Book Description
150 more ways to tell if you're a redneck.
Customer Reviews:
THIS BOOK WAS HILARIOUS!!!!!!!!!!!!!!1.......1998-12-24
rED AIN'T DEAD WAS A GREAT BOOK FOR A COWPOKE IN YOUR LIFE. gET IT FOR YOUR DAD OR OTHER MALE IN YOUR FAMILY.
Book Description
Proposing that Arnold Schoenberg has been more discussed than heard, more tolerated than loved, Allen Shawn puts aside ultimate judgments about Schoenberg's place in music history to explore the composer's fascinating world in a series of linked essays--"soundings"--that are both searching and wonderfully suggestive. Approaching Schoenberg primarily from the listener's point of view, Shawn plunges into the details of some of Schoenberg's works while at the same time providing a broad overview of his involvements in music, painting, and the history through which he lived.
Customer Reviews:
i like this book.......2006-07-01
This marvellous book evoked the sense of excitement/bemusement at encountering Schoenberg's music for the first time but also prompted me to investigate works which in the past i'd not given sufficent attention.
Here's a few scattered quotes of what he has to say about 'Die Gluckliche Hand':
'that the representation of the unattainable is embodied in music that is itself dense and tangled is no accident.Although it is beautifully imagined and so headlong in its progress that it seems shorter than it is......yet it is precise in its intricacy,and the orchestration is lush and full of colour' pg.158
The moments of analyis are always free of technical jargon and i like the attention given to Schoenberg's painting as a means of illumination.Altogether a compelling read and well illustrated.
The possible drawbacks are minor:
for my liking,there are too many references to Robert Craft, and i don't understand what Shawn means when he describes Wagner as being earthbound in comparison with early Schoenberg(the prelude to Parsifal being one of the most weightless pieces of music i know).Also,i have a special affection for that most ravishing of choral works 'Friede auf Erden' op.13 so was sad to find no reference to this little gem.
But please,go out and buy this book.It's got just the right tone of voice.Supplement with Rosen's more dense but equally thoughtful book.
An attempt at a more "superficial treatment" of Schoenberg..........2005-08-06
Schoenberg's music gets treated at times like no more than a necessary intellectual evil: "Ok! Ok! Tonal centers aren't the only musical expressive form! We get it! Now can we please get back to beautiful life-affirming melodies and harmonies?!?!" The music often gets treated from only a theoretical viewpoint, and many people read about Schoenberg, or worse, read opinions about his music, before really experiencing the music itself. In this sense the music doesn't get a chance to live and breathe on its own without an angorra-thick layer of theory and sometimes obscure and opaque musicology heaped over it. The author of this book states this idea very eloquently in the introduction: "...it is not entirely in a spirit of facetiousness that I have said to friends that I feel perhaps Schoenberg's work deserves a more superficial treatment than it has hitherto received." This theme runs throughout the book, and the reader actually has a chance to get to know Schoenberg's biography and how that biography potentially related to his music without being subjected to stifling theory.
The book as a whole is made up of short chapters some of which contain mostly biography and others of which contain mostly descriptions and reflections on some of Schoenberg's major works (there are chapters completely dedicated to the following works: Verklärte Nacht, Gurre-Lieder, Brettl-Lieder (from Schoenberg's suprising tenure with Berlin cabarets in 1901-1902), Five Pieces For Orchestra, Erwartung, Pierrot Lunaire, Die glückliche Hand, Moses Und Aron, and the String Trio). This book doesn't just cover his music, though. One chapter gets devoted to his very literary treatise on harmony, "Harmonielehre". Another chapter discusses Schoenberg's paintings (some of which Gustave Mahler purchased to help support his financially struggling colleague). Two interesting later chapters deal with his propensity to create games and practical inventions, and even a reflection on being short (a trait that the author confesses to share; Schoenberg himself was under 5'4" which ranks him heightwise beneath Napolean).
Some of the most fascinating biographical episodes involve the audience and critical reactions to Schoenberg's works (at a performance of Pierrot Lunaire an audience member supposedly pointed at Schoenberg and yelled "Shoot him! Shoot him!" other concerts prompted his friends to shield him from projectiles thrown by the audience, or to evacuate him from the theater, and many performances were literally shouted down - the vocalist at the premiere of his Second String Quartet apparently left the stage in tears). An entire chapter also gets dedicated to Schoenberg's twelve-tone technique (often derogatorily subsumed as "overly intellectualist"); a technique he followed in his later works (most notably in "Music for a Film Scene", Op. 34, and the famous Piano Concerto, Op. 42).
