Chemical Modeling: From Atoms to Liquids

Book Description

Chemical Modeling: From Atoms to Liquids examines materials in terms of the basic properties of atoms, molecules and polymer chains. In particular, the interactions between these fundamental building blocks and the intermolecular and intramolecular potentials are examined. Fundamental theories of the constituent particles are covered, introducing and developing classical mechanics and quantum mechanics from basics. These theories are then applied to modeling, developing models from both classical mechanics and quantum mechanics. The book aims to make this subject both appealing and relevant, whilst avoiding excessive mathematical rigour.

Carefully structured, the text starts by introducing classical, quantum and statistical mechanics, before moving on to cover the modeling of solids, gases and liquids. To bring the subject alive, many real life examples and applications have been included. This book brings together the often scattered and diffuse background information that is essential for a full understanding of chemical modeling.

FEATURES

· Assumes no prior knowledge of modeling

· Brings together all the background information that a reader needs to know to fully understand modeling

· Develops classical and quantum mechanical theories from basics

· Avoids unnecessary mathematical rigour

· Includes a detailed mathematical 'Toolbox' as a ready reference

· Includes brief descriptions and web addresses of key software packages

CONTENTS: Introduction; Acknowledgements; Software Packages; Describing Macroscopic Systems; Thermodynamics; Résumé of Classical Mechanics; Modeling Simple Solids (I); Introduction to Quantum Mechanics; Electric Multipoles, Polarizabilities and Intermolecular Forces; Some Statistical Ideas; Applications of the Boltzmann Distribution; Modeling Simple Solids (II); Molecular Mechanics: Molecular Dynamics and Monte Carlo Techniques; The Ideal Monatomic Gas; Quantum Gases; Introduction to Statistical Thermodynamics; Modeling Atoms; Diatomics; Quantum Modeling of Larger Systems; Describing Electron Correlation; The Band Theory of Solids; Modeling Polymeric Materials; Modeling Liquids; Appendices; Suggestions for Further Reading; Index.

Customer Reviews:

Adequate attempt at introducing modeling.......2004-01-02

The stated goal of this book is to introduce the science of chemical modeling to newcomers. It assumes the reader has little knowledge of crystallography, thermodynamics, quantum mechanics, or computer programming; the four fields upon which chemical modeling is built upon. As such, the book does an adequate job. The math is adequate and well-documented. There is even coverage of the numerous techniques used in chemical modeling. And there are relevant examples of how modeling is applied.

The book could be written better though. The text is written in first-person, and would flow better written in third-person. The figures and tables/charts are good. There are adequate references to other sources that expand upon what is covered in the text. All in all, this is a good text to use in undergraduate chemistry / materials science courses to introduce students to atomistic scale modeling.

Book Description

This greatly expanded second edition of Survival Analysis- A Self-learning Text provides a highly readable description of state-of-the-art methods of analysis of survival/event-history data. This text is suitable for researchers and statisticians working in the medical and other life sciences as well as statisticians in academia who teach introductory and second-level courses on survival analysis. The second edition continues to use the unique "lecture-book" format of the first (1996) edition with the addition of three new chapters on advanced topics:

Chapter 7: Parametric Models

Chapter 8: Recurrent events

Chapter 9: Competing Risks.

Also, the Computer Appendix has been revised to provide step-by-step instructions for using the computer packages STATA (Version 7.0), SAS (Version 8.2), and SPSS (version 11.5) to carry out the procedures presented in the main text.

The original six chapters have been modified slightly

to expand and clarify aspects of survival analysis in response to suggestions by students, colleagues and reviewers, and

to add theoretical background, particularly regarding the formulation of the (partial) likelihood functions for proportional hazards, stratified, and extended Cox regression models

David Kleinbaum is Professor of Epidemiology at the Rollins School of Public Health at Emory University, Atlanta, Georgia. Dr. Kleinbaum is internationally known for innovative textbooks and teaching on epidemiological methods, multiple linear regression, logistic regression, and survival analysis. He has provided extensive worldwide short-course training in over 150 short courses on statistical and epidemiological methods. He is also the author of ActivEpi (2002), an interactive computer-based instructional text on fundamentals of epidemiology, which has been used in a variety of educational environments including distance learning.

