EPR: Instrumental Methods (Biological Magnetic Resonance)

Book Description

Electron magnetic resonance spectroscopy is undergoing something akin to a renaissance that is attributable to advances in microwave circuitry and signal processing software. EPR: Instrumental Methods is a textbook that brings the reader up to date on these advances and their role in providing better experimental techniques for biological magnetic resonance. Chapters in this book guide the reader from basic principles of spectrometer design through the advanced methods that are providing new vistas in disciplines such as oximetry, imaging, and structural biology. Key Features: Spectrometer design, particularly at low frequencies (below X-band), Design of spectrometer components unique to ENDOR and ESEEM, Optimization of EMR spectrometer sensitivity spanning many octaves, Algorithmic approach to spectral parameterization, Application of Fourier Methods to polymer conformation, oximetry, and imaging.

Instrumental Analysis in the Biological Sciences

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Instrumental Analysis in the Biological Sciences
M. Gordon , and R. Macrae
Manufacturer: Springer
ProductGroup: Book
Binding: Paperback

Research | Biological Sciences | Science | Subjects | Books

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All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books

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Science | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0751401110

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Instrumental Analysis in the Biological Sciences
M. Gordon
Manufacturer: NY
ProductGroup: Book
Binding: Paperback
ASIN: B000MU4QKI

Book Description

Uses case studies to examine the various applications of each type of geographic information.
* Considers geographic information as a technical problem, an empowering application, a pure science endeavor, an academic pursuit and a social necessity.
* Provides a wide range of examples and applications to help readers understand technical discussions.

Customer Reviews:

A refreshing perspective.......2004-12-14

This book is the main text for an undergraduate course in GIS in my university department. The book serves as a nice introduction to some fundamentals of GISs and does a particularly good job at linking the theoretical constructs and concepts with specific application domains. There are many examples of the applicability of the theories on specific industrial and governmental projects.

Chrisman is a gifted author and provides a refreshing perspective of how to think about geographic information systems. It all starts rather abstractly with levels of measurement, reference systems and measurement frameworks. Choices in these levels turn out to be what dictates the adoption of field vs. object data models (the classic dichotomy in GISs) and raster vs. vector structures consequently. The author then proceeds in exposing operations of increasing complexity on these structures, and does a very systematic work on categorizing them. A plethora of diagrams, figures, and footnote-definitions of important terms complement the text nicely. The final chapters on the ties of GISs with society and culture are also very interesting. The whole book has a flow and a strong structure, a feature that I value especially in technical books. There are no loose chapters and everything builds on what has been discussed before.

Of course as an introductory textbook it leaves out some areas of investigation and comments only scarcely on others. For example the chapters on comprehensive operations and transformations are just very generic overviews. Models such as spaghetti or topological database structures are also very superficially presented, hence the 4-star rating.

Overall, a very interesting, clearly written, and consice introduction to GISs.

An excellent second book for learning GIS.......2003-05-18

OK, so you've figured out how to drive the software and you've learnt the basic operations. Now, what does it all mean? This book is a great attempt to answer that question.
Nick Chrisman has drawn on his wealth of GIS experience to go beyond the basics. Don't expect to learn them here, you'll have to do that elsewhere. But when it gets down to just what it means, this is the place to be.
If you want GIS to work in a decision-making environment (which is 100% of its real applications, after all), learn from this book. We have used it as the second GIS text at The Ohio State University's Geodetic Science graduate program, and the students have appreciated its approach and content.
BTW, get the second edition (2002), noted here as 'Wie Exploring GIS' for some reason.

Outstanding high-level overview.......2000-01-18

I am an experienced GIS professional and this book is one of my favorites in my library. It is the best single source for understanding the scientific and technological context of GIS. This book has changed the way I think about GIS.

The comment from the reader from Hong Kong is completely off-target. Did this person really read this book?

A pathetic attempt to cover the subject........1998-10-14

The author ought to stick to romance novels.

