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Dimensional Color, Second Edition
Lois Swirnoff
Manufacturer: W. W. Norton & Company
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Binding: Paperback
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ASIN: 0393731022 |
Book Description
Visual models and experiments for those who wish to use expressive and evocative color in three-dimensional design. To the basic grammar of color and form presented in the first edition of Dimensional Color, artist/professor Lois Swirnoff adds a chapter on color structure and expands one on color and light. Exploring the interaction between light, color, and surface, the book provides an invaluable tool for the use of color in architecture and design. 230 color and 58 black-and-white illustrations.
Customer Reviews:
Dimensional Color.......2006-02-25
The book was new, but took a long time to get here. It arrived in good shape once it finally was mailed.
Book Description
This trip through one of the most densely populated areas of the world is also a journey through a strangely underpopulated place, inhabited only by the traces of city dwellers. The dark back alleys that crisscross the city are home to objects that, at first glance, seem to be discardedthe random detritus of the man-made world.
Under the scrutiny of Michael Wolf's photographic eye, these objects become fascinating installation pieces, while the abstract patterns of the buildings reveal the beauty and order that underlie the apparent chaos of the city. Thought-provoking texts by Kenneth Baker and Douglas Young explore the choices that people make of lifestyle, form, function, identity, and design, as well as the notion of Hong Kong as a brand. 75 color illustrations.
Customer Reviews:
review taken from kee magazine, hong kong, by rebecca walker.......2006-02-07
The Architecture of Density
Words: Rebecca Walker
Images: www.photomichaelwolf.com
German-born photographer Michael Wolf has been described by some as `humanly alert'. KEE talks to him about the urban dynamics of a complex culture.
Michael Wolf views ordinary things in extraordinary ways. Culturally astute, Wolf's artistic inspiration comes from the local culture in which he immerses himself. Wolf has been fascinated by China's complex urban dynamics since moving to Asia as a contract photographer 10 years ago and his photography focuses on the idiosyncrasies of the Asian way of life. Insightful and absorbing, his latest book "Hong Kong, The Front Door/The Back Door" deals with the SAR's cultural identity through depictions of the city's architecture.
Wolf was born in Munich and grew up in the USA. He began a career in photography after graduating from the University of Essen in Germany, freelancing for various international publications including Time, Spiegel and Stern. In the early 1990s Wolf had an epiphany. "I was sitting in my room in Amsterdam and suddenly knew I needed to make a big change in my life. I had a picture of the globe in my head and when I came to Asia I knew that was where I needed to go."
His decision was a good one and it was in China that he found his ultimate inspiration. "I love the visual chaos of China. It is a photographers dream," says the photographer. Wolf's poignant portrayals of the lives and living conditions of his cultural environment are subjective and personal and have earned him international acclaim. As described by Art Critic Kenneth Baker, "By their formal intelligence and acuity of observation, Wolf's Hong Kong pictures easily earn the status of art works."
Wolf's first book, "China in Transition" (2001) documents the disappearing grandeur of the Middle Kingdom in China. It is a compelling portrait of old culture embarking into modernity and casts a moving gaze at China and its people on the threshold of the third millennium. His second book, "Sitting in China" (2002) depicts a multifaceted China, from its chairs to the mindset of its people. Through a diverse assortment of compelling images, Wolf documents the beauty of the ugly, the stretching of time, the art of improvisation, and the nature of the stool as a portrait of its user. He often depicts discarded objects of the man-made world in his photographs and is interested in the "beauty inherent in used objects." He explains, "My parents are both artists and from an early age my mother took me to flea markets to rummage through a myriad of used knick-knacks. I love pattern and character, and the feeling that something has a history."
Wolf's third book, "Chinese Propaganda Posters" (2003) showcases his vast personal collection of colourful propagandist artworks and cultural artifacts produced between the birth of the People's Republic of China in 1949 and the early 1980s. "Chinese Propaganda Posters" is whimsically structured to correspond with the chapters of Mao's Red Book and gives a sense of how the illiterate masses used images to define themselves in Communist China. "The posters give a sense of how the Chinese viewed their future at that time. The discrepancy between fantasy and reality really fascinates me and the posters are also very stylistically beautiful."
