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Modern Characterization Methods of Surfactant Systems (Surfactant Science)
Manufacturer: CRC
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ASIN: 0824719786 |
Book Description
Describes recent techniques applied to characterize surfactant systems, such as surfactant-stabilized colloids, micelles, microemulsions, emulsions and foams in both aqueous and nonaqueous fluids. The text probes adsorption and wetting phenomena at interfaces, including solid-liquid, liquid-vapour and liquid-liquid. It provides helpful examples and case studies illustrating how these techniques may be used in complementary ways.
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Molecular Evolution of Chromosomes
Michele Calos
Manufacturer: Oxford University Press
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ASIN: 0195099575 |
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Laboratory Methods for the Detection of Mutations and Polymorphisms in DNA
Graham R. Taylor
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ASIN: 0849392330 |
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The analysis of DNA sequence polymorphisms and mutations is of central importance in understanding biological systems. This book is devoted to the experimental analysis of DNA and presents easy-to-follow protocols. Various techniques from the simple to the highly complex are detailed in this volume, providing a wide spectrum of available methods and practical advice. The methods are described in terms of: · History and background · Principles and theory · Equipment and reagents · Protocols · Troubleshooting · Applications · Improvements · Results · Comparisons with other methods · Future prospects and developments This is an essential manual for researchers working in human, animal, or plant molecular genetics and is particularly valuable for hospital and commercial laboratories.
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Molecular Evolution and Organization of the Chromosome
A. Lima-De-Faria
Manufacturer: Elsevier Publishing Company
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ASIN: 0444804072 |
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Mutation Detection: A Practical Approach
Manufacturer: Oxford University Press, USA
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ASIN: 0199636575 |
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Although important in a great many fields, mutation detection is both time-consuming and expensive. This volume offers the latest tried and tested protocols for a range of detection methods, from the labs of the leading researchers in the field.
Amazon.com
First published in 1915, Ford Madox Ford's The Good Soldier begins, famously and ominously, "This is the saddest story I have ever heard." The book then proceeds to confute this pronouncement at every turn, exposing a world less sad than pathetic, and more shot through with hypocrisy and deceit than its incredulous narrator, John Dowell, cares to imagine. Somewhat forgotten as a classic, The Good Soldier has been called everything from the consummate novelist's novel to one of the greatest English works of the century. And although its narrative hook--the philandering of an otherwise noble man--no longer shocks, its unerring cadences and doleful inevitabilities proclaim an enduring appeal.
Ford's novel revolves around two couples: Edward Ashburnham--the title's soldier--and his capable if off-putting wife, Leonora; and long-transplanted Americans John and Florence Dowell. The foursome's ostensible amiability, on display as they pass parts of a dozen pre-World War I summers together in Germany, conceals the fissures in each marriage. John is miserably mismatched with the garrulous, cuckolding Florence; and Edward, dashing and sentimental, can't refrain from falling in love with women whose charms exceed Leonora's. Predictably, Edward and Florence conduct their affair, an indiscretion only John seems not to notice. After the deaths of the two lovers, and after Leonora explains much of the truth to John, he recounts the events of their four lives with an extended inflection of outrage. From his retrospective perch, his recollections simmer with a bitter skepticism even as he expresses amazement at how much he overlooked.
Dowell's resigned narration is flawlessly conversational--haphazard, sprawling, lusting for sympathy. He exudes self-preservation even as he alternately condemns and lionizes Edward: "If I had had the courage and the virility and possibly also the physique of Edward Ashburnham I should, I fancy, have done much what he did." Stunningly, Edward's adultery comes to seem not merely excusable, but almost sublime. "Perhaps he could not bear to see a woman and not give her the comfort of his physical attractions," John surmises. Ford's novel deserves its reputation if for no other reason than the elegance with which it divulges hidden lives. --Ben Guterson
Book Description
"A Tale of Passion," as its subtitle declares, The Good Soldier relates the complex social and sexual relationships between two couples, one English, one American, and the growing awareness by the American narrator John Dowell of the intrigues and passions behind their orderly Edwardian
facade. It is the attitude of Dowell, his puzzlement, uncertainty, and the seemingly haphazard manner of his narration that make the book so powerful and mysterious. Despite its catalogue of death, insanity, and despair, the novel has many comic moments, and has inspired the work of several
distinguished writers, including Graham Greene. This is the only annotated edition available.
