Book Description
On the day following the guillotining of Antoine Laurent Lavoisier, mathematician Joseph Louis Lagrange lamented the loss of the man commonly considered the father of modern chemistry. "It took them only an instant to cut off that head," he said, "but it is unlikely that a hundred years will suffice to reproduce a similar one."
Although he lived only to the age of 51, Lavoisier revolutionized the field of chemistry. He created the first modern table of chemical elements, recognized the role oxygen plays in the rusting of metals, demonstrated that water--previously considered one of the four fundamental elements--is a compound of hydrogen and oxygen, and asserted that the total weights of the products of a chemical reaction must equal the total weights of the reactants.
Yet despite his remarkable importance to modern chemistry, Lavoisier's scientific work was more a hobby than a profession. In fact, because he made his living as a tax collector, his scientific work was relegated to early morning and after-dinner hours. Appropriately, the picture Poirier paints of Lavoisier is that of the whole man--not only a scientist but a successful financier, respected economist, and influential administrator as well.
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Lavoisier: Chemist, Biologist, Economist.: An article from: American Scientist
Manufacturer: Sigma Xi, The Scientific Research Society
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ASIN: B000985WN8
Release Date: 2005-07-28 |
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Viroids and Satellites: Molecular Parasites at the Frontier of Life
Karl Maramorosch
Manufacturer: CRC
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ASIN: 0849367832 |
Book Description
This is an essential bench book that describes the molecular biology, structure, detection, purification, and pathogenesis of viroids and satellites. The volume begins with an overview of the current status of the field, followed by four chapters describing details of methodology, nucleic acid probes, purification, sequence variation, complementary RNA probes, polyacrylamide gel electrophoresis and mutational analysis of viroid movement and pathogenicity. Remaining chapters discuss such topics as viroids that cause apple scar disease in China, the cadang-cadang disease of palms in the Pacific area, viroid-like satellite RNAs, and a comparison of plant viroids with the human-pathogenic delta agent. The book will be a major reference work on viroids for years to come and an essential resource for virologists, molecular biologists, microbiologists, geneticists, biochemists, biomedical investigators, plant pathologists, and agricultural researchers.
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Fermi Surfaces of Low-Dimensional Organic Metals and Superconductors (Springer Tracts in Modern Physics)
Joachim Wosnitza
Manufacturer: Springer
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ASIN: 3540606742 |
Book Description
Fermi Surfaces of Low-Dimensional Organic Metals and Superconductors is an introduction to quasi-one- and quasi-two-dimensional organic metals and a review of the current knowledge on the electronic structure of these materials. The principal structural, electronic, and superconducting properties are described and illustrated with many examples. The book introduces the basic theoretical concepts necessary for the understanding of the experimental techniques and reviews in detail recent results in the investigation of the Fermi surface topology. The book is intended both as an introduction and as a reference book for active researchers.
Customer Reviews:
Cute Story.......2007-09-22
I picked this up at a book fair and thought it was a cute story.
I Love Kids Literature But This Book Was Not My Taste.......2007-09-13
I bought the book on the suggestion of other reviews but I was disapointed.
I read the book and it seemed to have a slow start, there was a large assortment of characters though I felt they were not very well developed.
I really don't suggest this tale. I am intereste dint he authors other ork but I will get it from the libray and not waste money purchasing them.
Definitely not what it appears.......2007-09-02
I liked this book far more than I ever intended to. I'm a huge fan of "Goose Girl", but a book with this kind of title? Why don't you just shoot me in the head? But eventually I found myself purchasing what turned out to be a literal diamond in the rough (you see, there's this whole mountain quarry thing going on in the novel).
Wow, was I impressed! Rather than a bunch of silly girls wanting to be princesses, Ms. Hale creates a realistic society of some mountain peasants simply trying to survive in their own little niche of the kingdom. Our heroine is Miri, a small girl that can't wait to join the rest of her village in the quarry. But she is not allowed.
To shake things up, the prince of the kingdom supposedly is destined to select a bride from their mountain. So all the elligible girls are gathered together for training.
And we all know what happens when we put a bunch of teenage girls together. Tensions run high as jealousy seeps in. All the girls have their different reasons for being at the school, for wanting to be princess. All of them, wonderfully enough, are fantastic reasons.
