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Circular Dichroism: Principles and Applications, 2nd Edition
Manufacturer: Wiley-VCH
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Circular Dichroism and the Conformational Analysis of Biomolecules (The Language of Science)
ASIN: 0471330035 |
Book Description
Multidisciplinary coverage of circular dichroism's principles, applications, and latest advances
The four years since the publication of the first edition of Circular Dichroism: Principles and Applications have seen a rapid expansion of the field, including new applications, improved understanding of principles, and a growing interest in circular dichroism (CD) among researchers from a wide variety of disciplines. The Second Edition keeps pace with this phenomenal growth with up-to-date contributions from dozens of the world's leading researchers and practitioners in chirality, chemistry, biochemistry, and analytical chemistry, as well as vibrational and luminescence spectroscopy.
With nine entirely new chapters and substantial updates of existing material, Circular Dichroism, Second Edition provides important insight into the immense potential of CD and bridges the gap between theory and practice. The book begins with coverage of historical developments and moves quickly to fascinating reports on recent advances and emerging new fields in CD. New and updated coverage includes:
* VOA theory
* Solid-state CD applications
* Fast time-resolved CD measurements
* A model illustrating how polymers amplify chirality
* Induced CD of polymers
* CD of nucleic acids: nonclassical conformations and modified oligonucleotides
* DNA-drug and DNA-protein interactions
* Applications of CD to important pharmaceutical compounds
Featuring an increased emphasis on biological molecules and extensive applications to organic stereochemistry and biopolymers, Circular Dichroism: Principles and Applications, Second Edition will prove a valuable and frequently consulted reference for organic chemists, biochemists, and medicinal and pharmaceutical chemists.
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Shaking the Tree: Readings from Nature in the History of Life
Manufacturer: University Of Chicago Press
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ASIN: 0226284972 |
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Since 1869, when its inaugural issue appeared, the international journal Nature has been at the forefront of research in the life sciences, publishing sometimes controversial, even revolutionary work in such fields as genetics, molecular biology, and evolutionary theory. Its first issue included T. H. Huxley's report on Triassic dinosaurs, which brought public attention to the new discipline of paleontology; subsequent issues helped rehabilitate the reputation of Gregor Mendel and revise the human fossil record, among other achievements. Lately, through exponents such as senior editor Henry Gee, Nature has advocated work in cladistics, a taxonomic system that considers ecological relationships as well as evolutionary lineages in classifying living things, which Gee has elsewhere called "a revolution in thought as profound as that of Darwinian evolution by natural selection."
In Shaking the Tree, useful as both reference and survey text, Gee offers 19 review articles from recent issues of Nature, addressing such topics as the theory of punctuated equilibrium, the origin of terrestrial plants, the evolution of birds from carnivorous dinosaurs, and the manifold causes of mass extinction in distant geological epochs. The contributors include Stephen Jay Gould, John Maynard Smith, Caro-Beth Stewart, and other leading scientists, all of whom fulfill Gee's promise to "provide added spice to nourishing-but-bland textbook fare." --Gregory McNamee
Book Description
Nature has published news about the history of life ever since its first issue in 1869, in which T. H. Huxley ("Darwin's bulldog") wrote about Triassic dinosaurs. In recent years, the field has enjoyed a tremendous flowering due to new investigative techniques drawn from cladistics (a revolutionary method for charting evolutionary relationships) and molecular biology.
Shaking the Tree brings together nineteen review articles written for Nature over the past decade by many of the major figures in paleontology and evolution, from Stephen Jay Gould to Simon Conway Morris. Each article is brief, accessible, and opinionated, providing "shoot from the hip" accounts of the latest news and debates. Topics covered include major extinction events, homeotic genes and body plans, the origin and evolution of the primates, and reconstructions of phylogenetic trees for a wide variety of groups. The editor, Henry Gee, gives new commentary and updated references.
Shaking the Tree is a one-stop resource for engaging overviews of the latest research in the history of life on Earth.