Mitchel Klein is Research Assistant Professor with a joint appointment in the Department of Environmental and Occupational Health (EOH) and the Department of Epidemiology, also at the Rollins School of Public Health at Emory University. Dr. Klein is also co-author with Dr. Kleinbaum of the second edition of Logistic Regression- A Self-Learning Text (2002). He has regularly taught epidemiologic methods courses at Emory to graduate students in public health and in clinical medicine. He is responsible for the epidemiologic methods training of physicians enrolled in Emory’s Master of Science in Clinical Research Program, and has collaborated with Dr. Kleinbaum both nationally and internationally in teaching several short courses on various topics in epidemiologic methods.

Customer Reviews:

Clarity at last!.......2006-08-31

I'm ABD Economics and down to the dissertation. I have 10 titles on my shelf that deal directly with survival/event-history analysis. I've plowed though them all. Finally (!) I have one that is useful; and, this is the one. If you are not already familiar with this method and/or you are only going to get one book - this is the one to acquire. Far and away it beats everything else I've purchased. Don't be put off the by epidemiological examples - they're easy enough to read through. The authors' personal preference seems to be for STATA, but SAS and SPSS code are available in the appendix.

useful book .......2006-03-06

this is a very useful book to introduce you to the concepts of survival analysis. It is better for those who already have basic knoweledge abour regression models but it can be used by beginners as well. Basic knowledge of statistics is strongly required.

The only survival analysis book you'll ever need.......2005-09-29

A very well written, step by step book on survival analysis, recommended for all, absolute beginners as well as experienced
biostatisticians.
The authors truly deserve praise.

It's OK, but ..........2003-07-24

Unlike other reviewers, I did not find this book very helpful, especially considering the price I paid. The book is essentially a PowerPoint course presentation published with the notes pages as text. Unfortunately, the book is laid out so that the reader must make the connection between the text and the slide itself (they're stacked side-by-side with no separation). Often, the text discusses the material as though the instructor had a pointer in hand to make the connection -- without those visual clues the argument is hard to follow. On the other hand, if you know nothing about survival analysis and only want to run computer programs (specifically SPIDA) and read the output, I guess this book isn't bad. I'll keep looking for a good textbook.

Survival Analysis and you...........1999-12-16

I'm a graduate student in public health at Emory University and have had the opportunity to actually take the course in Epidemiologic Modeling with Dr. Kleinbaum. This book, as well as his self-learning text for logistic regression, are fabulous. Both books provide a good background to the methods needed to use each analytical technique. Survival Analysis: A Self-Learning Text, in particular, flows very well with good examples, diagrams, and explanations for the student who wishes to learn this technique. It also serves a great reference for those who use this analytical method.

Book Description

The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. It is first and foremost a compelling narrative about a civilized man and his child caught up in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man. In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

Customer Reviews:

Just READ THIS.......2007-04-09

Of the five books I've read by Nabokov, this is my favorite. I'll spare mentioning that being one of his first America-written, English books, he masters the English language. (Oops. I mentioned it.) As often as people credit him for his inventiveness in his stylistic methods (which is at full experimentation here) you just don't hear enough about his amazing imagination.

This book is set in a fictional European country, which is what initially fascinated me. It's quick, funny, sad, nostalgic, and haunting. People always use that word: `hautning'. But what does that really mean? In the case of this book, from beginning to end, we're introduced to a dream. I've read plenty of book descriptions in which people say a book is `haunting' or `dreamlike' in order to convey its surrealism, but this book is a perfect example. The end of the book, without giving too much away, is terrible (in the sense that it's sad/horrifying/abrupt) but in a good way. The book is short, and honestly feels as though it IS trying to convey the feel of an epic dream that goes on all night, only to go from slightly dreary to overwhelmingly awful, and in such a short book, this nightmare manages to progress wonderfully. By the time I finished the last page, I honestly felt like I had awaken from a terrible nightmare.