Customer Reviews:
An Ironic Tale.......2007-07-25
Although this is a classic, I found it to be a hard read. I did not like any of the characters. I found the style intriguing, though convoluted. The narrator admits to telling the story in "a very rambling way." He explains, "One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places . . . ." It is a tale of irony, in which nobody gets what they want: "The things were all there to content everybody; yet everybody has the wrong thing. Perhaps you can make head or tail of it; it is beyond me." It is beyond me, too. Nevertheless, I am glad that I read it.
Narrative Extradonaire [30].......2007-06-26
Although formulaic in concept for early 20th century literature, this book's style separates itself from its peers.
During pre World War I, we meet the British Edward and Leonora Ashburnham and American Florence and John Dowell. As though it was a Fitzgerald novel -- the American couple resides in luxury, in Europe, the woman is talkative but fragile, and there is something brewing among the comrades -- it is definately somethin different. Although the same plot could be used and written by Waugh, Forster or maybe Woolf, it definitely is not their novel.
Unlike Waugh, unlike Fitzgerald or unlike all of the others, this book is light, very light, on dialogue. Instead, it is mostly a narrative by Mr. Dowell about the descent of his wife, of his best friend Edward and his love of life, Nancy Rufford.
Because it is a recantation of events, there are passages which repeat what was just previously read, but somehow the style (disjointed in a manner which narrative story telling would have to be) works. Oh, and how it works majestically as it passes in and out of time and through and around events so that the picture is delivered to you like a focus of a camera lens. This is not a temporal chronological recitation of what happened. The author circles us in and out of what he calls "the Saddest Story. . . because there was no current to draw things along to a swift and inevitable end." And in this sad story, "There is not even a villain in the story . . ." Reeling in and out of the sadness, it is an abstract-like collage, much like what his contemporary artists would depict with paint. This story surreally depicts Ashburnham's demise. And, the demise of those about him.
True to its form, it starts sad and ends sadder. Split into four parts, three parts end with tragic deaths (two in suicide and one perceived to be a suicide) and one ends with the acknowledgment of a failed marriage. Do not expect even one laugh from this novel.
I have not read anything by a living author which mirrors the style of this book. For that reason alone, I would recommend this novel. And, it is a classic - through and through.
I would also recommend getting a copy of Knopf's Everyman's Library edition with the edifying and insightful introduction by Alan Judd and Max Saunders. Much of Ford's life resembles one of the characters. If you get the Knopf edition, you will know why, and a lot more.
Lame........2007-03-12
This book is written by an annoying, weak man. The formal innovations are vaguley interesting, but in any case do not rescue the work from its primary deficit: you must sit there for several hours with the voice of a neurotic chatty little wimp who reminds one of a certain kind of homosexual man streaming through your mind, mostly in the form of digressions and non-sequitors. This is neither entertaining nor enlightening, and since it's the product of design it is actually a little infuriating. I too listen with good faith to the academic hierarchy present and past for recommendations, and I had in my version the hitherto utterly reliable Frank Kermode as Introducer; but damn, this book - its characters, its plots, its language, its taxing convolusions - is just annoying. Its only virtue is that reading it might raise awareness that vaguely condescending moralistic little works like this about unheroic, petty, neurotic, sordid, idle, superficially cosmopolitan people are a mistake to begin with, and - since we all have only 70 or 80 years on earth and aren't all compulsive aesthetes - time would be better spent elsewhere. There is nothing of the hard Sophoclean light here.
The good soldier.......2007-02-20
I know that I will outrage alot of people with this review but here goes... This is one of only 2 books that I have ever read that I truly REGRET devoting the time to , but once I start a book I always finish.I don't know what else to say except that it was painful for me to finish this. I just don't get it. The main character was quite annoying to me and the story was SO SLOW and predictable I really just wanted it to end. I would not recommend this book for fun and if it is required reading for you I am sorry.
The Saddest Story.......2006-12-13
I think this is the first novel I've ever read twice. It's an odd choice for that, as it's not my favorite. I read it in college at the recommendation of my creative writing professor, who thought it might be helpful in structuring a story on which I was working. And the structure, more than anything, is the most innovative part of the book. An example of literary impressionism, the narrator paints the story with small brush strokes, a scene here and there, out of order, from different perspectives. He examines each character individually, because it is more about the characters and their motivations than it is about the plot. It is left to the reader to put the pieces together--the narrator gives more of an impression than a complete picture.