It seems as though our little Miri will fall behind. But she proves herself victorious as she grows and learns and realizes she is not the useless little thing she believes she is.
It's sweet, powerful, and inspirational, definitely worth its Newberry Honor.
Great read!.......2007-07-26
This is such a cute book. Perfect for girls 12-15. Fun to read and nothing offensive.
A wonderful story.......2007-07-13
This book was my introduction to Shannon Hale's writing. The characters are well-developed, the landscapes and locations are described vividly, and the ending is very satisfying. The world Shannon Hale has created for these characters is also very unusual and interesting, and her development of the mining town and its culture contributes greatly to the fullness of the story.
I found some of the scenes in the Academy schoolroom to be reminiscent of Frances Hodgson Burnett's A Little Princess (another of my all-time favorite books) -- the way that Miri interacted with her classmates reminded me a litle of Sara Crewe (defying a bully, protecting a younger classmate, etc.). The rest of the stories are very different from each other, however. Perhaps the schoolroom scenes are similar because they are both girls' boarding schools, and some behaviors in that setting can be expected (such as competition for being the best in the class, and clique formation).
Overall, I thought this book told a great story, with memorable characters and an exciting conclusion. It is a great way to introduce yourself to Shannon Hale's other books.
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- Wedding Issue
- Great Book. Great Series.
- Very Funny
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A Wedding for Wiglaf? #4 (Dragon Slayers' Academy)
Kate McMullan
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Class Trip to the Cave of Doom #3 (Dragon Slayers' Academy)
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Knight for a Day #5 (Dragon Slayers' Academy)
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Sir Lancelot, Where Are You? #6 (Dragon Slayers' Academy)
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Wheel of Misfortune (Dragon Slayers' Academy, 7)
ASIN: 0448431114 |
Book Description
The Dragon Slayers' Academy is back-and it's bigger and better than ever! The books have new covers and are now 112 pages long. Expanded from the old 96-page format, they now feature a fun Dragon Slayers' Academy Yearbook at the end of each story, with funny profiles of the faculty, the staff, and, especially, the students of D.S.A. All the things kids want to know about their favorite characters are revealed: their silly nicknames, inner secrets, wildest dreams, and lofty plans for the future!
Rich Princess Belcheena is looking for a husband-a husband with red hair who has killed at least two dragons and whose name starts with her favorite letter of the alphabet, W. Could Wiglaf be the man, um, boy of her dreams?
Illustrated by Bill Basso.
Customer Reviews:
Wedding Issue.......2007-04-14
In this installment of the series Wiglaf is betrothed to the homely Princess Belcheena through the scheming designs of greedy grown-ups, and must figure a way out of the predicament before the wedding date. More Nick at Night humor and several new characters are introduced. The DSA yearbooks at the end of these books are a nice touch, and the advertisements in the back are mildly amusing. The stories are rather formulaic and the humor a bit predictable, but it might be good for children who are just beginning to read chapter books and are having trouble being weened off of TV.
In my humble opinion, the following author is probably a better choice for campy, kid-based, medieval humor;
Time Warp Trio Gift Set, Books 1-4 (Knights of the Kitchen Table; The Not-So-Jolly Rodger; The Good, the Bad, and the Goofy; Your Mother Was a Neanderthal)
J. Lyon Layden
The Other Side of Yore
Great Book. Great Series........2004-05-12
This is a great book from a great series. My 9 year old son loves them. He took the books every time we went on a road trip, read them before bed, he was even reading them instead of watching afterschool cartoons! They are well written and funny.
Very Funny.......2000-07-21
Just great! Mordred lastest scheme to acquire gold is to marry off Wiglaf to get it! My children and I have all really enjoyed reading this book, and the other 7 books in the series. They are very funny, engaging, and adventurous books that keep my 9 year old reading long past his bedtime. Thanks Amazon for recommending the series!
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- Magical, Suspenceful, Scary and Fun!!
- Hard to put down!!!!