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- mesmerising
- Lovely
- Thought-provoking premise, skillful writing, but author fails to engage deeper meaning, premise is faulted. Moderately recommend
- Dystopia Now
- A Sad Yet Hopeful World
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Never Let Me Go
Kazuo Ishiguro
Manufacturer: Vintage
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The Remains of the Day
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The History of Love: A Novel
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On Beauty
ASIN: 1400078776
Release Date: 2006-03-14 |
Book Description
From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.
Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day
Customer Reviews:
mesmerising.......2007-10-08
Describing Never Let Me Go to a friend, I realised how prosaic it all sounded. These precious children, cocooned in the rarefied atmosphere of English public school ( so we are led to believe) and acutely attuned to any emotional discordance in their isolated groupings. Describing it as such, it all seems so snobby and trite. And yet Ishiguro somehow imbues it with such portent that it seems terribly weighty, as if more than the couplings of a few twenty-somethings is at stake. Which of course it is, we pity these individuals, for what society has done to them, for the situation they have been born into. That is Ishiguro's genius here, that the novel works on so many levels and invites so many interpretations. Is this a dystopian vision of the UK's future? A commentary on the class-blighted present? A critique of amoral scientific rationalism? The protagonists live, breathe and act as though entombed in a gigantic social test tube, which in one sense they are. This is a fascinating, important novel, that will outlive its age. Nothing Ishiguro has produced in the past suggested he was the new HG Wells, but after Never Ler Me Go, the comparisons will not desist.
Lovely.......2007-09-29
This is one of those wonderful books that you just want to press into someone's hands without saying too much about it. It's a book to figure out as you go along. Even the genre remains a mystery for awhile, something I don't think I've encountered before.
Beautifully written, heartbreaking in the good way, and it really stays with you. I feel like I really know the people in it. I can't recommend this highly enough.
If you're a Margaret Atwood fan, by the way, try this. And vice versa.
Thought-provoking premise, skillful writing, but author fails to engage deeper meaning, premise is faulted. Moderately recommend.......2007-09-27
As a child, Kathy H. attended Hailsham, an elite boarding school where children were raised to be both healthy and artistic and taught to believe that both their health and creativity were essential to themselves and to the world they would one day enter. Now an adult, Kathy reflects back on her life. She charts the very slow progression of her growth, her friendships with fellow students Tommy and Ruth, and her knowledge, as she herself gradually began to learn about her role in the outside world--and what this role dictates about her identity. A combination of heavy introspection and soft-scifi, Never Let Me Go has a thought-provoking premise and is brilliantly written, but fails to reach its potential, spending all its time in excruciatingly slow buildup and none of it in impact, theory, or debate. Enjoyable, but somewhat empty, and so moderately recommended.
This book's greatest strength is its writing style, but it is also one of the most irritating aspects. Kathy, the narrator, is intensely thoughtful and analytical, breaking down her personal history into eras, important moments, and developing themes. She walks the reader through the story of her life much in the way she lived it, slowly, very slowly, bringing to light her final realizations. In other words, there is a lot hidden in this book, and it takes the book's entire length--literally until the last fifteen pages--to reveal it all. In between are circuitous examples, where Kathy starts to talk about one event, goes back a bit to explain why the event was relevant, explains the event itself, and then goes on without having drawn a major conclusion--instead, she's just mapped another point on her gradual arc or argument. The resulting pace is excruciating, both artful, brilliantly thought-out and executed, and simply painful as the reader is lead along, disappointed, and lead along again. The book's pace bring the characters to life (although both Ruth and Tommy lack some dimension) and, with it, the life that they lived, through Hailsham and beyond. As such, it is the highlight of the book, worked like an artform, but it is also intensely irritating and makes the book (which actually reads quite quickly) seem longer than it is.