In his latest release, "Hong Kong: Front Door/Back Door" (2005), Wolf continues to explore the theme of the organic metropolis. Hong Kong is one of the most densely populated metropolitan areas in the world and Wolf's photographs seek out the human spirit in the urban jungle. The images in the book depict the high-rises that shape the spatial experience of Hong Kong's citizens. Since Wolf himself is one of those citizens (he has been a Hong Kong resident since 1994), his photographs have a distinctively personal essence. "To me the concept of the `back-door' is far more interesting than the front. The back alleys contain a tremendous visual wealth. When you enter through the font door of someone's house you see what they want you to see: the best version. The back door on the other hand tells a culture's true story."
A close look at one of Wolf's architectural images uncovers irregularities such as plants, laundry and scaffolding that interrupt the orderly design of monolithic apartment buildings. The monotonous regularity of each façade is given a distinct personality through human details. "When people don't have enough space, they improvise and adapt. There are many symbols of Chinese thriftiness in the book that are very telling of the Eastern mindset. In the West we throw things away when they break. In the East people take the time to fix things, it doesn't matter what things look like, as long as they work."
Thought-provoking texts by art critic Kenneth Baker and designer Douglas Young are included in "Front Door/Back Door". The two pay a humanistic tribute to the ingenuity of city-dwellers and their content examines peoples' lifestyle choices and explores the concepts of form, function, identity, and design. As stated by Baker in the book's introduction: "The new Hong Kong residential architecture has turned the lives of the Hong Kong people inside-out." This assertion is supported by Young who says, "Buildings that begin as monoliths are slowly humanised by their inhabitants; architecture becomes a framework upon which people can hang their personal personalities."
Young describes Hong Kong as a "city of contrasts" and says, "Architects (in Hong Kong) have ingeniously stretched the tolerance of strict building codes by squeezing as many households as possible into a given site." Wolf chose to collaborate with Young and Baker on this project because he was drawn to their cultural knowledge and artistic sensibility. "Douglas Young has a very interesting local vision of Hong Kong whereas Kenneth Baker puts the photographs into context artistically on an international level."
Wolf's interest in the people and societal changes taking place in China earned his images first prize in the `Contemporary Issues' section of the 2005 World Press Photo Awards. Held annually, the awards have come to be regarded as the most prestigious for photojournalism in the world. Says Wolf, "I have been a photojournalist for over 30 years, so it's great to be rewarded for all my hard work."
Wolf is interested in exploring a wide range of multi-faceted artistic pursuits and says he has an ever-increasing urge to work on his own projects. His installation art piece, "The Real Toy Story", is one such example. In 2004 he spent four weeks collecting over 20,000 toys from various charity shops and flea-markets, all with `Made in China' stamps. He then visited five toy factories in China where he photographed the workers producing the toys and the resulting artwork was an elaborate installation that incorporated 16,000 toys and embedded photographs. The installation was extremely well received by art critics worldwide and will be exhibited at the Museum of Contemporary Photography in Chicago in 2006.
With the next 12 months booked in advance, Wolf shows no sign of slowing down. He stands by his motto: "If you are a vision and real conviction, you will find success." And that he has.
Amazon.com
"If people have had enough chicken soup for the soul, how about some Irish stew for the mind?" asks John Dominic Crossan in the introduction to his meaty new memoir, A Long Way from Tipperary: What a Former Irish Monk Discovered in His Search for the Truth. Crossan burst into the public eye in 1991 with the publication of his bestselling The Historical Jesus: The Life of a Mediterranean Jewish Peasant. In this and subsequent books, Crossan's historical research has demonstrated the follies of both secularist denial and fundamentalist distortions of Jesus' significance. Tipperary is Crossan's memoir of the ways in which his personal experience "from Ireland to America, from priest to professor, from monastery to university, and ... from celibacy to marriage" have influenced his evolving understanding of who Jesus was. Crossan's struggle has always been to find a way of understanding Jesus that engages "both reason and revelation, both history and faith, both mind and heart." Here is his description of his ideal readers:
They are ... dissatisfied, disappointed, or even disgusted with classical Christianity and their denominational tradition. They hold on with anger or leave with nostalgia, but are not happy with either decision. They do not want to invent or join a new age, but to reclaim and redeem an ancient one. They do not want to settle for a generic-brand religion, but to rediscover their own specific and particular roots. But they know now that those roots must be in a renewed Christianity whose validity does not reject every other religion's integrity, a renewed Christianity that has purged itself of rationalism, fundamentalism, and literalism, whether of book, tradition, community, or leader.