Excellent overview of Geographic Information Systems.......1997-07-27

Nick Chrisman, a legend in the field of geographic information systems, provides a refreshing perspective on GIS. I recommend this book to anyone involved in the field, particularly to those planning on teaching GIS. He places GIS in a societal context that is becoming increasing important as this technology becomes mainstream

Customer Reviews:

a disappointing manual for ether huffing.......2000-09-02

I bought this book based on its compelling title, expecting a "tips and tricks" guide to that time-honored American pastime, huffing ether. First off, I guess I have myself to blame since when I put in the order here on Amazon, my Samoan attorney had just dropped a full liter of ether on our shag carpet. To boot, I already had a rag in my face (what else is new?). There is no mention of how to prepare a rag or proper storage of ether anywhere to be found in this book. (By the way, the best place for ether is a refrigerator in Saratoga Springs). Anyway, do yourself a favor and buy instead Commander X's "Guide to Levitation" if you really want to get high. In fact, Commander X was the man who turned me on to the sweet, oh sweet ether. Huff away, boys.

A Historical Introduction.......2000-04-20

Ether Technology is an easy to pick up, informative, no-nonsense and enlightning book on eletro-gravitic theory and the history of alternative propulsion.

It offers a fairly comprehensive summary of the subject matter throughout, with a quote-worthy forward by astronaut Edgar C. Mitchell. If you are interested in antigravitation, this is an excellent compendium of accumulated knowladge and history on the subject.

- Louis

A great overview of basic electrogravitic theory.......2000-01-24

Well, what can I say?

The anonymous "Rho Sigma" (come on, it's not that hard to work out) brings us a brilliant compendium of devices and electrogravitic theory. Many of the illustrations within the book have been on a number of T T Brown websites without me even knowing it! The quality is superb, offering a balanced slice of the development of overunity and UFO physics. Anyone else know that one of Brown's electrogravitic motors provided an overunity of over 100,000:1?

One or two gripes - why call the Searl Effect Generator an "Ether Vortex Turbine" and then describe them as if they were two separate devices in the foreword and contents of the book? Having met Searl personally, I am pretty sure that he never referred to the SEG as such.

These aside, it offers some interesting details about the subject, and would be good for anyone interested in Brown's time spent with Agnew Bahnson too. Don't expect ancient lost secrets or Do-It-Yourself UFO instructions, but a savvy reader with this book will certainly be helped along the way to an understanding of the link between electricity and gravitation. It is extremely good value, and well worth adding to your scientific library.

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Ether-Technology: A Rational Approach to Gravity-Control

Manufacturer: Rho Sigma
ProductGroup: Book
Binding: Paperback
ASIN: B000FCECHK

Customer Reviews:

A lesson.......2004-09-19

Simply, one of the greatest book ever written. Turgenev's style is wonderfully evocative, and yet it has not an ounce of sentimentalism: its depictions of natural landscapes are incredibly lucid, almost detached, in a sense; today, we could say his writing has a "zen-like" clarity. His human character are little parts of this whole, but Turgenev's panteism has nothing of the desperate, ferociously ironic pessimism of, say, Thomas Hardy; his vision is perfectly impartial, and yet sympathetic: each of his characters appears in his fundamental, intact dignity of human being. I'm not myself a starry-eyed dreamer: but reading this book, with its wonderfully easy and aimless wanderings, is like psychoterapy; you can't get out of it but feeling calmly hyper-oxygenated, as it were; you can't read this book but thinking that this man, Turgenev, mysteriously understood what it is like to be fellow sharers of this strange place, Earth, and of this strange thing, life. If something like "occidental buddhism" does exist, this book is a lesson in it.

Turgenev, sportsman and ardent liberal.......2003-11-18

Turgenev effectively invents a new form -- the literary sketch -- to impart a new kind of content. What is brilliant about these sketches which are in part nature meditation and in part biographical sketch is how Turgenev allows each character to speak for themselves. As a result we feel like we are hearing something we have never heard before -- the natural voice of the people. By allowing people to speak for themselves Turgenev gives us a truer and more genuine idea of how people -- serf and gentry -- really think and relate. Each sketch begins with a detailed description of the natural surroundings he is walking through and these descriptions give us insight into Turgenev's cast of mind which is infintely receptive, and discerning, even romantic and delicate at times as when he describes staring up through the forest canopy and imagining he is staring up at the world from beneath a vast body of water. These magnficent introductions set the mood for the character sketch to come. When he meets a serf it is as if he is merely continuing his communion with nature for the serfs live at one with the land. When he meets one of the gentry, however, and passes time in their company he feels removed from the natural settings and people he so values. It is a fascinating and very subtle technique but Turgenev makes the landowners seem like unnatural creatures who are disturbing the natural order. Though he is one of the gentry himself Turgenev hunts with the serfs , he values their company and conversation, and he values what they know. He knows them as individuals not just as serfs and so we too come to know them as individuals, each with their own personality and ideas about life and story to tell. Since we know these sketches are from real life we listen more carefully to them than we would if they were mere inventions; real life has a resonance that fiction does not. Given the choice of spending the day with a either serf or a landowner Turgenev would choose the serf. The serfs have not received an education and their opinions are often shaped by superstition, and yet it is these very superstitions that make them such colorful characters, the gentry may be educated but they are full of self-importance and affectations and see everything through the limited scope of their own self-interest which is merely another form of ignorance. Turgenev's most effective weapon is not bitter invective but irony. He never comes out and says serfdom is bad because the landowners are in some cases such vile creatures that there is no need to. By simply quoting them and describing their manners and actions Turgenev allows the landowners to do a fine job at condemning themselves.