This book is good on many levels. Not only do you have an interesting storyline, but Nabokov never hesitates to free himself with only the best prose experiments and shifts in narrative that I've ever read. While other authors tagged as `post-modern' barrage us with stream-of-consciousness or switching narrators, falling short of even telling a story right, Nabokov uses methods that not only delight us with their originality, but help the story move along better. A good deal of the story is told in third person, but we have occasional lapses...one chapter is told in first person as a memory piece, speaking TO his dead wife. Absolutely beautiful. Another chapter is told in a strange, present tense walk through of events with bits of philosophical dissection thrown in the midst, as though the main character is splicing the narrative up with one of his essays. Even the third-person portions are just pure poetry. It's like a poem disguised as a novel.

Read this book now. The only CON I have is that the author is dead.

This book grabbed me.......2006-05-18

What happens when the country us taken over by the average man who is unsophisticated, uneducated and cares only for beastial appetites? A nightmare that would cause Kafka to lose sleep. Yet, these average and inept party officials running the show and trying to manipulate the life of the nations mosr prestigious and brilliant mind, are mearly a reflection of the baseness of that very mind as it muses upon the cruelty he inflicted in his childhood. With Nabokov, you never know what is real or imagined until the end and then you may ot be sure. This is a must read.

A Little Unfocused, But Still Great.......2006-03-09

This, as you would expect from Nabokov, is a brillantly written book full of wit and beauty.

It is, however, a bit unfocused. Nabokov can often blend sad, humorous, scary and satirical parts together perfectly, but here the blending is a little rough. But I still give it 5 stars. I rarely laugh out loud when reading fiction, but Nabokov got me severl times (especially when Krug visits the Toad the first time).

What can you say? It's Nabokov: It's brillant.
I wouldn't start here (maybe Lolita, Invitation to a Beheading or Pale Fire) but pick this up after those...

Not Horrible.......2005-12-01

...by any means, but definitely not great, and perhaps not even good. What bothered me most about this book was that Nabokov seemed clearly uncomfortable using English. This may be his second book written in the language, but its prose is often awkward and stiff. Because of this, the poetic and playful nature of his best work is DOA, even if he tries hard to insert it in here and there. Reading this book, it's amazing to consider that his next was "Lolita," where his use of language makes me cry with envy. Also, the plot doesn't seem as well thought out or executed here, and seems more didactic than what I expect in a Nabokov book.

None of this is to completely damn the book, it was often quite enjoyable and far from bad, but it is not nearly as good as he was capable of making it, and glaringly so.

Mediocrity is a cruel tyrant........2005-11-18

Bend Sinister is a story about the rise of the party of the average man and the struggle of the country's foremost philosopher, professor Adam Krug, against the totalitarian regime that comes to power and its leader Paduk.

Though one of the most dreadful stories imaginable, Bend Sinister is told masterfully, complete with brilliant descriptions that give the reader everything needed to engage the imagination and make a far-off, vaguely Eastern European country come to life. Always helped to understand Krug's frame of reference, the reader is given description after description of small, everyday things that might remind the protagonist of the kidney that failed in his wife and led to her death at the beginning of the novel.

Like the horrific story Nineteen Eighty-Four, the protagonist ultimately succumbs to the totalitarian regime. For my tastes, perhaps typical of the American optimist view, I prefer to see the protagonist ultimately succeed in the face of tyranny. (Ayn Rand, who like Nabokov, fled Soviet Russia and landed in the United States, which was designed specifically to prevent the rise of a tyrant, wrote many stories of the individual vs. totalitarianism.) That said, Nabokov chooses not to show the success of the individual but the failure of a dictator his regime to get the one thing that it prizes not because of the individual's strength but because of the regime's own ineptitude.

The novel is both brilliant and deeply disturbing. In its conclusion, the reader finds the author finishing the novel, in a wonderful (and welcome) device that helps the reader to make an easier transition from the intensity and emotion of the story that concludes with the insanity of the protagonist back to the reader's own real world, where one would hope that such dreadful stories are only found in works of fiction.

