Mr. Alexander's Four Steps to Love

Book Description

True love is just four steps away! Put your best foot forward with Mr. Alexander's Four Steps to Love, a simple program for finding the soul mate you deserve. In just four easy steps, you'll learn how to visualize your perfect partner, show off your best features, meet 2,000 new people, and find the dream companion who lives within. Mr. Alexander's whimsical illustrations and handwritten instructions guide the reader through visualization exercises, motivational rituals, take-charge activities, and more. These techniques have already helped people around the world find their partners in life - and now they can help you. We can't change our fate - but we can improve our odds, and Mr. Alexander shows us how.

Customer Reviews:

No Boring Tome - This is Fun!.......2004-02-28

This is a light and whimsical look at finding love through self-acceptance. Not your typical textbook type self-help book. Four Steps was silly and fun and right on. Don't have a success story for you yet, but give me time!

Average customer rating:

Rush - Different Stages

Mereley Junk

Very admirable, but has some lazy flaws

Will be Updated

Could've been so much better

Rush : Merely Players
Robert Telleria
Manufacturer: Quarry Music Books
ProductGroup: Book
Binding: Paperback
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ASIN: 1550822713

Customer Reviews:

Rush - Different Stages.......2006-05-10

A book about the rock trio Rush, by defintion, must be a labour of
love given the band's tendency and penchant for privacy and modesty.
Like-wise, a tome with 400 pages of material which includes
the band's entire discography, tour dates, itinerary and more
has the potential to fulfill a unique need for fans of the Canadian
ensemble.
What turned out to be a satisfactory read, in fact, did no start as such.
Overall, the book seemed like a disjointed disappointment at first.
Rush Tribute - Mereley (sic) Players starts with 130 pages of quotations
lifted from various interviews and publications. The information must have been
difficult to compile, but that does not excuse the lack of original
sources. In other words, the compilation is worth reading, but hardly original.
As Rush Tribute progresses the reader finds that subsequent chapters offer more
stories, trivia, investigative information and knowledge.
There is quite a few factual and grammatical mistakes to be sure, but the
author still manages to publicize quite a bit on the Canadian three.
Generally-speaking, Rush Tribute is a fun and instructive read on all things Rush
excepting the general hazards of working off second-hand material.

Mereley Junk.......2006-01-18

We have all heard the old adage that you can't judge a book by it's cover. Of course, another saying holds that there is an exception to every rule. The newest addition to the Rush library may very well be that exception.

I'm referring of course to the fact that the author -- Robert Telleria - is listed as "the reigning authority on all things Rush," while managing to mis-spell the title of his own book. (If it still is not obvious, Mereley Players should have been Merely Players). Now, while I am sure there is some perfectly logical explanation having to do with editors, printers, etc, it is an unfortunate fact that the irony perfectly describes the content to be found between the covers of the book.

But let's back up for a moment....

The first thing a prospective reader/buyer of this book should understand is that while there is definite biographical material contained here, this book is not a narrative biography a la Visions or Success Under Pressure. Rather, it is a Rush Encyclopedia, containing biographies, a discography, equipment listings, tour dates, set lists, etc. This fact has led to criticism in the various Rush on-line forums that perhaps Mr Telleria is attempting to make money from information that any fan can find for free with a bit of effort. In his defense, I don't buy this line of logic.

To start with, I am a firm believer in the free-market system which runs under the rules of caveat emptor. If Robert Telleria was the first to compile all this information into book format, and if he can find buyers for his product, all the more power to him. I am also old-fashioned enough to still think that a nice, weighty book is more desirable than a web site. That is, if it meets a few criteria:

1. It is packaged and formatted in an attractive manner.
2. It contains at least a few small nuggets of information that I can not find on most web sites.
3. It is presented in a scholarly manner in terms of approach and accuracy.