Those who recognize themselves in this passage will find hope and courage in Crossan's book. --Michael Joseph Gross
Book Description
I have spent thirty years reconstructing the historical Jesus. I have done so self-consciously and self-critically and have tried to do the same on reconstructing myself. But what justifies this memoir is how my own personal experience, from Ireland to America, from priest to professor, from monastery to university, and ... from celibacy to marriage, may have influenced that reconstruction. Where has it helped me see what others have not, and where has it made invisible to me what others find obvious?
-from A Long Way from Tipperary
From his upbringing in Ireland to front-page coverage in the New York Times and mention in cover stories in Time, Newsweek, and U.S. News & World Report, John Dominic Crossan-who has courageously pioneered the contemporary quest for the historical Jesus-has dared to go his own way. In this candid and engaging memoir, the world's foremost Jesus scholar reveals what he has discovered over a lifetime of open-eyed, fearless exploration of God, Jesus, Christianity, and himself. Crossan shares his provocative thinking on such issues as how one can be a Christian without going to church; whether God is vengeful, or just, or both; and why Jesus is more like Gandhi or Martin Luther King Jr. than like the Pope or Jerry Falwell.
Raised in the traditional Irish Catholic Church, Crossan inherited a faith that was "accepted fully and internalized completely but undiscussed, uninvestigated, and uncriticized." A dauntless spirit whose imagination was ignited not by piety but by the lure and challenge of adventure, he became a monk to travel and explore the world, unaware that his most thrilling quests would be scholarly and spiritual. "God had going the best adventure around," Crossan confesses.
Because he could never subject his theological convictions and historical findings to the restrictions of the Church, Crossan chose to leave the monastery and priesthood. Speaking of this time in his life, Crossan writes, "Not even a vow of obedience could make me sing a song I did not hear." But he never abandoned the Roman Catholic community or tradition and never lost his faith. He has devoted his life and career to a reexamination of what he calls "necessary open-heart surgery on Christianity itself."
Customer Reviews:
The humanity behind the heresy.......2007-03-19
Once, a Lutheran pastor went up to an author (who's also an ex-monk who spent many hours in monastic choir and Latin chant) and asked, how could one have a personal relationship with God in prayer when all was set and programmed, all was ritual, formal, and liturgical?? This author later wrote in his memoirs,
"I have never, ever, thought that Latin chant opposes personal prayer. It is simply personal prayer as part of a total community at prayer. It helps you to distinguish, in prayer, between human echo and divine response, between your own will set to sound and the divine will that allegedly transcends it. As a simple analogy: Does singing the national anthem communally enlarge or diminish personal and individual patriotism??"
It's amazing how much you can learn from people who've been deemed outcasts, super-deviants and heretics from your community. I suspect there are Christians who wouldn't touch the works of John Dominic Crossan with a 10-foot pole.
But after reading A Long Way From Tipperary: What A Former Irish Monk Discovered In His Search For The Truth, whilst I'm nowhere near agreeing with his views on the historical Jesus, I can identify with his struggles, his doubts, his pain (I can almost weep with him over the loss of his first wife).