There are a near-infinite number of issues, from the ethical to philosophical, that could be brought to question and debate in this book. The very premise almost begs them--both the science of the base culture and the purpose of Hailsham itself. Unfortunately, however, none of these topics are brought to issue in the text. Instead, the book is consumed by the very slow progression of the story, the creep towards the "twist" revelations of who the children are and what purpose they serve. When finally revealed, these revelations are not all that big--not because they lack the potential to be, but because they pale in comparison to the immense buildup that leads to them. The characters just barely exceed the gradual revelation of the book's premise and are largely just passive carriers of the story, and so the other various issues, the possible debates, never enter into the text. So when other reviewers talk about the questions this book raises, what they're really talking about is the potential for questions--and that is not the same thing. The burden of meaning for this book, everything that the reader could take away and continue to think about, rests entirely on the reader, who must pull out the themes and ask the questions himself, carry on the debates himself. The author shirks his responsibility, and the book suffers for it, failing to live up to its potential.
My final complaint with this book is that the underlying concept seems, blandly, unrealistic. **SPOILERS** follow, so be warned: The fact that in the book's contemporary culture the clones are considered non-human despite looking, acting, and living like humans seems entirely impossible. Consider: Humans never viewed the first cloned animals as different than their original counterparts; indeed, we were amazed and drew attention to the fact that they were identical, that they were clones. So why would cloned humans be any different (especially that these clones pass in human society as normal and indistinguishable)? Outside of the huge wastefulness of cloning entire humans just to harvest their organs, the fact that the cloned humans were not considered humans seems unreal to me, no matter who the gene donors were, no matter what brief attempts Ishiguro (though Ms. Emily) makes to justify it. **END SPOILERS** This is the underlying basis of the book's conflict and plot, and so problems with this concept create problems throughout the book. They weaken the foundations, making it difficult to accept the book and, as a result, even more difficult to take on the work of finding and analyzing themes, which the author fails too do. In the end, Never Let Me Go has a thoughtful premise with heavy potential for thought, theory, and debate, and it is skillfully, even artfully written, but the book fails to live up to its potential: the author does not tackle his own themes, and no matter how interesting the premise, it is an unreasonable one. I wanted to enjoy this book, and I did, but I felt cheated at the end: the final product was surprisingly empty, with the burden of meaning placed entirely and unfairly upon the reader alone.
Dystopia Now.......2007-09-18
In the novel Never Let Me Go, while employing an engaging premise, Kazuo Ishiguro explores the black chasm between "the unfortunates" and "those who would presume to aid the unfortunates". Although this is a dark hole indeed, the author succeeds in shining enough light in there for us to want to learn even more about the shadowy forms we've glimpsed scurrying into its fissures (now that I've killed that metaphor...).
Told from the point of view of Kathy H. (one of these unfortunates) Never Let Me Go, a sort of recent past dystopian chronicle, reveals her abstrusely horrific plight as a "carer" (those who help to guide "donors" to a peaceful end) working within the boundaries of Ishiguro's imagined minority group. Kathy and her "boarding" school friends, Ruth and Tommy, attempt to unlock the truth behind some hidden doors of their early life, learning some hard lessons in the process.
On the surface, Never Let Me Go becomes an almost science fiction, a `what could've been' or `what could still be if we're not careful' kind of a moral caveat. But what saves this book is its underlying implications; it asks questions for the real world like: Are we truly helping when we endeavor to comfort and protect groups (racial, ethnic, political, religious, class, etc..) who are perceived as less fortunate than our own? Should we instead educate these groups so that they may empower themselves in time? OK. I'm being a bit leading here, but still these are important questions to ponder in this global society.
Overall, Ishiguro deftly blends science fiction (bio-ethics) and more general socio-political themes to concoct an enjoyable thought-provoking experience. I happily recommend it.
4 stars
A Sad Yet Hopeful World.......2007-09-09
This book is sad, yet still offers glimmers of hope. The characters are naive. But they're this way because it's all they know, because of their upbringing. I enjoyed it, and would recommend it to people who like suspenseful, thoughtful books.
Amazon.com
All children should believe they are special. But the students of Hailsham, an elite school in the English countryside, are so special that visitors shun them, and only by rumor and the occasional fleeting remark by a teacher do they discover their unconventional origins and strange destiny. Kazuo Ishiguro's sixth novel, Never Let Me Go, is a masterpiece of indirection. Like the students of Hailsham, readers are "told but not told" what is going on and should be allowed to discover the secrets of Hailsham and the truth about these children on their own.