The best rock biographies and encyclopedias meet all these criteria. Here I am thinking of such books as Before I Get Old by Dave Marsh (on The Who), A Saucerful of Secrets by Nicholas Shaffner (on Pink Floyd), and Opening the Musical Box by Alan Hewitt (on Genesis). The hallmark of each of these books is wonderful presentation in both style and content, combined with meticulous research and referencing. Almost every fact in these books is backed up with a footnote. So does Mereley Players live up to this standard?

There is no question that this is a nice-looking book. It is easy-to-read an organized in a manner that makes the information easy to find. The addition of several color plates of rare photos is a nice touch. The timeline approach to the biographical info flows well and lends itself to a good, substantial reading session.

As far as arcane Rush information goes, the book is loaded. I have been a fan for quite a few years, and have read/listened to just bout every article and interview ever done on the band. Still, there were many facts in Mereley Players that I had never seen before. So rare was this information in fact, it had me asking "where in the world did he ever dig this up?"

And here we reach the major problem with this book.

As I stated before, an encyclopedic reference guide demands that attention be paid to listing the source of the information it contains. But in Mereley Players, there is nearly zero footnoting or citation of reference materials. In fact, the only time sources are listed is in conjunction with a previously printed quote from one of the members of the band. It is hardly realistic to think that every bit of information in this book was unearthed by Mr Telleria, a fact exacerbated by his apparent unwillingness to credit anyone else. The worst example of this is on the first color plate. The picture of Neil Peart (wearing the 2112 t-shirt), which is supposedly rare, was lifted straight off a poster that many of us probably had in our rooms in the early 80s. But no credit is given to CAT Productions, the originator of this poster.

Given the nature of errors contained in the set lists and tour dates, it appears suspiciously like much of this information was garnered from now-defunct internet sources such as the National Midnight Star and the Rush Setlist Project.

Which leads us to the worst part of Mereley Players - there are just way to many errors. Here is a listing of all the problems I found in just one section, the Concert Set Listings:

* The set list for the 8/26/74 show omits "Garden Road." This is particularly glaring as the November 2000 rebroadcast of this concert on WMMR in Cleveland contained this song, which was regarded by most fans as the unearthing of a previously lost treasure.

* The Caress of Steel set list is taken from bootlegs which are known fakes. The 11/15/75 list is correct, but Mereley Players makes absolutely no reference to credible evidence that a 1/10/76 Toronto show was played that included the songs "Making Memories" and "The Fountain of Lamneth."

* In the Hemispheres tour listing, no mention is made of the fact that the songs Something for Nothing and Cygnus X-1 were dropped for the German dates at the end of the tour.

* The listing for the Semi-Tour of Some of the Hemispheres lists "Overture" and "Temples of Syrinx" as the only portions played from 2112. "Presentation," "Soliloquy" and "Grand Finale" were also played.

* The Permanent Waves list cites a reggae version of "Working Man," which didn't actually come until the Moving Pictures tour one year later.

* The Exit...Stage Left list says that the set was the same as the Moving Pictures Tour, with the addition of "Subdivisions." In fact, "Natural Science" was dropped, as were "Prelude" and "Xanadu" for some German dates

* The listing for the First Tour of the Nadars cites the same line-up as Exit...Stage Left tour, with the addition of "The Analog Kid." In fact, "Prelude" and "Xanadu" were also dropped.

* No mention is made of the fact that "The Camera Eye" was dropped on some of the German dates of the Signals Tour.

* No mention is made the order of the songs within the set were changed during subsequent dates of the Radio City Music Hall 1983 concerts.

* For the Power Windows set listing, there are several errors. No mention is made of the fact that "The Weapon" was played on the first two nights. The listing indicates that "Witch Hunt" was dropped on 2/26/86 - this is false. The listing indicates that "The Trees" was replaced with "Mystic Rhythms" on 4/13/86 - this is false, as "Mystic Rhythms" was in the set from the start of the tour. The listing indicates that an extended version of "2112" was played on 4/3/86 - a false legend originally started on the Rush Setlist Project.

* The Presto set listing makes no mention of the variable order of the songs "Superconductor" and "Show Don't Tell" for first few days of the tour.