I see a man who needs the love of Jesus Christ, yet also one I can learn from tremendously (even N.T. Wright has celebrated Crossan's genius; see the opening remarks in his chapter on Crossan in Jesus & The Victory of God). If nothing else, Crossan's wit-filled prose brings literary delight which one finds rare in evangelical works. For example:
"If, in fact, you want a parent metaphor for God, I think father is much more appropriate than mother. It is the mother who is publicly knowable, visibly provable, and legally certifiable. You do not need faith to know a mother. You need faith to know a father, because he is known only on the mother's word and sometimes not even then.?" (p.37)
Whilst evangelicals rightly ought to warn the community of the problems in Crossan's writings, we would do well to humble ourselves and learn from our enemies? (wouldn't we want them to learn from us, too?). Try this sharp observation on the Catholic-Protestant schism:
"It is the sixteenth and seventeenth centuries, during which Catholicism and Protestantism forced each other into opposite extremes (faith or works, Bible or tradition, individual or community, real or symbolic, etc. or etc.)in that separation within Christianity, Catholicism lost any internal but loyal opposition, any sternly self-critical voice from within. In that separation, Protestantism lost anything to protest against save itself and has continued to fracture into every increasing diversity.?" (p.72, emphasis mine)
Perhaps we need (or God has allowed? or predestined?? [grin]) writers like Crossan, the quintessential postmodern Biblical scholar, drawing his inspiration from, among others, the work of Jacques Derrida, to shake us into seeing our own problems, to look closer at our sacred cows.
And one day Crossan was at a book-signing event, someone came up to him and said, "My pastor told me not to come here tonight because you are even to the left of Marcus Borg.? Crossan replied,
"Give your pastor my best regards and tell him that is the good news. The bad news is that both Borg and me are to the right of Jesus. And worse still, if he will recall Psalm 110, Jesus is to the right of God."
An autobiography by a well-known NT scholar.......2007-02-23
Rather disappointed with this book. Bought it at the local Borders and found its prose rushed; was the copyeditor asleep? I found long stretches rather tedious, not enhanced by the author's strong ego, which lacks discernment about what the reader might find engaging and what s/he might not. I appreciate much of Crossan's work, such as In Search of Paul, and this one has many good paragraphs. But the whole work never quite seems to come together.
What kind of Christian are you?.......2006-07-22
If you want Jesus to be what you need, avoid this book. If you want to learn about the historical Jesus, read Crossan. This book is more accessible than some of this others; but it presumes some familiarity with his other works which should, I think, come first. Then read this one by all means.
The journey of an Irish monk.......2005-06-19
Before I read this memoir, the only other insight I had of Crossan was from "Excavating Jesus", a book he and Reed collaborated on. Many times I would pause during a particular chapter and ask "Why does Crossan think that?" and I found many of my answers in "A Long Way from Tipperary." This memoir describes how Crossan's upbringining contributed to his analysis of the historical Jesus. It is the genuinity and extreme honesty with which Crossan speaks that makes this memoir truly memorable. I especially liked the parts when Crossan would describe an event in his life and compare it to the life of Jesus and ask how it influenced his conclusions on Jesus- I would have liked to see more of this for it was truly insightful. I also woudl have liked to see more of discussion on his faith in God- he makes the point that he doenst use human logic to prove God's existence yet doenst really seem to describe how he arrived at his conclusion. Overall a great read into a fascinating mind.
Witty, heartfelt, easy reading - recommended!.......2004-09-08
Book Review
A Long Way From Tipperary: A Memoir by John Dominic Crossan (2000)
Dom Crossan, the world's leading expert and best-selling author on the historical Jesus, has written a witty, hearfelt and easy reading (about 200 pages - you can finish it in an afternoon) memoir of his remarkable life. From the Prologue:
"This book is about a series of transitions, from Ireland to America, from priesthood to marriage, from monastery to university, and from academic scholar to public intellectual. It is especially about the transition from a very traditional Roman Catholic faith...to a self-conscious and self-critical Roman Catholic faith for the next [century]."
Born in 1934 in County Kildare, Ireland to parents of modest means, he entered a monastery at sixteen and remained in the priesthood for some nineteen years, most of which was spent as a professor in seminary. After leaving the priesthood to get married, Crossan taught at DePaul University for nearly twenty years. His memoir is a charming recollection of the very different worlds along his life's journey - interspersed with reminiscences of how each episode shaped his thinking.