Bend Sinister is widely regarded as the most political of Nabokov's work but I think it correct to consider the book not a political novel but a philosophical one. Perhaps by the time one moves to the real of public policy there can be no real difference between philosophy and politics but Bend Sinister shows a world view clearly -- where a totalitarian regime, no matter how well-intended, no matter how noble its goals are assumed to be, can succeed. This world view, interestingly enough, is not only widely held in literature but also has some basis in history worthy of consideration. Benjamin Franklin, in "the Pit" in London is an example that readily springs to mind. Up until being charged with every bit of nonsense that could be conjured by his enemies in England, the famous and highly-influential "Doctor" Franklin was one of the Crown's best defenders and loyal subjects in the American colonies. If we may safely believe the account offered by our own historians such as H.W. Brands, it is this idiotic and petty act that sets Franklin against Parliament and aligned with the separatists who would become the Founding Fathers of the most prosperous and powerful nation that the world would ever know. [1]

For nearly as long as humans have had recorded history, we have had accounts of the struggles of the individuals against champions of mediocrity and those prejudiced by their own ignorance or stupidity. But the twentieth century, witness to more tyrannical attempts (and, worse, credible attempts) at world domination, seems to have produced more literature and discussion on the topic. Albert Einstein, probably the most famous scientist of the century, offered his own commentary on the matter: "Great spirits have always encountered violent opposition from mediocre minds."

From my personal experience, I can attest to the intense pressure placed upon those who dare to use their intellect even by well-meaning actors whose real crime is a repudiation of thought borne of a perverse notion of peace, as if refusal to acknowledge conflict is the same as "freedom from disquieting or oppressive thoughts or emotions." [2] In this twisted world, rather than providing the lowly the reason and means to improve themselves, the high-minded are cut down. Worse is that the cutters, these real-life Members of the Party of the Average Man will not understand the implications of what they're hoping to achieve, fail to discern how to achieve it, and spend a great deal of their limited time and energy working against those they need most to accomplish anything.

(Perhaps there is irrational fear of accomplishment, such that they will find themselves unneeded if successful. Like a road construction crew that knows it will be laid off when the job is done, such persons are not motivated to make progress but merely to look busy.)

The tragedy of Bend Sinister is that those who most need to learn its lesson and heed its implicit warning are the least likely to be bothered by "idle pursuits" like reading and the consideration of literature, no matter how artfully presented.

Footnotes:

[1] H.W. Brands, The First American: The Life and Times of Benjamin Franklin, Doubleday, 2000

[2] Merriam-Webster Online Dictionary

Vladimir Nabokov : Novels and Memoirs 1941-1951 : The Real Life of Sebastian Knight, Bend Sinister, Speak, Memory (Library of America)

Average customer rating:

Real Nabokov
Incredible writer doesn't deserve dirty old man rep
Nabokov!

Vladimir Nabokov : Novels and Memoirs 1941-1951 : The Real Life of Sebastian Knight, Bend Sinister, Speak, Memory (Library of America)
Vladimir Nabokov
Manufacturer: Library of America
ProductGroup: Book
Binding: Hardcover

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ASIN: 1883011183

Book Description

After a brilliant literary career in Russian, Vladimir Nabokov came to the United States and went on to an even more brilliant one in English--earning a place as one of the greatest writers of his adopted home. Between 1941 and 1974 he published the autobiography and eight novels now collected by The Library of America in an authoritative three-volume set. "The Real Life of Sebastian Knight" is a tantalizing literary mystery in which a writer's half brother searches to unravel the enigma of the famous novelist's life. "Bend Sinister," Nabokov's most explicitly political novel, is the haunting, dreamlike story of a quiet philosophy professor caught up in the bureaucratic terror of a totalitarian police state. "Speak, Memory" is the dazzling memoir of Nabokov's childhood in imperial Russia amd exile in Europe. The texts in this volume have been corrected based on the author's own copies. Two companion volumes collect "Lolita," "Pnin," "Pale Fire," and "Lolita: A Screenplay," and "Ada," "Transparent Things," and "Look at the Harlequins!"

Customer Reviews:

Real Nabokov.......2005-07-05

It's a sad fact that Vladimir Nabokov is still thought primarily as the guy who wrote a book about a middle-aged man's crush on a preteen girl. What that fails to note is that Nabokov, a Russian expatriate who spent many years in America, also wrote many other novels that were often even more groundbreaking than "Lolita."

Three of them were compiled into "Novels and Memoirs 1941-1951": the horrifying political satire "Bend Sinister," the entertainingly offbeat "Real Life of Sebastian Knight," and the unique memoir "Speak Memory." These three each demonstrate why Vladimir Nabokov was one of the best writers of the 20th century.