The most profound sketch to my mind is "Yermolay and the Millers Wife" which relates the harsh treatment doled out to a beautiful serf woman merely because she wants to get married, and a close second is "Bezhin Lea" about a group of boys telling ghost stories around a fire as they tend a herd of horses grazing at night. The former sketch pefectly conveys what absolute power the landowners have over every aspect of the serfs life and the latter sketch perfectly conveys how the serfs pass down their own particular brand of wisdom from one generation to the next. Perhaps the most famous sketch however is "Khor and Kalinych" which juxtaposes two kinds of serfs--one resigned to his lot and the other who despite his status as serf finds his own kind of freedom by wandering the countryside. "Kasyan and the Beautiful Lands" is perhaps the most unusual story as it presents a sage-like man who speaks as though he were a living oracle. Deprived of education the serfs remain in thrall not only to the landowners but to ignorance as well; nonetheless there is a beauty and tragic grace in the voices of these serfs that remains in memory long after you have read these sketches. The sketches are complex and layered enough to invite you back to them again and again.

The biggest joy of the sketches is their casualness. Nothing is ever overly stated or stated in black and white but everything nonetheless appears clear as day. It seems at times as if Turgenev is the only enlightened soul in Russia and yet he is absolutely civil even when with a pernicious landowner because he innately knows what is right and he trusts that we know as well. Turgenev reminds me of Thoreau in his devotions which are equally divided between nature and the forwarding of liberal ideas. Though Pushkin and Lermontov both came before him Turgenev was the first Russian writer to achieve fame outside of Russia. Fathers and Sons is considered his masterpiece but these sketches stand as something unique in all of literature.

Lessons from a Master.......2002-06-18

It's taken me until now to get to Sketches From A Hunter's Album. Now I have finished it and now I am grieving. It will stay in my nonlending collection so I can savor it even after the surprise has gone. It's like losing a friend.

Turgenev calls these 'sketches' rather than stories. It's a good distinction. More story writers should concentrate on their sketch pads. The sketches are of places and people in the rural south of Russia in the 1840s. Each is strung thematically on Turgenev's wandrings through the countryside while hunting for game birds. Each begins with a mention that he was hunting in a certain place. He goes into lovely thoughtful and surprising descriptions of the woods or marsh, the sky, the smells, the sounds, the light. Even in translation, these are exquisite. He speaks of shifting light shining through the leaves onto the forest floor, or unbreatheable noonday heat, or changing skies at the advent of a storm, a dawn, or a sunset; he calls up moments from your own life that you thought could not be shared with anyone who wasn't there and he makes you relive those moments as if he had been there with you.

For anyone who has spent time out of doors, these little Aldo Leopold nature essays standing alone would be reason enough to read the 'Sketches', but these are just hors d'uvre to his descriptions of the persons he meets while hunting. When sketching people, Turgenev does gracefully what Dickens tried to do and did clumsily; that is, he describes the physical characteristics of a person and gives you a fully formed description of their character as well, and he does this without sounding forced and without showing himself. (And you will burst out laughing at the sudden recognition that, indeed, someone does look 'like a root vegetable'.)