But THE GOOD SOLDIER is #30 on The Modern Library's top novels of the 20th century, which means that it must have more than just structure. I have to admit that, until I got to the very end, both times I read the book, I wondered what the allure was. The book's first sentence is "This is the saddest story I have ever heard." But throughout, I kept getting the feeling that it was little more than a jumbled romantic melodrama. The characters are all flawed in ways that makes them real but not particularly likable. They are all extremely well off, which makes their dismal state even more frustrating--these people have everything--Why aren't they happy? But then in the end, somehow--and maybe it's just the last few pages that do it--I realize that these characters are great. Particularly Edward Ashburnham, the soldier of the book's title, is a very likable character. And we're almost willing to overlook his one vice--his womanizing--partly because he's such a sentimentalist but mostly because his wife is such a wretch, the only truly wicked character in the book.
As for the plot, it's almost not worth detailing. As I said, it's more about the characters and how the plot is structured than the plot itself. There are five principle characters: Edward and Leonora Ashburnham, John and Florence Dowell, and Nancy Rufford. Two commit suicide, one goes crazy, and the other two suffer perhaps the worse fate of living completely plain, boring, lonely lives. In the end, it is a very sad story, if for no other reason than that most of it is so unnecessary--with the exception of Leornora, any of these people could have lived happy lives if it weren't for each other.
Book Description
The Good Soldier is considered Ford's masterpiece. This tale of adultery and deceit centers around two couples, Edward and Leonora Ashburnham, and their American friends, John and Florence Dowell. John Dowell narrates the events of Florence's affair with Edward, the "good soldier," and her subsequent suicide.
Book Description
"This is the saddest story," the narrator notes of his friend Edward Ashburham's life. A superb soldier and the perfect English gentleman, the Ashburham has one fatal flaw with regard to affairs of love. Ford weaves a brilliant tale-long recognized as one of the masterpieces of twentieth century fiction-in which nothing is quite what it seems, including the narrator's telling of the tale.
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The Good Soldier: A Tale of Passion
Ford, Madox Ford
Manufacturer: FQ Publishing
ProductGroup: Book
Binding: Paperback
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ASIN: 1599868156 |
Book Description
The Good Soldier is a popular early 20th century novel written by author Ford Madox Ford. The story taking place just before the first world war, focuses on the lives of two couples with seemingly perfect relationships. This novel is loosely based on incidents in the real life of author Ford Madox Ford's personal life. The Good Soldier is a an excellent book for those who are interested in novels dealing with the relationships and also those who are fans of the writings of Ford Madox Ford.
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Americans John and Florence Dowell maintain a distanced but amiable friendship with Edward and Leonora Ashburnham, a British couple they met at a spa. Dowell finds Ashburnham to be quite admirable, but as the book progresses, more and more of Ashburnham's character is revealed, causing the reader--and eventually Dowell himself--to question Dowell's own credibility. The story is told in a fragmented, impressionistic manner, and is the quintessential tale told by an unreliable narrator.
Book Description
“A rich, atmospheric murder mystery . . . rife with love, scandal . . . redemption, greed and nobility,” raved the San Jose Mercury News about Outfoxed, Rita Mae Brown’s first foxhunting masterpiece. In The Hunt Ball, the latest novel in this popular series, all the ingredients Brown’s readers love are abundantly present: richness of character and landscape, the thrill of the hunt, and the chill of violence.
The trouble begins at Custis Hall, an exclusive girls’ school in Virginia that has gloried in its good name for nearly two hundred years. At first, the outcry is a mere tempest in a silver teapot–a small group of students protesting the school’s exhibit of antique household objects crafted by slaves–and headmistress Charlotte Norton quells the ruckus easily. But when one of the two hanging corpses ornamenting the students’ Halloween dance turns out to be real–the body of the school’s talented fund-raiser, in fact–Charlotte and the entire community are stunned. Everyone liked Al Perez, or so it seemed, yet his murder was particularly unpleasant.
Even “Sister” Jane Arnold, master of the Jefferson Hunt Club, beloved by man and beast, is at a loss, although she knows better than anyone where the bodies are buried in this community of land-grant families and new-money settlers. Aided and abetted by foxes and owls, cats and hounds, Sister picks up a scent that leads her in a most unwelcome direction: straight to the heart of the foxhunting crowd. The chase is on, not only for foxes but also for a deadly human predator.