"Bend Sinister" is the most obviously political of all the novels Nabokov wrote.
It tells the story of Krug, a philosopher in the land of Padukgrad, who is dealing with the death of his wife, and having to raise his young son alone. To make things worse, an inept inventor's son named Paduk, has become the dictator. Worse, Krug is somehow in Paduk's way -- and Paduk will do anything to get Krug to endorse him. Literally, anything.

"The Real Life of Sebastian Knight" has a lighter tone than "Bend Sinister," with an unnamed narrator searching for clues about the true persona of his brother, Sebastian Knight, a famed writer. It ends up becoming a superb satire/detective story, looking at the faint traces that biographers snatch at, but which can only give a tiny look at the whole.

"Speak Memory" is an entirely different kind of book -- it's all about Nabokov himself. He reexamines his colorful life, but not so much through basic experiences and facts. Instead, he looks at how he made sense of the world, whether as a privileged child, a man torn up by the Russian Revolution, and finally finding sanctuary in another land.

It might come as a surprise that the famous "Lolita," which caused such a scandal at the time, is actually one of Nabokov's less complex books. He dabbled in metafiction, existentialism, autobiography, and almost always in satire. And there are almost always layers on layers of meaning in his books -- these aren't the exception.

His writing is dense, lush and detailed, and he seems almost to blur the line between fantasy and reality, especially since "Bend Sinister" takes little bits from various totalitarian governments. Even stranger, Krug apparently discovers that he is actually Nabokov's creation, and has an existential crisis. And Nabokov's self-examination is as fascinating as any bestselling novel, where he revisits those bizarre thoughts that we all have as children.

A harrowing political thriller, an amusing satire, and an intriguing autobiography make up "Novels and Memoirs 1941-1951." A writer like no other, and three books like no other.

Incredible writer doesn't deserve dirty old man rep.......2000-08-31

Picture Vladimir Nabokov. In the hall of mirrors that is popular culture, he is the dirty man who wrote the dirty book "Lolita," about a 12-year-old "nymphet" -- he invented the term, by the way -- and her affair with an older man.

Angle the mirror another way, and he is one of the founders of the modernist novel, which to some people -- myself included -- that's a damning phrase. "Modernist" and "post-modernist" literature seems a) self-referencing to the point of egotism; b) dedicated to the advancement of decedent themes, and to score big points as a writer, pile it on, brother; and c) obsessed with the discovery that the "arts" -- whether books, pictures or movies -- are artificial, and that we use them to create, well, books, pictures and movies.

Unless you think I am making it up, here's an example drawn from real life: a few years back, a Charlotte museum mounted an exhibition of a painter's work, one of which was a canvas whose front side was turned toward the wall, exposing a paint-stained frame. A newspaper reviewer breathlessly informed the reading public that the artist did this "to inform the viewer that most paintings are recetangular."

Now, a reasonably intelligent person could probably reach that conclusion without much effort, but discoveries like these seem to drive those who tread into the "modern" era of art.

So Vlaidmir Nabokov's reputation is caught between two very opposing poles. He either panders to the worst tastes of man, or the worst tastes of art.

Fortunately, he is neither, and the Library of America agrees. The non-profit publisher throws its reputation behind Nabokov as a writer worth reading by publishing all of his English-language novels in three volumes. The first volume covers his work from 1941 to 1951: "The Real Life of Sebastian Knight," "Bend Sinister," and his memoir, "Speak, Memory." The middle work contains the notorious "Lolita," "Pale Fire," "Pnin," and the "Lolita" screenplay Nabokov wrote for Stanley Kubrick. The concluding volume contains "Ada," "Transparent Things," and "Look at the Harlequins!"

But of these works, only "Lolita" stands alone. It is not a dirty book, and one should pity those American and British tourists who, in the mid-1950s, bought the pale olive-green two-volume paperbacks published in Paris by the notorious Olympia Press. Those expecting frankly pornographic stories like "The Story of O" and "How to Do It" would have been sorely disappointed in Humbert Humbert's self-confessed defense of his rape (not "seduction," which implies a willingness to be seduced) and exploitation of Delores Haze, "Lolita, light of my life,fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta."