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Dead Dog
Susan MacQuoid
Manufacturer: PublishAmerica
ProductGroup: Book
Binding: Paperback
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ASIN: 1424180708
Release Date: 2007-06-25 |
Book Description
What would you do if you were forbidden to have anything to do with the magic you were raised on? What if the rumor was that you were a witch and your father went mad and drove himself off the Bloody Gulch Bridge? If you found your father's forbidden book of spells, would you walk away? Would you run and tell your mother? Lilly Campbell makes the only choice she can to get to the bottom of the mysteries in her life. Once she has the book in her hands, the mysteries become dangerous. Lilly drags everyone close to her through a real test of courage and love when they find themselves confronted with real evil.
Customer Reviews:
Magical, Suspenceful, Scary and Fun!!.......2007-08-21
This is a page turner; a great story that focuses on 12 year old Lilly! She's magical, because she was always surrounded by Magic. It would make a really cool movie. I liked the characters, even the "Pit Bull". Is this Harriet Potter? Just kidding.
Hard to put down!!!!.......2007-08-11
I started to read this book and I could't stop. I read it all thruough the night. I enjoyed the book because of the twist at the end. I really enjoyed the characters they all fit the part perfectly.
Book Description
When Henry James chose to, as he did in The Princess Casamassima, he could write about the political turbulence of his era with astonishing excitement and directness. The London underworld of terrorist conspiracies that entangles his hero, Hyacinth Robinson, comes alive under his pen with a violence that seems, 100 years later, only too familiar.
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Hyacinth Robinson is a hard-working bookbinder whose moral philosophy begins as an inelegant, ill-considered radicalism. He was born of Florentine Viver who murdered her husband, Lord Frederick, Hyacinth's father. She is doomed to a life in prison, and Hyacinth cannot assume his father's title because of her felonious act. He is adopted by a generous seamstress Amanda Pynsent. His profession and his comrades provide an education of revolutionary convictions, and his sympathies cause him to defend the underprivileged by making a vow with his fellow anarchists that he will kill any aristocrat they name. As he lets this commitment smolder inside his heart, he and his girlfriend Millicent Henning attend the theatre where he meets Captain Sholto who introduces him to the beautiful Princess Casamassima. She is American born and married into her title. Her husband was an Italian Prince who is now distanced from her. Hyacinth is presented to the upper class by the Princess, and he realizes the advantages and charm of this new social realm. He had been told pessimistic things about the aristocrats from his lower class associates, but he suspects that their rancor is stirred by envy. He now has only contempt for his mother and her socioeconomic station while he begins to feel respect and appreciation for his father. He also understands that he is heedful of the Princess and deluded by her. With all these psychological conflicts uncovered he sees that the promise he made to his radical friends is no longer possible for him to keep. He purposefully resolves the conflicts of renouncing his birth mother, honoring his father, and loving his adopted mother.
Customer Reviews:
The Princess Casamassima and Determinism.......2006-08-15
When Henry James wrote THE PRINCESS CASAMASSIMA in 1886, he left the polite, drawing room society of effete and erudite snobs pontificating endlessly at one another for the decidedly lower class world of thugs, anarchists, and terrorists. Europe, then, as the Mid East is now, was full of internal dissension, with Marxist anarchists dreaming of plots that would soon reach fruition in Russia in 1917. The intellectual clime was also rife with a sense of deterministic fatalism that suggested that man was a pawn of a cobwebbery of political, social, and economic events totally beyond his control. There was little one could do, its proponents argued, but to meekly go with the flow. It was against this twin background of anarchy and determinism that James wrote this book.
Hyacinth Robinson is a child born of an illicit romance between a French prostitute and an English lord. After his birth, his mother kills his father with a knife and is sentenced to life in prison. At birth, then, Hyacinth is consigned to a lower class existence with his world view eminating from the ground up. He is raised by a good-hearted Miss Pynsent, who senses in the boy a chance to rise above his station in life. As he matures, he finds a female playmate, Millicent Henning, who, later in life, will love him unreservedly, but he, in turn, will reject that love. Hyacinth tries to find his niche in the world, and for one of his low caste, becoming a bookbinder will do well enough.
