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A comprehensive review of Biology with a special section on the College Board Achievement Test in Biology
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Arnold I Miller
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Lawrence Solomon
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How to prepare for the College Board achievement test, biology: Including modern biology in review
Maurice Bleifeld
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College Board Achievement Test Biology
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Amazon.com
On the night of December 3, 1984, a cyanide cloud drifted over the streets of Bhopal, India, set loose by a leak in a nearby chemical plant. When the deadly fog lifted untold numbers of the city's residents--perhaps as many as 30,000, by some accounts--lay dead, while half a million others were injured. Dominique Lapierre, a French journalist and longtime champion of India's poor, joins with Spanish writer Javier Moro to recount the terrors of that night, about which the whole truth may never be known. The deaths are but one part of the authors' long, sometimes elaborate tale, which relates how the industrial conglomerate Union Carbide had come to build its vast chemical complex at Bhopal, one meant to be a glory of technology and, ironically, to save thousands of lives brought low by insect-wrought starvation. There are few villains but many heroes in the authors' account, which explores the margins at which good intentions conflict with the profit motive, at which cost-cutting omissions yield horrifically unintended consequences. It all makes for a thoughtful and disturbing book. --Gregory McNamee
Book Description
On the night of December 3, 1984, a cyanide cloud drifted over the streets of Bhopal, India, set loose by a leak in a nearby chemical plant. When the deadly fog lifted untold numbers of the city's residents--perhaps as many as 30,000, by some accounts--lay dead, while half a million others were injured. Dominique Lapierre, a French journalist and longtime champion of India's poor, joins with Spanish writer Javier Moro to recount the terrors of that night, about which the whole truth may never be known. The deaths are but one part of the authors' long, sometimes elaborate tale, which relates how the industrial conglomerate Union Carbide had come to build its vast chemical complex at Bhopal, one meant to be a glory of technology and, ironically, to save thousands of lives brought low by insect-wrought starvation. There are few villains but many heroes in the authors' account, which explores the margins at which good intentions conflict with the profit motive, at which cost-cutting omissions yield horrifically unintended consequences. It all makes for a thoughtful and disturbing book. --Gregory McNamee
Customer Reviews:
Why did it happen: GREED!.......2004-12-17
Five Past Midnight in Bhopal: The Epic Story of the World's Deadliest Industrial Disaster, Dominique Lapierre and Javier Moro - The gas leak in Bhopal in the winter of 1984 claimed 3,787 lives. That's the official count; unofficial estimates range from 20,000 dead and half a million suffering from the after-effects of inhaling a noxious gas. Why did the tragedy happen? Simple: greed. Union Carbide, in a zeal to supply more pesticide than could be used in the subcontinent, built a plant to produce the pesticide locally. When the Indian droughts and distribution problems conspired to reduce their revenues, UC did what any western corporation does with pride: reduce costs. In this case, costs were reduced by allowing the safety systems of the plant to atrophy. The air-conditioner which should have maintained a regulating temprature was shut down; the flare which would normally have burned off the excess gas was extinguished; the pipes which would have shunted the execss gas to other tanks were left to rust; the employees who should be monitoring the saftey functions of the plant were let go. After all, UC thought, a plant that was not producing any pesticide could not turn into an environment disaster. They were wrong.
Due to a series of unfortunate occurences, gas pressure built up in the tanks causing it to escape, with deadly results. Since UC had not seen fit to provide information on the composition of the gas (Methyl isocynate, or MIC) to the local government, no effective antidote could be used by the hospitals when affected people started to arrive. By the morning of December 3, 1984, thousands were dead.
The name Bhopal is synonymous with the disaster that occurred there 20 years ago. To this date, no criminal proceedings have been held to hold UC responsible (UC was bought out by Dow Chemicals in 2000, and no longer exists as an independent company; Dow absolves all responsibility of the disaster). UC settled with the Indian government on a sum of US $470 million. After 20 years, about US $300 million are still with the Indian government awaiting disbursements to people who are no longer alive, or even if they are alive, are dying a slow and painful death. The Indian government, maybe out of inertia, or maybe out of the mistaken belief that future multi-nationals may not invest in India if UC is charged with criminal neglect, has not done anything to prosecute UC. UC, for its part, blames the accident on a disgruntled employee! The CEO of UC, Warren Anderson, lives in anonymity in the US; he is a wanted person in India. Thousands of lives have been lost and millions affected, all brushed aside by a UC statement that distills these enormous losses to a "per share loss of 0.43 cents!"