"Sketches" was published twice in Turgenev's lifetime and in the second edition he added to it. In the earlier sketches, Turgenev brings a character to life in a description; the character may speak a few words, and disappear from the scene, as people do in real life, leaving the reader to speculate what became of him. Yet, Turgenev has given us enough insight into the character that we think we know what probably happened next, and so the story is complete. These are elegant Aristotelian constructs with the action taking place offstage, and, oh elegance! with the final action taking place in the reader's imagination after the story has ended. If my description leaves you wondering, read them! (Would that I could spur you to act as Turgenev spurs his readers to think. Ah, but it's too much... .) This is what Turgenev does. He starts you thinking, but requires you to complete the story. In the later sketches Turgenev is just as deft in his descriptions, but perhaps to satisfy the market or his editors he adopts a more plot driven model. These later contributions can more truly be called stories rather than sketches. They are equally well-crafted, but they demand less of the reader. Curiously, they give us less as well.

The hunter's travels theme gives the collection an interrelatedness, almost like a picaresque novel. As in Huckleberry Finn or Don Quixote, neither the author nor the protagonist directly express opinions, but as stories accumulate the reader acquires the author's strong politicized view. We meet the aristocrats and peasants of rural Russia. The serf-holding system had been 'liberalized' in the early 19th century, but it is revealed as the unnamed slavery it was. Landlords control peasants' rights to marry; they name the persons to fill regional conscription quotas; they assign agricultural and residential alotments; and thoughtless and uncaring aristocrats use these powers carelessly or maliciously to destroy lives. Liberal aristocrats fare no better than traditional feudalists, as Turgenev details social reformers' well-meaning disasters which beggar both for the peasants and the bumbling aristocrats who direct them.

America often forgets that its civil war was part of a European pandemic of peasant revolts driven by the extended logic of the Enlightenment. As masters and slaves in the United States were struggling with the immorality of a divine order handed down from a prior age, the masters and servants in Europe did the same. The 1840s, 50s, and 60s were tumultuous times in central and eastern Europe. Turgenev, arrested and exiled in 1852 because of the 'Sketches', has an historical place akin to the American abolitionists of the same day, however, unlike Harriet Beecher Stowe, Turgenev draws his characters in three dimensions with humanity, with love and understanding even when he does not forgive them their moral failings. The 'Sketches' would be an interesting book to teach alongside Huckleberry Finn.

A Collection of short stories for those who don't like them.......2001-12-06

I don't like short stories, never have and I don't know why. I had to read this collection for a course and found it pretty good. The professor told us that this was Hemingway's favorite book which Hemingway had read over and over. In fact, Hemingway modeled some of his own stories on those here, particularly the Hemingway stories where nothing happens except someone might make a pot of coffee. But let's face it, these are not so much stories (narrations of events in time) as sketches of characters. Any plot would be too much plot and would interfer with the general effect, which is to show us the life and times of Russians before the liberation of the serfs. I liked "The Singers", as other reviewer have, but the true masterpiece, worth the entire price of the book, is "Living Relic." Nothing happens in that story except we learn again the beauty and strength of the human spirit and in the process the redemptive nature of true literature.

Cor!.......2001-10-18

In giving this book only three stars, I'm not rating Turgenev but rather the translation. I'm not a translator myself, I'm sure it's very difficult rendering dialogue from another time and place, etc., etc. but I finally couldn't abide the translator's choice in this case to render the voices of nineteenth century Russian peasants in Cockney (or other English) slang.

Examples: "He was a right pain to his peasant girls." "They felt right idiots." "He's not a gent, is he?" "Help us, mate." "Judge for yourself, mate." "He's the soul of kindness, he is." "Gavrila comprehended-like how to get out of the wood." The use of "'cos" for "because." The use of "gotta"--"And I've gotta tell you this."

And what was for me the last straw, in the story Bezhin Lea, "Cor!" and "Cor, stone me!"

If you like this kind of thing, you'll love the book. For Russian lit in translation, give me Constance Garnett (and her Edwardian diction--which works so well, perhaps because it seems natural in contrast to the forced quality on display in "Sketches") or else the current team of Pevear and Volokhonsky.

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Lines make it easy for little kids

Dino Dudes Scratch And Sketch: An Art Activity Book For Fossil Hunters Of All Ages (Scratch and Sketch)
Heather Zschock
Manufacturer: Peter Pauper Press
ProductGroup: Book
Binding: Spiral-bound

Nonfiction | Dinosaurs | Animals | Children's Books | Subjects | Books
Prehistory | Fiction | History & Historical Fiction | Children's Books | Subjects | Books
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General | Ages 4-8 | Children's Books | Subjects | Books
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ASIN: 1593599730

Customer Reviews:

Lines make it easy for little kids.......2007-01-16

This one, and the Wizard of Oz one are prelined on the scratch pages, which makes it much easier for little kids. It is very difficult to tell which ones have lines - I think it is only the ones marked for ages for and up.