Offsetting the bizarreness of these revelations is the placid, measured voice of the narrator, Kathy H., a 31-year-old Hailsham alumna who, at the close of the 1990s, is consciously ending one phase of her life and beginning another. She is in a reflective mood, and recounts not only her childhood memories, but her quest in adulthood to find out more about Hailsham and the idealistic women who ran it. Although often poignant, Kathy's matter-of-fact narration blunts the sharper emotional effects you might expect in a novel that deals with illness, self-sacrifice, and the severe restriction of personal freedoms. As in Ishiguro's best-known work, The Remains of the Day, only after closing the book do you absorb the magnitude of what his characters endure. --Regina Marler
Book Description
From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love.
As a child, Kathy–now thirty-one years old–lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.
And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed–even comforted–by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham’s nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood–and about their lives now.
A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonance–and takes its place among Kazuo Ishiguro’s finest work.
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"So exquisitely observed that even the most workaday objects and interactions are infused with a luminous, humming otherworldliness. The dystopian story it tells, meanwhile, gives it a different kind of electric charge. . . . An epic ethical horror story, told in devastatingly poignant
miniature. . . . Ishiguro spins a stinging cautionary tale of science outpacing ethics."
—Publishers Weekly (starred review)
"Perfect pacing and infinite subtlety. . . . That this stunningly brilliant fiction echoes Caryl Churchill’s superb play A Number and Margaret Atwood’s celebrated dystopian novels in no way diminishes its originality and power. A masterpiece of craftsmanship that offers an unparalleled emotional experience. Send a copy to the Swedish Academy."
—Kirkus Reviews (starred review)
"Ishiguro’s elegant prose and masterly ways with characterization make for a lovely tale of memory, self-understanding, and love."
—Library Journal (starred review)
"Ishiguro’s provocative subject matter and taut, potent prose have earned him multiple literary decorations, including the French government’s Chevalier dans l’Ordre des Arts et des Lettres and an Order of the British Empire for service to literature…. In this luminous offering, he nimbly navigates the landscape of emotion — the inevitable link between present and past and the fine line between compassion and cruelty, pleasure and pain."
—Booklist
Praise for Kazuo Ishiguro:
"His books are Zen gardens with no flowery metaphors, no wild, untamed weeds threatening — or allowed — to overrun the plot."
—The Globe and Mail
"A writer of Ishiguro’s intelligence, sensitivity and stylistic brilliance obviously offers rewards."
—The Gazette (Montreal)
"Kazuo Ishiguro distinguishes himself as one of our most eloquent poets of loss."
—Joyce Carol Oates, TLS
"Ishiguro is a stylist like no other, a writer who knows that the truth is often unspoken."
—Maclean’s
"One of the finest prose stylists of our time."
—Michael Ondaatje
"Ishiguro shows immense tenderness for his characters, however absurd or deluded they may be."
—The Guardian
"[Ishiguro is] an original and remarkable genius."
—The New York Times Book Review
From the Hardcover edition.
Customer Reviews:
Skilled writer, but leaves me cold.......2007-08-30
This one is clearly a well-crafted book- the story is thight and the characters are well described and realistic within their strange and tiny world. In the words of comic artist Dan Clowes, however, the book maintains an icy distance between artist and reader. Not bad of itself,i was in the mood for a waarmer read.
Good intentions, mediocore application........2007-08-23
I'd have to disagree with previous reviews in saying that I did not at all find the book slow-paced, nor boring, although definitely anticlimatic.
What disturbs me the most is the part about the 'students' humanity being defended through their art. I'm not sure if Ishiguro was implying that the students were not human, but it seemed as though through their actions they were only imitating human life. None of them ever really loved, even when they thought they did. And even when it was brought up that their art was a glimpse into their soul, can anyone believe that making art would prove that someone was human? Just because someone has the ability to create art that is seemingly 'moving' or 'good' doesn't mean they understand what they are doing or purposefully creating the art because of what is in their souls. Even Kathy points out that none of them really knew what was good or not, they all just seemed to have a scale that was ingrained into them on how to rate art. On how many tokens it would acheive. It was not a very convincing arguement to say that art was being used to make them more human.