* The Roll The Bones listing indicates that "Distant Early Warning" was replaced with "Red Sector A" for European dates - this is false. The listing also indicates that the songs "Vital Signs," "The Analog Kid," and "The Trees" were added on European dates - this is false, as the songs were added on the final leg of the American tour, after the European leg. The listing indicates that "Temples of Syrinx" was played - this is false.

* This one is a nit-pick, but will be recognizable by any other pop-culture misfits out there. Mereley Players lists the "dancing candy" song played during the Test For Echo intermission as "Let's all go to the lobby and Have Ourselves a Snack." The proper lyrics are "Let's all go to the lobby/and get ourselves a treat."

And that is just for just one section. If this information was presented as a casual appendix to a narrative biography, we could perhaps overlook these errors. But as information contained in an encyclopedic reference, these mistakes are a downright embarrassment. Unfortunately, it does not end here. Some of the more glaring errors I found in a casual glance at a few pages of in the "Biography" section:

* Pg. 25 lists Caress of Steel as Rush's second album.

* Pg. 34 misquotes Geddy in an address to the crowd during a shoving incident during the Tucson 11/20/78 concert.

* Pg. 35 states "Uncle Tounouse" [sic] was recycled into "Natural Science." In fact, "Uncle Tounous" formed a roadmap for the entire Permanent Waves album. "Sir Gawain and the Green Night" was the song reworked into "Natural Science."

* Pg 36 list Sept 22, 1979 as debut of "The Spirit Of Radio" and "Freewill" - presumably in the UK. It also cites Sept 22 as the day Rush flew to the UK to debut the songs in front of 20,000 people. In fact, Bingley Hall only holds 10,000 people, and there were two shows - the 21st and 22nd. This is verified later in Telleria's own tour date listing. .

* Pg 47 cites Oct 25, 1981 as the start of Exit...Stage Left tour and lists the premiere of "Subdivisions" as taking place in London on November 5, 1981. Both the tour start and the song premiere actually happened on Oct 29, 1981 in Stafford, UK.

I could go on here, but you get the point. There are just too many occurrences of this sort of error in this book. And we have not even started to talk about the more subjective data such as the lyrical analysis in the "Words and Music" section. The main problem with all this is that while there is certainly accurate information in Mereley Players that would easily be classified as previously unknown, those facts are sandwiched between the sort of glaring errors that even a novice fan should be able to pick out. The net result is that the combination of a high percentage of inaccurate data along with the total lack of footnoting casts a shadow over this entire book. Truly unfortunate, especially when one thinks of all the future arguments over Rush arcana which are sure to erupt "because it says so in the Telleria book."

In the end analysis, Mereley Players can be enjoyed on a superficial level, so long as the reader accepts it for what it is - a flawed reference guide which ranks somewhere above the Working Man Tribute album and below Visions on the Rush Collectability Scale. Perhaps the criticism of this book that's sure to follow will prompt the author to work on a more meticulously-edited 2nd edition.

And maybe the next time around, Mr. Telleria will think to credit the folks who help him get it right.

Very admirable, but has some lazy flaws.......2004-01-05

Rush is my favorite group,and so it's always been a bit frustrating that they are so private, and hence, I don't feel I know them all that well. Much of that changed witht his good book. Telleria basically cobbled together a "complete" history of the group through pasting together interviews and other publically available material. The amount of work this must have taken is amazing to consider, and the book appears to be exhaustive. Indeed, much of the material would be impossible to find elsewhere without doing the same amount of research, so as others here have suggested...this is the "bible" for Rush.

However, there are some sloppy mistakes, most glaringly on the front cover, where the book is titled "Mereley Players," a pretty glaring misspelling. There are small typos throughout the book, and although it appears exhaustive, I know from personal experience that the two shows I saw Rush perform in Albuquerque for the SIGNALS tour are missing from this book, which makes one wonder about the accuracy of the rest of it. I'm not sure there are sins of commission, but I suspect things might be omitted.