The trail drivers of Texas;: Interesting sketches of early cowboys and their experiences on the range and on the trail during the days that tried men's ... who fathered the cattle industry in Texas,

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The trail drivers of Texas;: Interesting sketches of early cowboys and their experiences on the range and on the trail during the days that tried men's ... who fathered the cattle industry in Texas,
J. Marvin Hunter
Manufacturer: Cokesbury press
ProductGroup: Book
Binding: Unknown Binding

Animal Husbandry | Agricultural Sciences | Science | Subjects | Books
ASIN: B000863ZCQ

The Trail Drivers of Texas: Interesting Sketches of Early Cowboys...

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Truly takes me back!
Lives spent on the trail punching cattle
Trail Drivers of Texas
First-hand accounts of TX trail drivers or their descendants

The Trail Drivers of Texas: Interesting Sketches of Early Cowboys...

Manufacturer: University of Texas Press
ProductGroup: Book
Binding: Paperback

ASIN: 0292730764

Book Description

"For 60 years, The Trail Drivers of Texas has been considered the most monumental single source on the old-time Texas trail drives north to Kansas and beyond....Because of its vast volume of raw material, expressed in the words of those who lived the life and rode the long miles, students of cattle industry history regard it with high respect, even awe."

—Elmer Kelton, Dallas Morning News

"... the essential starting point for any study of Texas trail driving days. Walter Prescott Webb called it 'Absolutely the best source there is on the cattle trail ...'"

— Basic Texas Books

These are the chronicles of the trail drivers of Texas—those rugged men and, sometimes, women who drove cattle and horses up the trails from Texas to northern markets in the late 1800s. Gleaned from members of the Old Time Trail Drivers' Association, these hundreds of real-life stories—some humorous, some chilling, some rambling, all interesting—form an invaluable cornerstone to the literature, history, and folklore of Texas and the West. First published in the 1920s and reissued by the University of Texas Press in 1985, this classic work is now available in a handsome paperback edition that contains the full text, historical illustrations, and name index of the hardcover edition.

Customer Reviews:

Truly takes me back!.......2007-08-11

I loved this book. The stories, sometimes funny, and sometimes sad, took me back to when I lived with my Grandmother and she would tell me great tales of her father and grandfather.
If you like non-fiction, interesting books, buy this one. You won't be sorry.

Lives spent on the trail punching cattle.......2006-01-14

This large book, in size (over a thousand pages) and in spirit, is a compilation of first-hand accounts of cowboys on the trail driving cattle. At annual Old Trail Drivers' conventions held in Texas during the nineteen-teens, vice-president George W. Saunders would try to "round up all of the old boys and girls and get their history in print so that the coming generations may read of the hardships and dangers they encountered and the splendid achievements of his comrades of the days gone by." Soon sketches and letters began trickling back until enough were gathered to publish them in a book. The book was a big success and a second volume was planned. Saunders bade out of editing the new volume and J. Marvin Hunter took over. Eventually both books were combined into one.

There are hundreds of sketches and accounts included here, all of them from the pens of the men who rode the range and the women who were right there with them. Their quality and length vary, of course, with some being only a paragraph or two long while others go on for many pages. Some have written what amounts to almost complete family histories, while others write of only a single incident.

With so many people writing reminiscences of basically the same experiences, certain commonalities are detected: the weather was on everyone's mind often, so was the coming of barbed-wire; nothing seemed harder than getting cattle to cross a river. Indians and the threat of Indians were everywhere; stampedes were a big concern. George W. Brock of Lockhart, TX, wrote a 7-page sketch with the fetching title "When Lightning Set the Grass on Fire," though this potentially exciting event is told in one sentence: "The lightning would strike the ground and set the grass on fire, then the rain would put it out." That's it. The rest of the account is all about Mr. Brock's countless adventures with cattle and horses, each one usually reduced to one sentence. So it goes. Some even submitted poetry.

There is a certain amount of "You had to be there" feeling about many of these sketches, but part of that is that there are just so many of them here. No one should (or probably could) read this book straight through; like eating chocolate truffles it's best to pick and choose in relatively small doses. But taken that way they can be quite enjoyable. The simplicity and robustness of the writing, so wonderfully nonacademic, can be downright refreshing. An interesting and charming book for anyone with a flair for those cowboy "days gone by."