There's a subtle line, I believe, between the way the 'students' interact with one another and the way the rest of the world interacts. In a way, every ounce of them clings to the way they believe Hailsham was, even though they start to distort their memories and forget things. I'm not sure if it was poor characterization or a deliberate attempt by Ishiguro to make the 'students' seem slightly less human. But if you're writing a book about clones interacting with each other in a somewhat normal way, trying to make them seem normal, then why end up making them not so human after all.
And I disagree with the writing. I do not think it is one of the best written books in a hundred years. Ishiguro is obvious in pointing things out to the reader even when he's trying to be subtle. Especially in the way he explains his metaphors in simplier terms in the following sentence, as if implying the reader couldn't figure it out. Or in the ways that he had to go out and blatently say that the gaurdians were afraid of the students without even showing it, even in the last greeting at madame's house. I'd rather be able to think for my own, thank you.
To be or not to be?.......2007-08-19
I agree with Robert Bezimienny's review that the characters are flat and the premise of the story is only sketchily developed. It's a story about people who aren't quite human yet behave like most people you know. So, maybe they are human? It's also a tragic love story about two people who should be together but aren't. What separates them? Unlike the author, I think their own passivity--not another person--is to blame. So, how is that tragic, really?
The first third of the book is pure, page-turning suspense. Life at this English boarding school is definitely odd. What truth lies behind it? Gradually the reader surmises much of the truth and the last third of the book is anticlimatic. I wish the author had continued the suspense with new twists and curiosities. Because the characters are unsatisfying and the emotions distilled like water. One character goes into wild rages but these are described at a great distance. More often, we see this character close up as quite easy-going.
There is a villain of sorts but she is not developed to any real impact. I disliked her and grew impatient that her friend did not see through her but since she never did, what was there to get excited about?
Even though many reviewers seem to love this author's style, and this book in particular, I admit to prefering more red blood in my stories. The movie "The Remains of the Day" should give you an idea if this type of Britainia is your cup of tea.
Just below par for finishing.......2007-08-14
A lot of other people have already articulated what I felt about this book, but I'd still like to stress the lower end of ratings a bit more.
I liked the concept, the slow revealing of what it's all about and occasionally even the actual content, but most of the time I just found it a bit too distant and hard to connect with. On a page-to-page basis, there wasn't much to keep me reading.
Maybe I'm just too picky about books. The author seems nicely original. But he's just missing something. Human-oriented science fiction that's interesting neither science fictionally nor humanly.
Beautiful and thought-provoking.......2007-08-10
This book is so well written the mere prose brings tears to my eyes. The story itself is heartwrenching as well, in the subtle, restrained way of Ishiguro, of course. What's unbelievable is how complacent the children are about their fate: no rebellion, no runaways. But put that aside, because the story is worth it.
Customer Reviews:
never let me go.......2006-03-26
I wondered what Ishiguro was trying to tell us with his "Never let me go". It seems we live in a world where decisions are made without regard to human compassion and we are all human, right? "Never let me go" seems to explore the basic instincts of attachments between people and these attachments assist us in realising who we are. But why are we here? You quickly begin to realise with characters surnames existing of letters only that the main characters are making up numbers, are they people?
Kathy H is a carer of donors. Donors who complete usually by their third or fourth donation. Kathy H and Tommy D have an attachment but Tommy D is resigned to his fate and Kathy H accepts.
The complexity of the relationships between Ruth, Kathy and Tommy make them every bit human but Kathy's honest about her own feelings seems to enable her to be more compassionate and hence a better carer.
I see Ishiguro's book as a fairytale at an adult level with the usual characters of the wicked witch, the princess and her prince.
Customer Reviews:
Impossible to put down........2007-08-23
Fans of M. Atwood, Attention! This novel is as well written and thought provoking as Atwood's best, and the character development is even better. Mr. Ishiguro creates a richly appointed universe just ever so slightly different from our everyday experience, but how that difference opens us to a transcendent examination of our relationships with other societies and classes of people as well as with other species. This work, alone, should solidify his reputation as a master.
