyrique En France (Env.1830-1930)/One Hundred Years of Operatic Staging in France (Vie Musicale En France Au Dix-Neuvieme Siecle)
H. Robert Cohen
Manufacturer: Pendragon Press
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Binding: Hardcover
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ASIN: 091872869X |
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Classicism, Montage, Mise En Scene (Studies in Film) (Studies in Film)
Sam Rohdie
Manufacturer: Legenda
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Binding: Hardcover
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ASIN: 190471305X |
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Trends in Schenkerian Research
Manufacturer: Schirmer Books
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Schenker Studies 2 (Cambridge Composer Studies)
ASIN: 0028705513 |
Book Description
If you already play backgammon, don't you sometimes wonder how good you really are? Well, this book is your chance to really find out.
The 50 situations presented here, cover most of the aspects of the game, from initial moves to bearing off strategies. Each problem is graded on the basis of 5 points for the optimum play and some partial credit for sub-optimum but adequate ones, if such exist.
If you rack up a score of 225-250, you rank right up there with the experts—you should think seriously of competing in Backgammon Tournaments. If you score 200-224, you are not an expert yet, but you are rapidly approaching this point. A score of 135-199 indicates that you are a good, sound player, probably the best in your…neighborhood. If you score less than 135 points, there is no need for despair. Study this book carefully. It can serve as a case studies tool for improving your game. Besides, the problems presented are not only mind-taxing, they are also entertaining. And the justifications for the optimum play are clearly explained, often culminating in various useful rules of thumb (the closer-closest rule, the rule of even, etc.) for difficult, but commonly occurring situations. Good luck!
Customer Reviews:
Disappointing.......2003-08-27
The authors describe themselves as world champion backgammon players. I have no reason to doubt this claim. However as expositors of backgammon, they fall fairly far from championship status.
The book presents a series of backgammon positions. Given a board position, a roll, and the cube, the reader is asked to find the best move. The authors then assign from one to five points to the reader's selection (assuming that the reader decided upon one of the authors' preselected moves, of course.)
Most of the introductory positions are uncontroversial. The authors quickly move on to more complicated board positions however, and here is where the trouble begins. In many positions, they tend to favor the safe play. Certainly a recognized style, but stating that the safe play is the best play, without a discussion of the cube, the score, or any alternatives seems like hubris.
In one problem, the authors state that "black is far enough ahead to run in this position", but they make no attempt to quantify what they mean by "far enough ahead", nor is there even any discussion of how to determine when one player is ahead. In another position, where they also advocate a safe play, they make no mention of the possibility of playing for a gammon, and the pro's and con's of that decision.
The book doesn't present enough basic principles to be of use to the novice: There are no discussions of pip counts, very little of bearing off, and only a muddled mention of hitting probabilities. The experienced player will find himself disagreeing with the authors without gaining any insight from them.
Nifty book.......2003-03-31
I bought it and read it during a flight from Washington to LA. Entertaining, with many good and easy to remember rules on how to improve your game. It made the trip pleasant, even though my score was low.
Book Description
Phyllis Mindell, an acclaimed expert on professional communications, shows women how to transform themselves by transforming their language; shed weak words, phrases, and gestures; empower themselves to win attention and respect; and get their ideas across with confidence and power.
Perhaps the best teacher of how the power of language can transform is an unexpected one: Charlotte the spider of E.B. White's, Charlotte's Web. Mindell demonstrates how Charlotte communicated messages that gained national attention and saved a friend's life. As a model, she combines female strengths of wisdom and compassion with the determination and power to make a difference.
As part of Prentice Hall Press's highly successful How to Say It tm series, How to Say It tm for Women is packed with practical tips, techniques, and examples that arm women to grapple with every communication issue, from choosing the right word or sentence to speaking, reading, writing, leading, dressing, and interviewing effectively. Readers will learn how to: shun words that weaken messages and make women invisible; sail through interviews; assess and develop leadership skills; say NO, kindly but firmly; respond appropriately to slurs, insults, and harassment; say the one winning word that gets people to follow directions.
True stories about women in every field, along with quotes from Ruth Bader Ginsberg, Carla Hills, Amelia Earhart, Elizabeth Dole and others, enable women to tap the power of words to persuade, motivate, establish authority, and make a difference-- without sacrificing their integrity, their compassion, or their femininity.
Customer Reviews:
What every woman should know!.......2006-03-09
I read about this book - actually, I consider it a textbook - when searching for tools on expanding my career. I usually wouldn't buy something like this, and instead look for similar information from free 'Net sources. But on a whim, I bought it, and am so glad I did. I'm not even halfway through and what I've learned already has helped me to speak and express myself in a way that gets people's attention, and has improved my professional image. One of the best tips, which comes early in the book, is catching myself using the "I think/like/don't like" phrase when I want to discuss facts. I do it, so I don't look like a know-it-all. Dr. Mindell, however, shows several ways to express facts without appearing as though I have all the answers.