This is a great book, written in the same style that Dominique Lapierre uses for "Freedom At Midnight". 2/3 of the book is devoted to glimpses in the lives of the people who were the hardest hit by the gas leak; the remaining 1/3 is devoted to the actual leak. This book should be a must read for all multi-nationals that espouse to exploit the cheap third world labor market. It is a telling fact that when smaller amounts of gas leaks in UC plants occurred in the US, one of the affected women went to college to get a degree in environment issues and armed with it, battled UC in the courts (and prevailed). The affected people in Bhopal did not have such a chance, nor can they even comprehend this as a way of battling corporations. India has a long way to go before it considers itself a first world country. For more information, see Union Carbide's official site on the Bhopal Disaster (http://www.bhopal.com), and a non- government organization site (http://www.bhopal.org), which to me is far more believable than UC's site.
A FASCINATING READ.......2004-07-15
A great and interesting read .. Beautiful coverage and master story telling
Marginal prose reveals powerful, enraging story.......2004-06-14
When a cruise missile destroys a target, there is a certain level of responsibility on Raytheon, the manufacturer. That type of corporate complicity though, is subservient to the lion's share of the blame which would go to the government that uses the cruise missile. In the case of Union Carbide, no such opportunities to share the blame exist. The deaths of up to 30,000 people lie directly at the door of the company as has been made clear in several books, Five Past Midnight in Bhopal being the most recent.
It is unfortunate that the massacre perpetrated in Bhopal is given only a marginal telling here. The story is fairly compelling and it does have a creeping sense of doom as ones reads it. Often times though, the authors drop into cliché and melodrama. Many of the people in the book are revealed as one-dimensional, polarizing the guilty and innocent. If the victims of the crime were thugs of some sort, their characters should remain irrelevant. The same should go for those who are largely decent people, painting them as angelic does nothing to further the quest for justice against Union Carbide (since absorbed by Rhône-Poulenc and Dow Chemical). It's merely an attempt to tug at the heartstrings of the reader, of whom only the most imbecilic or callous would fail to identify with the victim and convict the perpetrator. That is not to say that the authors should not have tried to give the victims names and personalities, only that the way it is done here is often times unbearable. When it does come through though, it's effective. Drawing a depth of character that allows the reader to focus on what exactly the cost is going to be to these people, one can feel a bit of personal loss with the victims. The other main flaw that comes to mind is one that might have been identified by one of the blurbs on the back cover. In the book A Perfect Storm, Sebastian Junger gives thoughts, actions and motives (even dialogue) to people after all communication from them had been cut off. This was done despite the fact there is absolutely zero reason to think that any of it happened or that the characters were even alive at that point. Passing such tripe off as nonfiction is repulsive. When there is some evidence that might help recreate the last moments of people, as in Bhopal where the bodies of the killed were available at the time, there can be a limited amount of reasonable supposition. In the case of Five Past Midnight in Bhopal, this reviewer thinks the authors stretched a bit beyond reasonable credulity. Nevertheless, when all is said and done, the authors have recounted a piece of history and found to put the blame where most others have as well. Perhaps the melodrama and angel-raising could have been cut a bit to provide a better glimpse about the struggle for justice in the time since the mass-killing but that decision belongs to the authors, not to me.
Reliable estimates put the total number of fatalities from the gassing of Bhopal higher than the number of Kurds gassed at Halabja by Saddam Hussein in one of his more famous crimes. The mens rea is clear for both crimes, one through direct malice, and one through reckless behavior that reasonable people could expect to lead to death. This is well established using Union Carbide's own materials. The safety reports convict the company on their own yet, justice is conspicuously absent to the people of Bhopal, with the complicity of the American government and the offensive lack or personal responsibility on the part of the Warren Anderson and the others chiefs of Union Carbide. Five Past Midnight in Bhopal gives a good account of the events and the behavior that lead up to the worst industrial catastrophe in history, it unfortunately does so with marginal storytelling ability and prose.