A poignant metaphor.......2006-09-19
The wonder and power of this book is that it simultaneously takes the reader on two different, almost opposite, paths. From one point of view, the book begins in what almost, but not quite, appears to be a realistic setting, and only slowly, in small, carefully, measured doeses, reveals itself to be an uncanny, frightening, science fiction fantasy. Yet, at the same time, this same book begins with a set of characters who seem too wound up in their own lives and obsessions to speak to us, but who eventually reveal themselves to embody the deepest and most poignant dilemmas of what it means to be human. Some reviewers have described "Never Let Me Go" as a cautionary tale about the excesses of science and the fearsome possibilities of biological manipulation and exploitation. It is that. But it is, more truly and powerfully, a profound metaphor for the human condition. We are all, really, just like Kathy, Ruth, and Tommy, striving to make sense of who we are, and, at our best, insisting on our intrinsic worth as human beings. That, I think, is the real message of the book, and it is more scary and humbling than any mere warning about medical science could ever be.
Average customer rating:
- Something about this book draws you in. . .
- Charming, ghostly romance/mystery--Brava, Joan Smith!
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Never Let Me Go (A Regency Romance)
Joan Smith
Manufacturer: Ivy Books
ProductGroup: Book
Binding: Mass Market Paperback
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ASIN: 0449222772
Release Date: 1994-08-29 |
Customer Reviews:
Something about this book draws you in. . ........2003-08-08
What's weird is that I almost never read this kind of book. The only reason I read this one is because it's labeled "Regency," which it definitely is NOT! If anything, it's a contemporary with a big dollop of supernatural thrown in. And I never read contemporaries anymore.
And then to learn that another reader had read this same book--long out of print--about a week before I did and had a similar reaction to it. . . well, there is something rather spooky about it.
Belle has come to England to finish writing her book, but soon finds herself engrossed in an unsolved 19th century mystery involving a young girl and her lover. Following the young girl's disappearance, it was presumed that she had been murdered by the lover she spurned, the Earl of Raventhorpe, who immediately thereafter fled the country.
When the ghost of Raventhorpe makes himself known to her, Belle finds herself drawn to him, instinctively realizing that he could not have murdered the young Arabella that he loved so much. Determined to clear his name, she sets out to find as much information as she can about the incident.
The odd thing is that Belle seems to have some sort of contact with Arabella's ghost as well, because she seems to know things without being told. Indeed, the story she writes seems to come directly from Arabella. . . nobody else could have known the very detailed events that seem to flow automatically from Belle's pen.
Even as she finds herself falling deeply in love with Raventhorpe's ghost, she fears that in the end there will be nothing but heartache for her.
Charming, ghostly romance/mystery--Brava, Joan Smith!.......2003-07-31
Sharp writing, clear and lovable characters.
From back cover:
Romance writer Belle Savage came to England looking for a hero--the kind of rakish stranger women have been dreaming of for centuries. She meets him in the misty darkness of a velvet night, a devilish charmer, perfect in every way. Except he is a ghost.
Soon Belle becomes drawn into the tragic past of a young Arabella Comstock, murdered in a fit of passion, whose spirit now roams the meadows of Chene Mow. But as the mystery of Arabella unfolds, so do Belle's own passions for her spectral suitor, Lord Raventhorpe.
Product Description
4 Book Set; a Pale View of Hills; the Remains of the Day; When We Were Orphans; Never Let Me Go By Kazuo Ishiguro.
Average customer rating:
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God Bound: The Love That Never Let Me Go
Daniel James
Manufacturer: Hope Harvest Publishing
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Binding: Paperback
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ASIN: 0971652376 |
Product Description
A true story of twin brothers who ran from the call of God on their lives. As drug dealers and black marketers, the Lord continued to send them Christian people to show them a new way of thinking by loving on them unconditionally and giving to them in the midst of their sin.
Average customer rating:
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Never Let Me Go
Manufacturer: Chapman and Hall
ProductGroup: Book
Binding: Hardcover
ASIN: B000I6UITY |
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