The author also cites common grammar and language mistakes that keep women in the background, and prevent us from asserting our strengths and skills. The concept of Weak Language is especially intriguing; in reviewing the examples, I saw myself in almost every one. Her solutions are very attainable, but she strongly recommends practicing this new language with another woman. I have, and my women friends were amazed at how powerful this "new" language sounds.
These are hard habits to break, but with the tips and examples in this book, I'm getting better at it. And I can see the difference in how others treat me; more importantly, I feel different about myself. The book is really a life-changing experience, for someone who has never really put much thought into my "image" but is continually frustrated at not getting the positive attention for my work success as I believe I deserve. Thank you Dr. Mindell!
Review by the Business Librarians of the Carnegie Library, Pittsburgh.......2005-07-17
The lights go down. The speaker strides confidently towards the podium, pauses and makes eye contact with the audience. And from the very first moment you know, instinctively, that it's going to be an excellent presentation. An experience like this reinforces your desire to create your own unique aura of self-confidence. What can you do to make this happen?
One thing you can do, right away, is to get a copy of Dr. Phyllis Mindell's book, How to Say It for Executives: The Complete Guide to Communication for Leaders. It's an excellent guide for acquiring and practicing the communication skills you'll need to get ahead and stay there, complete with exercises, charts, lists, examples, and a simple format that makes it all easy to digest.
Primary among those skills is something obvious but often overlooked: listening. When you pay close attention when others are talking, instead of interrupting or jumping to conclusions without hearing the entire story, it will be noticed and appreciated. Of course, a favorite chapter for us here at the library is "Reading Like a Leader," in which the author doesn't tell what to read, but rather how to read - both speedily and deeply - in ways that will build skills in analysis, synthesis, and argument. A chapter on nonverbal leadership breaks down the powerful code spoken by gesture, dress, and body placement.
Preparing a presentation is the centerpiece of How To Say It For Executives, and Dr. Mindell meticulously lays out each step of the process. Before you begin, gather some information about the audience. The speech should be written out, using an absolute minimum of sentences that begin with "I", and rehearsed. The most objective way to find out how you really look and sound in front of an audience is to videotape the speech. After viewing it, turn off the sound and watch it again. Now that you know where improvement is needed, complete the assignments in each chapter that target problems commonly faced by public speakers.
You never know when hostile or difficult people will be in the audience. One individual can spoil an entire presentation by monopolizing the floor or asking inappropriate questions. The author offers several techniques for tactfully handling a variety of problems and disruptions that can occur in an open forum.
Perhaps the most valuable lesson in How to Say It for Executives is this: Make a concerted effort to stop using weak words like "I feel", "sort of", "I guess" and "I think" in everyday conversations as well as presentations. Instead of coming across as tentative and unsure, practice substituting phrases that will make your sentences strong and persuasive. Although the advice in this book is directed primarily to those in leadership positions, anyone but a hermit will find life is made much easier by becoming a better communicator
Not Helpful.......2005-04-25
I bought this book at a womens' leadership conference a couple of years ago. I read it cover-to-cover and decided to try the skills covered when communicating in my office. My supervisors' opinions of me changed drastically - they began to view me as surly and defiant. I didn't think any of the verbage alternatives were rude, but in the organization where I was working, the higher-ups expected you to consider them omnipotent and not have an opinion of your own. Ultimately one should consider their audience and adjust their language accordingly.
Great basis for coursework.......2005-04-05
I am using this book as a reference for my students in a business english course in Japan. Although the students find reading it cover to cover a bit too much (lower intermediate English level) when I point out specific points and pages I want them to read and understand, they really get a lot out of it. The book is written well and ideas are developed and backed up clearly. I would recommend this to any teachers of women students.
A valuable resource for aspiring women leaders.......2004-07-30
I can't recommend this book highly enough. As a leadership coach in Silicon valley I often help women managers and executives to become better leaders, and this book speaks directly to two of the biggest roadblocks to women's advancement: communication and confidence. These women are shocked at how closely Mindell understands their work challenges. The book takes highly volatile, challenging workplace situations and offers suggestions that immediately actionable.
Books:
- Motion Blur (includes DVD): Graphic Moving Imagemakers Publishers (Onedotzero)
- My Beautiful Laundrette
- Neo-Noir: The New Film Noir Style from Psycho to Collateral
- Nonlinear Editing: Storytelling, Aesthetics, & Craft
- Oona Living in the Shadows: A Biography of Oona O'Neill Chaplin
- Optical Poetry: The Life and Work of Oskar Fischinger
- People: Seventy-Five Years of Oscar Style
- Pictures in My Head
- Playing With Canons
- Practical Art of Motion Picture Sound, Second Edition
Books Index
Books Home
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Cahier d'exercices oraux et ecrits: A Workbook/Lab Manual to accompany Collage: Revision de grammaire
Collage: Revision de grammaire (Student Edition)
French Grammar: A Complete Reference Guide
Contrastes: Grammaire du français courant
English Grammar for Students of French: The Study Guide for Those Learning French