So, the book is admirable and enjoyable and highly recommended, but it not without flaws. For the devoted fan only!

Will be Updated.......2003-11-07

Merely Players is a good read. Granted you might be able to get most of this stuff for free on the 'Net but have you ever tried to read your computer in the tub? The author states that it is going to be reprinted by a new publisher and be updated with stuff from 2001 and 2002 so put away your slings and arrows until then and give the guy some slack. No matter if you feel he is merely collecting other people's information and putting it together in one book or not, it still is a hell of a lot of work to do and I look forward to the new edition. It's just nice to have a book on Rush available and I thank Mr. Telleria for that.

Could've been so much better.......2003-07-01

This book is 80% factual; the direct quotes from the band members and their associates, taken verbatim from newspaper and magazine articles. The other 20%, the part written by Telleria himself, is of questionable accuracy; much of it, in fact, has been proven wrong by other "reigning authorities." You really need to understand this book's 80/20 nature and be okay with it before buying.

Less-knowledgeable fans (or those new to Rush) will be quoting from this book as a valid reference source... and it's not! I won't go into details, but the true "reigning authorities" have documented pages and pages of factual mistakes in this book. These mistakes are going to be repeated by casual fans for many years as "fact," thanks to the author's ignorance and sloppiness.

As an obsessive fan of Rush for some 20 years, there really isn't anything in this book that I didn't already know. It's also interesting that the "facts" which were new to me weren't supported by a quote from a band member. That makes me think they're not facts at all, but rather some rumour or personal belief that the author is passing forward as an empirical truth. I've found too many errors in this book to begin taking the author at his word; at least, not without a supporting quote from the band.

Oh, and two more things:

1. That is NOT Neil Peart on the "Permanent Waves" album cover, and the burden to proof lies with the author and his supporters to show otherwise. Find a quote that supports this claim and I'll begin to believe it, but for now, there are too many factors which indicate it's not him. I owned a vinyl copy of the album for years and got a good look at the man on the cover; not once did I even begin to suppose that it could be him... and me, with an active imagination and a habit of looking for the "hidden meaning" on album sleeves. Also, given Neil Peart's penchant for privacy, how on Earth do you think he could be talked into posing for the front of the album, and without the other two band members???

2. Geddy Lee, not Neil Peart, wrote the lyrics to "Best I Can." It says so right there in the liner notes. And get yourself an original vinyl copy of the album! The lyrics are all written down inside the LP in Neil's handwriting, but Geddy is credited with creating that song's lyrics. And Neil drew a little picture of Geddy next to this song; that should tell you something!

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"A Thoroughly Nasty Business Concern"

Something is Rotten in Cincinnati

Why people hate big business

Horrendous Company

Are they all doing the same practice?

Soap Opera : The Inside Story of Procter & Gamble
Alecia Swasy
Manufacturer: Simon & Schuster
ProductGroup: Book
Binding: Paperback

Company Profiles | Biography & History | Business & Investing | Subjects | Books
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For God, Country, and Coca-Cola: The Definitive History of the Great American Soft Drink and the Company That Makes It

ASIN: 0671897810

Book Description

Behind Procter & Gamble's wholesome image is a control-obsessed company so paranoid that Wall Street analysts, employees, and the chairman himself refer to it as "the Kremlin." P&G's wealth and power ensure that it gets what it wants, from tax breaks to the eager services of Washington lobbyists.

In this explosive expose, Wall Street Journal reporter Alecia Swasy tells the chilling story of life within P&G.

Wonderfully readable, impeccably researched, Soap Opera is a sobering look at the price of success in American business.

Customer Reviews:

"A Thoroughly Nasty Business Concern".......2004-03-09

The following statement, from the preface to C. S. Lewis's "The Screw Tape Letters" could serve as a trenchant summary of all that Ms. Swasy has to say about Procter & Gamble:

"The greatest evil is not now done in those sordid 'dens of crime' that Dickens loved to paint. It is not even done in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed, and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the offices of a thoroughly nasty business concern."