Crossan, co-founder of the (in)famous Jesus Seminar, has been a public voice proclaiming the need for Christians to revitalize their tradition. Again from the Prologue:
"After a decade of interviews in newspapers and magazines, discussions on radio and television, lectures in parishes and seminaries, colleges and universities, I now recognize a group...who claim a center of the road between secularism and fundamentalism. They are also dissatisfied, disappointed, or even disgusted with Classical Christianity and their denominational tradition...They do not want to invent or join a new age, but to reclaim and redeem an ancient one. They do not want to settle for a generic-brand religion, but to re-discover their own specific and particular roots. But they know now that these roots must be in a renewed Christianity that has purged itself of rationalism, fundamentalism, and literalism, whether of book, tradition, community, or leader. I did not set out to speak to those people, because I did not know they existed until about 80 percent of my mail told me they did."
In the final pages of his memoir, he says:
"In conclusion, this is what I have learned between Ireland and America, monastery and university, priesthood and marriage, scholarship and public discourse. I have learned that God is more radical than we can ever imagine, that a divine utopia on this earth is more subversive than we can ever accept..."
John Dominic Crossan is a monumental figure in the reformation of the Christian tradition underway in the world today. A man of deep faith, profound intellect, and searing vision, this memoir provides a window into the humble origins and very human journey of a great modern sage. His dry Irish wit is ever present, his writing style is clear and conversational and you finish the book with the feeling that you now "know the man". That's what a memoir is all about.
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- "Who's creating a disturbance? I'm a pilot with the Allies!"
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It's a Long Way to Tipperary (Peanuts Parade 2)
Charles M. Schulz
Manufacturer: Henry Holt & Co (P)
ProductGroup: Book
Binding: Paperback
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Peanuts
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ASIN: 0030174961 |
Customer Reviews:
"Who's creating a disturbance? I'm a pilot with the Allies!".......2002-04-18
A shorter version of this book was published in 1967 as _You'll Flip, Charlie Brown_; it was retitled in 1976 when it was expanded with strips from _The Unsinkable Charlie Brown_. Don't be misled by the title; the WWI flying ace and his endless struggles against the Red Baron are present, but there aren't many of them here. The down-behind-enemy-lines thread with the title quote, of course, *is* here. (How many aces got KP for losing too many Sopwith Camels?) Oddly enough, the 1993 front cover art was of Snoopy as a soldier of the Foreign Legion instead of as the WWI flying ace.
The book has no introduction, afterword, or anything except various strips of the adventures of Charlie Brown, Snoopy, and other members of the world's worst Little League team. Cool. The strips include, among other things, Charlie Brown vs. the kite-eating tree; Charlie Brown at the psychiatric help booth when Lucy's assistant (Snoopy) is filling in; Lucy as arm-wrestling champ; Charlie Brown's brief assignment to the school safety patrol. In addition to a lesser-known thread featuring Linus having talked Peppermint Patty into waiting for the Great Pumpkin (the famous one being the one with Sally), some more conventional letters to Santa Claus are thrown in. Some threads with a point (I can't call them *serious*, since they're still funny): Charlie Brown dealing with Sally when she starts lying to her teacher.
And Linus built armies of snowmen long before Calvin and Hobbes thought of it.
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A long way to Tipperary (UQP young adult fiction)
Sue Gough
Manufacturer: Distributed by International Specialized Book Services
ProductGroup: Book
Binding: Paperback
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ASIN: 070222393X |
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- Count on more than 3650 laughs!
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3650 Jokes, Puns & Riddles
Anne Kostick ,
Charles Foxgrover , and
Michael J. Pellowski
Manufacturer: Black Dog & Leventhal Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 1579120873 |
Book Description
The silliest book on the market that goes far beyond the common knock-knock joke, this compilation makes readers alternately chuckle, snicker, groan and laugh out loud with good clean humor. Each page offers a vast array of witty jokes, puns and riddles with the answers conveniently found on the following page. Every conceivable topic is covered from sports and definitions "not found in Webster's" to the government and matchmaking.
Customer Reviews:
Count on more than 3650 laughs!.......2001-07-22
You can count on more laughs than there are jokes and riddles in this bountiful collection, as you'll want to tell each funny and punny joke over and over again (and scoring a guaranteed laugh each and every time). The jokes and riddles are refreshingly family-friendly, yet they will bring howls of laughter from toddlers and geezers, as well as people of all other ages. Get ready for a knee-slapping good time whether you read this alone, with friends, or even to strangers. Enjoy!
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