The problem with Hyacinth is that the more he struggles to overcome his humble origins, the determinism that gripped the philosophers of the day sought only to prevent him from climbing out of his rut. Hyacinth, even at an early age, began to intuit that the only way to rise above his station was first to destroy it. Eventually he meets the Princess Casamassima, a lovely but bored wife of a wealthy prince, who is the means by which he can elevate himself and in so doing crush the grubby underside of a society to which he yet belongs. She plays along with him, but to her, Hyacinth is only one whose lowly background matched hers prior to her marriage. For the moment, he occupies her attention. Soon enough, however, she dumps him for Paul Muniment, a revolutionary hustler who does not mind mixing the business of revolution with the pleasure of the bedroom. Muniment entices an all too willing Hyacinth into a presposterous scheme to assassinate an unnamed capitalist. When finally, Hyacinth learns that he has abandoned his former world of drudgery and poverty for the unobtainable world of the now unavailable Princess, he does not belong in either, and in desperation shoots himself.
THE PRINCESS CASAMASSIMA is not one of Henry James' best books. It is preachy and today's readers do not connect readily with the concept that one's fate is predetermined. Yet, in the fate of Hyacinth Robinson, James starkly depicts a man unhappy with his environment which he determines to alter. The fact that he fails does not negate the intensity of his effort.
Taming His Inner Anarchist.......2006-01-10
The Princess Casamassima is fascinating for the way it takes James out of his comfort zone to depict the social world of workingmen, dressmakers, shopgirls, pub goers and (most improbably) underground revolutionaries in late Victorian London. I've heard the novel criticized for James's knee-knocking in confronting the 'social question': uneasy about the inequality it was built upon, his privileged world glittered too brightly for James to ever really denounce it.
But in the person of his "little bookbinder" Hyacinth Robinson, he gives it a valiant try, along the way bringing a lot more complexity--if not much documentary accuracy--to social problems than you get in many other writers, then or now, who take on the disadvantaged as their subject. No book's made me understand the British class system more sharply than this one. James's subtle eye reminds you how much was said by the cut of a glove, the smoothness of a hand, or the slight drop of an 'h' in England c. 1885. He's also sensitive to the way charity can be an expression of power (especially to those on the receiving end) and how mixed the motives can be when well-meaning fortunates "take up" the cause of the poor. The idea of the poor itself gets complicated as James delves into the various shades separating bookbinders from theater fiddlers from chemical experts from impoverished but titled aristocrats.
I think James was picking a bone with himself in this novel, since the same question--whether equality (what we'd probably call "social justice" today) should be achieved at the expense of the beauty and grace wealth provides--comes up over and over again. Kind of like the school busing question writ large. I think the frustrating thing about the novel is that James didn't know how to answer, so just kept writing new scenes. In the end, he falls back on the "religion of friendship" I think he calls it somewhere, a determination to see people, whatever their station, as individuals first and put their personalities above abstract theories. But he's also sharp enough to realize the personalities he likes most are the exceptional ones with intelligence and taste, not the "average" that reigns when everybody's equal. It's a muddle, but one that James tackled with his usual love for detail and appreciation for the complexities of human relationships. After the first few chapters, I had trouble putting it down.
A Jamesian Curiosity, overlong but beautifully written.......2005-08-30
I liked this book, but I notice that all the critics seem to hate it. It did take me more than a year of picking at it on and off. I picked it up because Walter Laqueur referred to it in one of his books about terrorism. Written in 1886, it suggests that there is a pan-European anarchist underground, which the protagonist gets mixed up with. It is interesting in its depiction of liberal guilt among the wealthy, who support a political movement that would lead to their own extinction. The prose is wonderful, as is the depiction of the subtleties of the characters' personalities, if you have the taste for that sort of thing. All in all, it was worth reading and it passed the most important test for a novel: I finished it with regret. I had previously read and liked Portrait of a Lady, which is a superior novel. As much as I liked it, I would have to say do not start with Princess as an introduction to James. Incidentally, I have a theory about the omniscient narrator in James' books being a malign demiurge, but I will spare you that theorizing here.