Something is Rotten in Cincinnati.......2004-03-09

The kind of writing you would expect from a writer at the Wall Street Journal, the best written and edited newspaper in America. This book tells it all, and you need to read it: Something is rotten in Cincinnati.

Why people hate big business.......2003-12-12

"Soap Opera" recounts what one hopes to be, though perhaps optimistically, a particularly bad period in the history of one of America's largest corporations, Procter & Gamble in the '80s and early '90s, when led by succeeding CEOs John Smale and Ed Artzt, the company ran afoul of environmental laws, consumer safety, common sense, and basic human decency in truly arrogant fashion. To read the story comprehensively laid out by Alecia Swasy is to gape in astonishment at the true measure of human depravity in search of the holy buck.

Does Swasy have it in for P&G? Yeah, but so would you if you were a journalist and your subject was breaking the law to trample on your rights while you tried to do your job. Things got so out of hand as P&G launched telephone record investigations and had ex-employees brought to Cincinnati police stations to explain why they were talking to a reporter, that the ensuing coverage sparked a national outcry. Pundits and cartoonists weighed in about the KGB tactics of people who make laundry detergent and toothpaste. When finally brought to heel by indignant shareholders, CEO Artzt shrugged and called it a mistake. "The only thing he regretted," Swasy writes, "was getting caught."

Swasy was clearly embittered by her experience, and when her narrative flies into polemical flourishes, as in the Epilogue ("[Critics] refuse to buy the Ivory-pure image so carefully cultivated by P&G's years of marketing. We should all do the same"), the book is poorer for it. She does a great job describing, through the voices of mostly anonymous insiders, the noxious work environment of P&G for its employees (and you don't have to be a "Proctoid" to relate to the Dilbert-in-the-Death-Star picture she paints), then editorializes on how P&G advertising nurtures enduring cultural "myths" about a woman's place being in the home. Frankly, this latter angle comes up lame. P&G advertising reflected the culture for years, it sold product, and it has been adjusted to fit contemporary mores, as Swasy notes (just not enough for her liking.) I don't know whether it's so awful the role of the female was once rather more rigidly defined than it is now, but dumping much of the blame on P&G's doorstep seems excessive. Marketing to lesbian soccer Moms in the 1940s would probably have not helped P&G achieve its present level of success.

Where Swasy's book is strongest is the account of Rely, the tampon whose ingredients could cause toxic shock, and were directly responsible for the deaths of several women in 1979-80. Despite the accumulation of evidence, P&G went forward with its marketing. As recounted in a chapter of the book "Guerrilla Marketing") that should be required reading in corporate ethics classes, CEO Smale even planned to roll out a deodorant version of Rely while his underlings worked to silence researchers (mostly successfully) with generous grant money. The chapter is particularly good when it recounts how one trial lawyer and a bereaved husband he represented forced P&G to pay ridiculously low damages and put needed heat on the effort to establish P&G's culpability. Never mind, though. Swasy reveals later on that P&G's lab boys were concurrently doping out how to add the same toxic chemical to diapers.

There are other good chapters on P&G's arrogant practices overseas, its inept handling of domestic retailers (not just the small fry but WalMart, too!), and its stranglehold on a Florida community living around a river P&G polluted. Sometimes, as with the Florida case, Swasy seems too eager to embrace anything the critics dish out, and her noting the death of the P&G snack food Pringles [as of the book's publication in 1994] appears in retrospect to have been premature.

But overall, "Soap Opera" is a solid addition to business journalism. Books like this one only make you look a little deeper than your coupon stash in thinking about what products you buy. And that's a good thing.