Even Olympia's publisher was taken in, telling a mutual friend that he though Nabokov was Humbert, and that he was attempting to popularize nymphet love.

What does become apparent after reading through the volumes (and aided by an excellent two-volume biography by Brian Boyd) is that there is much more to Nabokov than meets the eye. Delving deeper in his works reveals a funhouse hall of mirrors that can lead to a definitive end, and there's not much in modernist fiction that could substantiate that claim.

What sets Nabokov off from other writers is his use of the language. Raised in Tsarist Russia, Nabokov was a child prodigy who was taught Russian, French and English at an early age. His prose is elegent, his command of English astounding. It's close to the prose of Henry James, but except for the foreign phrases, which the Library editions provide translations and explanations, far more understandable.

Descriptions pulled at random from "Lolita" ring as if English was a newly minted language, capable of expressing humor ("The bed was a frightful mess with overtones of potato chips") and snobbish anger ("Lo had grabbed some comics from the back seat and, mobile white-bloused, one brown elbow out of the window, was deep in the current adventure of some clout or clown").

Even, when Humbert meets his Lolita long after she escaped his clutches, when he believes that he still loves her, heart-rending: "In her washed-out grey eyes, strangely spectacled, our poor romance was for a moment reflected, pondered upon, and dismissed like a dull party, like a rainy picnic to which only the dullest bores had come, like a humdrum exercise, like a bit of dry mud caking her childhood."

This is not casual reading, but neither is it reading-as-masochistic exercise, with furrowed brows and an exasperated flipping of once-read pages. There is a surface meaning that is easily accessible, but there are deeper meanings, in-jokes, ironies and moral questions worthy of consideration.

The best volume of the three is the second, which contains "Lolita," the screenplay he wrote for Stanley Kubrick (which was not used), the comic novel (for Nabokov at least) "Pnin" and "Pale Fire."

But good works can be found in the other volumes as well. "The Real Life of Sebastian Knight," in the first volume, is the author's account of his biographical research on his half-brother, the brilliant writer Sebastian Knight, who had died recently of a heart condition after writing a half-dozen novels. It bears all the hallmarks of the post-modernist novel replete with a self-absorption with writers, spurious biography, an unreliable narrator and ironical references. "Speak, Memory," also in the first volume, is Nabokov's memoirs about growing up in Russia.

Indeed, the only disadvantage to reading Nabokov is that it may cause a nagging niggling in the back of your head, while reading novels in the future, that they just cannot compare to those composed by the American from Russia.

Nabokov!.......2000-04-20

This collection of novels and a memoir is a must for anyone interested in twentieth century literature. Nabokov is a giant, a superstar, a Freud-bashing genius--order now!

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Bend Sinister

Manufacturer: Time Inc
ProductGroup: Book
Binding: Paperback
ASIN: B000H04BNA

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Bend Sinister
Vladimir Nabokov
Manufacturer: Time-Life Inc.
ProductGroup: Book
Binding: Paperback

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BEND SINISTER
VLADIMIR NABOKOV
Manufacturer: Henry Holt and Company
ProductGroup: Book
Binding: Hardcover

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BEND SINISTER
NABOKOV VLADIMIR
Manufacturer: time inc.
ProductGroup: Book
Binding: Paperback
ASIN: B000HCTWBY

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BEND SINISTER

Manufacturer: Time Inc.
ProductGroup: Book
Binding: Hardcover

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Bend Sinister
Vladimir Nabokov
Manufacturer: McGraw-Hill
ProductGroup: Book
Binding: Hardcover

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Bend Sinister
Vladimir Nabokov
Manufacturer: Time Reading Program Special Edition
ProductGroup: Book
Binding: Paperback

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Bend Sinister
Vladimir Nabokov
Manufacturer: TIME LIFE BOOKS @
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Binding: Paperback

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Waiving points of order against the conference report to accompany H.R. 333, Bankruptcy Abuse Prevention and Consumer Protection Act of 2001 : report (to accompany H. Res. 506) (SuDoc Y 1.1/8:107-618)
U.S. Congressional Budget Office
Manufacturer: U.S. G.P.O.
ProductGroup: Book
Binding: Unknown Binding

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ASIN: B000116VNI

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