Schoenberg also lived through major world events: World War I (in which he took a part) and World War II (which forced him to flee Germany and Austria in the rising tide of 1930s Anti-Semitism; "Ode To Napolean Bonaparte", Op. 41, stands as Schoenberg's musical lashing out at Hitler's tyranny). He also tried to help Jews in europe during Hitler's rise; he took anti-semitism as a given (one could arguably make the depressingly bizarre claim that anti-semitism was almost "fashionable" in the early part of the twentieth-century) and advocated a Jewish homeland.
Schoenberg's skills as a teacher (his most reliable source of income throughout his life) receives notice here, too. His pedogogical style apparently didn't encourage devoteeism. Some of his most famous students included Alban Berg, Anton Webern, and John Cage. All followed their own distinct directions following Schoenberg's instruction.
This book brings Schoenberg to life for those who know little about him. Those who have not heard any of Schoenberg's music should seek it out before reading this book. After all, the message of this book relates to finding meaning through active listening to, not intellectualizing about, the music of Schoenberg. Some passages might get a little thick for those with no musical background. And some contain actual musical notation. Nonetheless, a music theory background is not required to read or even to enjoy this book (though admittedly it would be helpful). The book overall opens up the expressive possibilities of Schoenberg's music to those whose spines curl at the mere mention of his name.
a wonderful, sympathetic view.......2002-12-10
Allen Shawn's book is clearly a labor of love. This is remarkable, given that Schoenberg is notoriously difficult to love! I strongly recommend the book to anyone interested in one of the most influential composers of all time. Shawn is a composer, and presents careful treatments of several major compositions, complete with excerpts from the scores. He includes some fascinating biographical information, but the focus is the music. Schoenberg pioneered "atonal" music in the years right around 1910 parallel to Kandinsky's pioneering abstract painting, and in fact the two were friends and collaborators. Here is an amazing quote from Schoenberg:
"It has never been the purpose and effect of new art to suppress the old, its predecessor, certainly not to destroy it. ... The appearance of the new can far better be compared with the flowering of a tree: it is the natural growth of the tree of life. But if there were trees that had an interest in preventing the flowering, then they would surely call it revolution. And conservatives of winter would fight against each spring. ... Short memory and meager insight suffice to confuse growth with overthrow." (p. 141)
Great Composer, Great Book.......2002-04-15
I don't understand musical notation, but when Mr. Shawn goes into detail, his inspiration is transmitted to me, and I want to go hear the work.
Schoenberg is tough, true. But I hope people will read this book and see he was human and passionate.
It's really silly that I haven't had the opportunity to hear one of the greatest composer's music in concert. Will that change?
With more advocates such as Mr. Shawn, I can hope so.
A great book.......2002-04-06
Thank you, Allen Shawn, for putting Arnold Schoenberg in the light that he deserves to be viewed in.
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Arnold Schoenberg's Journey. (Book Reviews: Composers).(Book Review): An article from: Notes
Paul Orgel
Manufacturer: Thomson Gale
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Title: Arnold Schoenberg's Journey. (Book Reviews: Composers).(Book Review)
Author: Paul Orgel
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Notes (Magazine/Journal)
Date: March 1, 2003
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- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Customer Reviews:
this should be required reading.......2006-11-12
I first read The Skeptical Feminist years and years ago and it was my first exposure to the idea that the status quo of male only deity, male domination and patriarchy was unfair to women. This sounds naive now. I was so blown away when I read this book, I was in a panic at the notion that it hadn't been read by everyone in the world. This book opened my eyes to the idea that there is something other than the Father, the Son and the Holy Spirit. There is the Mother, the Daughter, the Crone, and they are FEMALE! The goddess who, but for patriarchy, would be lovingly caring for the world today, is making a comeback, and I say fervently BE IT SO! This book is fairly vitriolic in its condemnation of what men have wrought over the centuries, but when you read about all the atrocities women have had to endure in the name of false male authority supported by the Judeo Christian deity, I say read this book. Then read more books, particularly The Chalice and the Blade and The First Sex. Read about what happened to the women who died for nothing, just so men could stay on top. It will open your eyes.