Trail Drivers of Texas.......2005-04-20

Excellent. My father, 83 years old and a lifelong rancher in New Mexico, received a copy of this book from his sister for his birthday. He enjoyed it so much because of its true to life accounts of the trail driving days. Dad has been on some trail drives in the old days, and could relate to the writings in this book. I am reading this book now, and it is so fun ... true history, written by the men in their own styles ... some had little or no formal education, while others were highly educated. All are very interesting.

First-hand accounts of TX trail drivers or their descendants.......1999-06-11

An excellent rendition of early TX history through a compilation of first hand accounts of trail drivers or their spouses or descendants. Since the accounts were either written or spoken there are frequent misspellings of names such as the Dietert Brothers of Boerne, TX, and Wenzel Friedrich of San Antonio Horn furniture fame, but the reader can find through this with some research efforts. Much history of the people, places, times, and conditions given as individual recollections serve as an excellent source of reference. Forturnately, the Trail Drivers Association in conjuction with the author foresaw the importance of such an endeavor before this important history would be lost as these people inevitably would die off. I feel the book is a tremendously interesting book! I accidentally stumbled on it in Boerne, TX, in the library and was so excited when I found a copy for myself in hardback, though also available in paperback.

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A Hunter's Sketches
Ivan Sergeevich Turgenev
Manufacturer: Kessinger Publishing
ProductGroup: Book
Binding: Paperback

Contemporary | General | Literature & Fiction | Subjects | Books

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ASIN: 1419101773

Book Description

Great Russian author Ivan Sergeevich Turgenev (1818-1883) was an avid hunter and nature lover and used his own experiences in the woods of his native Russia to pen A HUNTER'S SKETCHES (written in the period of 1852-1874). This work established his reputation as a foremost writer of his time. "Do you know, for instance, the delight of setting off before daybreak in spring? You come out on to the steps. . . . In the dark-grey sky stars are twinkling here and there; a damp breeze in faint gusts flies to meet you now and then; there is heard the secret, vague whispering of the night; the trees faintly rustle, wrapt in darkness. And now they put a rug in the cart, and lay a box with the samovar at your feet." -- from "The Forest And The Steppe"

Download Description

Anyone who has chanced to pass from Bolkhov District into Zhizdra District must have been impressed by the striking difference between the race of people in the province of Orel and the population of the province of Kaluga. The peasant of Orel is not tall, is bent in figure, sullen and suspicious in his looks; he lives in wretched little hovels of aspen-wood, labours as a serf in the fields, and engages in no kind of trading, is miserably fed, and wears bast shoes.

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Adventures of a Ballad Hunter
John A. Lomax
Manufacturer: Macmillan
ProductGroup: Book
Binding: Hardcover
ASIN: B000PU3A6Q

Alabama bound: Family sketches of a long line of storytellers : the Jacks, Morgans, Wymans, Boyntons, Martins, Hunters, and Dearings

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Alabama bound: Family sketches of a long line of storytellers : the Jacks, Morgans, Wymans, Boyntons, Martins, Hunters, and Dearings
Melissa Dearing Jack Hurt
Manufacturer: M.D.J. Hurt
ProductGroup: Book
Binding: Unknown Binding

General | Genealogy | Reference | Subjects | Books
ASIN: B0006ESROG

ANITA BLAKE VAMPIRE HUNTER: THE FIRST DEATH #1 SAN DIEGO COMIC CON SKETCH VARIANT

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ANITA BLAKE VAMPIRE HUNTER: THE FIRST DEATH #1 SAN DIEGO COMIC CON SKETCH VARIANT
LAURELL K. HAMILTON
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Comic
ASIN: B000V26UA6

The bloody trail in Texas,: Sketches and narratives of Indian raids and atrocities on our frontier

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The bloody trail in Texas,: Sketches and narratives of Indian raids and atrocities on our frontier
J. Marvin Hunter
Manufacturer: J. Marvin Hunter, Jr
ProductGroup: Book
Binding: Unknown Binding

The Frontier Scout and Buffalo Hunter's Sketch Book

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The Frontier Scout and Buffalo Hunter's Sketch Book
James A. Hanson
Manufacturer: Chadron, Nebraska: Fur Press,
ProductGroup: Book
Binding: Paperback
ASIN: B000WXBPMC

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