Horrendous Company.......2003-09-16

I always thought that P&G was a horrible company because they refuse to stop animal testing, but after reading this book I am certain that P&G is a horrendous company.
P&G started out as a small company, giving people steady employment even through the Great Depression. The people who worked there felt that they were respected and believed they had a job for life. Unfortunately that wasn't to be. Working at P&G soon became a nightmare for a lot of people, especially women and minorities. Women were discouraged from wearing skirts, even during off hours because management wanted them to avoid showing skin. Employees actually had to get their hair cut when their boss thought it was a bit long. No personal items were allowed at your desk and one former worker was even scolded for "not walking fast enough"
P&G was and still is notorious for its blatant sexist ads. Women were made to feel guilty if her family's clothes weren't white or the dishes weren't sparkling. In the 70's, P&G introduced Rely tampons, made of super absorbent fibers. What they failed to tell people, was that they were made with cancer causing agents. At one point P&G was receiving 177 complaints a month, but still did nothing. Women were dying from Toxic Shock Syndrome (TSS) but P&G still assured people that their products were safe. Even knowing this, P&G continued their plan to support Rely and build its share to leadership status.
P&G doesn't seem to care who it hurts, just as long as their products are dominating the market.

Are they all doing the same practice?.......2002-05-30

Since our life is short, one way to learn and to know more is reading other people's life and company's history. I find big firms building image, brand and products in order to get people's money. Therefore, they all have to protect image and recoup the investment. SO that is the ultimate goal, build the name, compete in the market, get the money, grow the business, make sure the numbers look great--if ends justify means, people and companies will keep doing this. It is no different from what famous people or politicians do . This shouldn't surprise anyone. We see it everyday but rarely that someone will actually write it down without getting sued. It would be interesting to read more about other big firms to see if they are the same.
I like the Chinese saying that, 'if you don't want people to know, just don't do it'.
It's a good reading,

The Inside Soap "EastEnders" Programme Guide

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The Inside Soap "EastEnders" Programme Guide
Josephine Monroe
Manufacturer: Virgin Books
ProductGroup: Book
Binding: Paperback

General | Television | Entertainment | Subjects | Books
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Inside the Soap Bubble
Paul Satori , and Leslie Ivan
Manufacturer: Xlibris Corporation
ProductGroup: Book
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ASIN: 0738800465

Book Description

This volume of twelve stories is a collection of short fiction written and rewritten at various times over the past 20 years. They reflect in a fictionalized form the author's lifeexperiences from childhood to the present day.

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Inside the Soaps
Paul Denis
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The " Neighbours" Programme Guide, in Association with "Inside Soap"

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The " Neighbours" Programme Guide, in Association with "Inside Soap"
Josephine Monroe
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General | Television | Entertainment | Subjects | Books
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Soap Opera - The Inside Story Of Procter & Gamble

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Soap Opera - The Inside Story Of Procter & Gamble
Alecia Swasy
Manufacturer: Times Books / Random House
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Binding: Hardcover
ASIN: B000H2KWZ4

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Soap Opera the Inside Story of Procter
Alecia Swasy
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The Ultimate Soap Opera Guide: The Inside Scoop on Your Favorite Daytime Soaps

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The Ultimate Soap Opera Guide: The Inside Scoop on Your Favorite Daytime Soaps
Seli Groves
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ProductGroup: Book
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The inside track to beauty: beauty in a pill is an easy concept for consumers to swallow.: An article from: Household & Personal Products Industry

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The inside track to beauty: beauty in a pill is an easy concept for consumers to swallow.: An article from: Household & Personal Products Industry
Nanci McArdle
Manufacturer: Thomson Gale
ProductGroup: Book
Binding: Digital

General | Business & Investing | Subjects | Books

Book Description

This digital document is an article from Household & Personal Products Industry, published by Thomson Gale on July 1, 2005. The length of the article is 2223 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The inside track to beauty: beauty in a pill is an easy concept for consumers to swallow.
Author: Nanci McArdle
Publication: Household & Personal Products Industry (Magazine/Journal)
Date: July 1, 2005
Publisher: Thomson Gale
Volume: 42 Issue: 7 Page: 53(4)

Distributed by Thomson Gale

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Inside the Soaps

Manufacturer: Book Sales
ProductGroup: Book
Binding: Paperback

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