A Breath of Fresh Air.......2006-05-27
A wonderfully cogent analysis of the extremely destructive results of the belief in Johovah, Yahweh, Allah--basicly the monotheistic male god. For those happy with the existing level of greed, corruption, mayhem, and murder in our world, by all means skip this book. These thousand-plus year old religions have had ample opportunity to improve the world and failed miserably. For the rest of us, Walker's book provides good suggestions for getting the capricious God as he is represented in Judaism, Christianity, and Islam completely out of our heads. She provides a healthful, sane alternative for the part of our minds that needs a symbolic mystery for life-giving satisfaction. The ancient Goddess can provide a far better example for a meaningful, sane life than the destructive beliefs we find around us as particularly exemplified by fundamentalists of all stripes--although the negative effects of the father God are not limited to fundamentalists. Walker provides a positive, joyful alternative to the father gods. As she correctly puts it in describing patriarchal religion, "There is no baby in that bathwater."
Should be required reading.......2003-07-05
This book should be revised (to include the present hostilities between Christians and Muslims) and re-released. It would be unfortunate for our current world leaders not have had the opportunity to read it before they continue with the current questionable efforts toward conflict resolution. The fact that World War III might very well be fought over ancient mythologies and superstitions (Christianity, Judiasm, Islam) would be very clear to those fortunate enough to be able to appreciate the content of "The Skeptical Feminist"
tedious.......2003-03-18
I found this book used, and am glad I didn't pay full price for it.
First, most of it is Christian bashing, pointing out errors and fallacies in the Bible. If the Goddess movement is to become a religion in its own right, then we must stop basing OUR religion on someone else's. It doesn't matter what Christians believe. If they are comfortable with their religion then it doesn't matter if I may percieve some of the ideas as outdated or childish.
Secondly, she seemed to spend a lot of time recounting arugments she had with "lesser intellects" on the subject of religion, all of which she ultimately won. She's never wrong, nor does she ever admit that she had to change her mind on a subject. The older boy at the dance, the veteran at the college party... all these stories are presented to show how superior her intellect is to any man's.
It is boring to read, and there's not much to the book besides this.
Guilty of what she accuses.......2000-12-16
The author, although well educated in the beliefs of pagan/goddess worshiping religions, tends to be guilty of the very things she accuses patriarchal religions of. She states that male-dominated religions (especially Christianity) are responsible for the atrocities committed against women over the past 2-3 thousand years (a true enough fact) but then proceeds to encourage a view so far to the opposite extreme by encouraging a purely feminist/matriarchal worldview that she completely discounts any male contributions are possible unless he is thouroughly rooted in the feminine. Overall, she understands the history of what paganism/ goddess worship is rooted in but completely misses the belief that equal contributions come from both women and men which, when in balance, benefit all of society.
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Virgin Witch
K. Vogel
Manufacturer: Redemption Books Ltd
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ASIN: 1899634207 |
Product Description
Monster Geographica: Marsh and Aquatic is the second book in the Monster Geographica line. The Monster Geographica series updates classic 3.0 monsters to 3.5, combines them with some of the best 3.5 monsters, and organizes them into books focused on a particular environment. Offering affordable alternatives for the consummate game master, these no-frills, digest-sized books are packed with solid monster information presented in the game-useful manner of environment and challenge rating.
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Land Reform and Working-Class Experience in Britain and the United States, 1800-1862
Jamie Bronstein
Manufacturer: Stanford University Press
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ASIN: 0804734518 |
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By exploring in detail land reform movements in Britain and the United States, this book transcends traditional labor history and conceptions of class to deepen our understanding of the social, political, and economic history of both countries in the nineteenth century.
Although divided by their diverse experiences of industrialization, and living in countries with different amounts of available land, many working people in both Britain and the United States dreamed of free or inexpensive land to release them from the grim conditions of the 1840’s: depressing, overcrowded cities, low wages or unemployment, and stifling lives. Focusing on the Chartist Land Company, the Potters’ Joint-Stock Emigration Society, and the American National Reform movement, this study analyses the ideas that motivated workers to turn to land reform, the creation of working-class land reform cultures and identities among both men and women, and the international communication that enabled the formation of a transatlantic movement.
Though there were similarities in the ideas behind the land reform movements, in their organizational strategies, and in their relationships with other reform movements in the two countries, the author’s examination of their grassroots constituencies reveals key differences. In the United States, land reformers included small proprietors as well as artisans and factory workers. In Britain, by contrast, at least a quarter of Chartist Land Company participants lived in cotton-manufacturing towns, strongholds of unpropertied workers and radical activity.
When the land reform movements came into contact with the organs of the press and government, the differences in membership became crucial. The Chartist Land Company was repressed by a government alarmed at the prospect of workers’ autonomy, and the Potters’ Joint-Stock Emigration Society died the natural death of straitened finances, but the American land reform movement experienced some measure of success—so much so that during the revolution in American political parties during the 1850’s, land reform, once a radical issue, became a mainstream plank in the Republican platform
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