No one has created a fictional paradise more delightful than the rolling hills of Rita Mae Brown’s Virginia countryside, or has more charmingly captured the rituals of the hunt. No one understands human and animal nature more deeply. The Hunt Ball combines a rounded, welcoming world with an edge of unforgettable white-knuckled menace.
From the Hardcover edition.
Download Description
Rita Mae Brown’s numerous bestsellers include Rubyfruit Jungle, In Her Day, Six of One, Southern Discomfort, High Hearts, Bingo, Venus Envy, Dolley, Loose Lips, Alma Mater, Outfoxed, Hotspur, Full Cry, and a memoir, Rita Will. With her tiger cat, Sneaky Pie, she also collaborates on the New York Times bestselling Mrs. Murphy Mystery series, including Cat’s Eyewitness. Brown is as well an Emmy-nominated writer and a poet.
From the Hardcover edition.
Customer Reviews:
Short on plot, long on lecture.......2007-02-02
Normally I love Rita Mae Brown's stories. I can't wait for them to come out! But this one I found to be disappointing. It had virtually no plot and little interesting interactions with the animals but what felt like an inordinate amount of "lecturing" about various and sundry things. Frankly, it was dull which is something I never thought I would say about one of Ms. Brown's books.
Leaves a Warm Fuzzy Feeling.......2006-12-15
In spite of the fact that I am not entirely convinced that the foxes enjoy the sport of fox hunting as much as the people do, and as much as Rita Mae Brown proclaims, I enjoyed the Hunt Ball, much as I have enjoyed her other books, both the Sneaky Pie series and the Sister Jane series. I appreciate the way Brown gives voice to the animal characters and uses them to make observations about humans, and I also share her obvious love and respect for the animals in her stories. Her characters are likable, and the feeling of community is welcoming and a nice place to spend a few hours.
In this book, as in all of her books, the mystery is peripheral to the plot, and is rather contrived, but that's not why I read the books. I read them because I always feel that these are people who, should I show up on their doorstep, would bring me in, offer me a nice plate of cookies and then put me to work along with everyone else.
So if you are looking for a nice, tight mystery, this book isn't it. But if you are looking for friends and a welcoming spirit, then by all means pick up these books. You'll be glad you did.
a bridge to Hounds & the fury but fun.......2006-10-23
It's wonderful to have another visit with Sister Jane and the crazy people who populate her world. I liked the mystery but the mystery isn't really why I read Rita Mae Brown's hunt books. I read them because I love rural Virginia, dogs, tales of the hunt and character studies.
I liked the fact that there weren't neat endings in this book. One of the students at the local girl's school is an emotional mess, she is making progress but doesn't miraculously turn into a great kid by the end of the book. Another plus for me was be being mercifully spared another sex scene between Sister and her enthusiastic new boyfriend in this book. That was a relief.
I only have a few complaints: I may the only one but I really think Crawford got somewhat wronged in The Hunt Ball. He's a jerk at times, he's crass, a snob, his reaction to Shaker's punch was childish and he loves to show off his wealth but his money goes a long way to making the hunt possible. In the real world Shaker should've either apologized for belting him and or had to face assault charges. The last time a likeable character messed up in this series she had to face the consequences and went to jail. Shaker's transgression is treated like it 's no big deal because he's a beloved member of the pack and Crawford is only tolerated for his money. I didn't like that. Also, the animals had too small a role in this installment of the series and I missed them.
Hunt Ball seems to be a bridge novel and should be read immediately before The Hounds and the Fury. Perhaps in a later edition the two books will be published together.
Audio edition disappointing.......2006-10-19
Rita Mae Brown reads her own work in the audio version of this book, not a good decision. Sometimes (like with Barbara Kinsolver), the author's reading enhances a book. Unfortunately, Ms. Brown's inept reading was distracting. I think, overall, I liked the book, as I've liked all her previous works. But with her very odd pacing (she sometimes ran names together, so for the first several chapters I thought there were nuns in the book - Sister Charlotte, for example) and her inability to "voice" the characters differently, I kept getting lost. Several times I had no clue whether the speaker was animal or human. I'd not read any of the Hunt Club books before; maybe it would have helped if I had already known all the characters.
Too Many Characters!.......2006-06-16
This novel seemed like a rush job. The characters are so prolific that you barely get to know who's who - is it human, animal or hunting history being shared. Too much to sort out and too little meat to make it worth it.
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