Casamassatastic.......2003-10-05
This is my favorite book over 500 pages. I haven't finished it yet, but when I do, I think I'll like it even more than I do now. Hyacinth is funny. He gets to ride around with rich people all day and work for the anarchists when he wants to. I think it's sad that he had to be given up because his parents were in trouble with the law. If he had the right upbringing, he probably wouldn't have gotten into the trouble he gets into. I think that James wants readers to realize how important it is to have a good family. Without proper parents, you might end up in trouble like Hyacinth. Also, the Princess is beautiful.
James Tackles Political Terror...sort of.......2002-08-12
I turned to Henry James having only read one other of his works (Portrait of a Lady) not because I relished a return to a novel of manners and drawing room banter but because I was surprised to learn James had written something dealing with the political upheavals of the late 19th century, a time in terms of radical terror that makes more contemporary aspersions rather pale. Imagine a decade or so where four heads of state were assassinated, two of them from leading democracies. James' day was gripped by fears of social revolution and political upheaval and I was curious to see James perspective.
I do admire James' writing. He has a genious for conversation and the drawing out his characters' complex natures through repartee. This serves him well in slowly unveiling the complex interplay of personalities and emotions that usually leads to tragedy - at least so far as I've ascertained from reading two of his longer works. Reading James is like tracing a broad circle that moves ever inward towards a single point in the center. You arrive eventually at the climax, where action replaces words at last, but only after a long drawn out, fascinating in its way, story sustained only by the badinage of the characters and the occasional changes of scene from country manor to London to Paris, etc.
I was a little surprised by the editorial review of this book, that claims "the London underworld of terrorist conspiracies...comes alive under his pen with a violence that seems, 100 years later, only too familiar." I wonder if the reviewer read the book? There are no real conspiracies here, much less any violence. You read, or at least I did, waiting for one, praying for one, but the only thing approaching one comes at the end, and then only as a plan that leads to the final tragic act. I don't want to be too hard on the Princess Casamassima. It was in its way a brilliant work, in its Jamesian way I suppose. If you relish good conversation (and in this James rivals Oscar Wilde; I think James should have concentrated on plays) and undeniable genius in molding characters and slowly and laboriously, but lovingly, weaving out their fate, then James, and the Princess, is for you. If you're coming looking for some explosions and political intrigue it's not to be found here. James doesn't even really treat the social, economic, or political issues behind this growing rift in the social fabric with any seriousness, but treats of it only through the shifting, vague, often cynical opinions of his characters. But then Henry James is not primarily concerned with "the social problem", and treats of political philosophy and such only in a cursory manner, as dressing to brilliant conversation. And what's life about but good conversation? James, as I said, I take primarily as a novelist of manners, which means of people, individual persons, not "the people". This is not a shortcoming. I think James must have thought social issues rather vulgar. You can only treat with refinement the fine lines of the individual character. You can't make art in the factory or the streets (so I imagine him thinking). The tragedy here then is the tragedy of an individual, Hyacinth Robinson, drawn into something, and ultimately destroyed by his choices, due to the ideosyncracies of his own character and his own past. It's not about the revolutionary or anarchist movement per se, but about the struggles going on within a single human soul. Hyacinth had committed himself to a noble, idealistic, if single-minded, death before he had yet had time to consider the many facets life might take. In the end it is not socialism vs. capitalism, but East End on a winter's day vs. St. Mark's square at dusk, as Hyacinth's youthful, spontaneous, unrefined, and ill-considered radicalism gradually reaches its showdown with his more matured, compromising and balanced outlook. But he has arrived at these new insights too late, or has he?
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Surface expression of buried geologic features in Kansas or a practical example of the metaphor: the princess and the pea.: An article from: Transactions of the Kansas Academy of Science
Daniel F. Merriam
Manufacturer: Thomson Gale
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ASIN: B000CQN928
Release Date: 2005-12-05 |
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This digital document is an article from Transactions of the Kansas Academy of Science, published by Thomson Gale on September 22, 2005. The length of the article is 4179 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Surface expression of buried geologic features in Kansas or a practical example of the metaphor: the princess and the pea.
Author: Daniel F. Merriam
Publication:
Transactions of the Kansas Academy of Science (Magazine/Journal)
Date: September 22, 2005
Publisher: Thomson Gale
Volume: 108
Issue: 3-4
Page: 121(8)
Distributed by Thomson Gale
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