So We Never Forget.......2003-03-03
Rarely I start a book and can not put it down until the very last page. Being a avid reader of various topics for many years, Five Past Midnight at Bhopal was one such book, that made me stay till two in the morning, unable to put it down.
I faintly remember the incident at Bhopal, having been fairly young at the time to take in all the details, or appreciate the human tragedy that has occured, so I did not hesitate to buy this book as soon as it was published, being previously unfamilair with the works of Lapierre and Moro.
What makes this book so powerful is its unflinching humanity. Some of the thousands of victims that died that night, suddenly were alive with a history, and the authors with obvious sympathy, transform wretched, destitute, outcast people into heroes..their lives, joys, aspirations, optimism in the face of impossible odds is a wonderful triumph of the human spirit, regardless of how many gods it worships.
The moment when one of these people gets the first TV set, to the amazement of all the slum dwellers, is very touching and powerful..When the wedding preparations are made, and the joy of the parents borrowing money from a usurer to make it the most beautiful day of their daughter's life, is full of dignity..In short, the authors succeed on one level, to pay hommage to people that are forgotten in their own country and certainly in the world.
Yet the whole book is about the tragedy of the factory, and although I believe that the incident was partly caused by the cost cutting of Union Carbide,partly because of the inefficiency, and lack of training of the employees..(I did not join the authors in their apparent anti globalization undertones), the effect and devastation was mind boggling.
Yet why this book works beautifully, is simply because the authors have presented us with the lives of many characters, and when the tragedy strikes, we care enough about these people to turn every page in anticipation to know their fate.
It also reads like a thriller, escalating tension up until the fateful moment..
I did not finish the book accusing anyone, it is a tragic accident, rather I had a great feeling about how great the human spirit can be, the notion of selfless sacrifice coming alive.
If anything, I think the proceeds of this book will help some of the victims, which will make it an essential buy.
great book.......2003-01-14
Reading this book on a plane back from India, I admired the way the author was able to blend in the texture of the city and all the different forces at work: from people struggling for their daily existence to the enthusiastic engineers who built the plant .
From cursory knowledge of the incident, I always thought that Union Carbide skimped when building the plant--not installing adequate safety measures, etc. I also had read carbide literature which blames the accident on sabotage, tea breaks, and other nonsense.
Lapierre gives a balanced view and shows how the plant, which was initially closely monitored, was allowed to deteriorate in order to save costs.
What makes the book worth reading is the people--especially the heroism of people during the night of the tragedy, amazing. Definitely worth reading.
Product Description
It was five past midnight on the night of 3 December 1984 when a terrifying cloud of toxic gas escaped from an American pesticide plant in the heart of the Indian city of Bhopal, killing between 16 and 30 thousand people and injuring 500 thousand more, it was the most murderous industrial disaster in history.
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This digital document is an article from OnEarth, published by Natural Resources Defense Council, Inc. on September 22, 2002. The length of the article is 1609 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Five past Midnight in Bhopal. (Reviews).(Book Review)
Author: William K. Tabb
Publication:
OnEarth (Magazine/Journal)
Date: September 22, 2002
Publisher: Natural Resources Defense Council, Inc.
Volume: 24
Issue: 3
Page: 37(3)
Article Type: Book Review
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It Was Five Past Midnight in Bhopal
Dominique Lapierre , and
Javier Moro
Manufacturer: Full Circle Publishing Ltd
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This book adopts a non-traditional approach to accelerator theory. The exposition starts with the synchro-betatron formalism and continues with the linear and nonlinear theories of transverse betatron motion. Various methods of studying nonlinear dynamical systems (the canonical theory of perturbations and the methods of multiple scales and formal series) are explained through examples. The renormalization group approach to studying nonlinear (continuous and discrete) dynamical systems as applied to accelerators and storage rings is used throughout the book. The statistical description of charged particle beams (the Balescu-Lenard and Landau kinetic equations as well as the Vlasov equation) is dealt with in the second part of the book. The processes of pattern formation and formation of coherent structures (solitons) are also described.
Customer Reviews:
Train Wreck.......2006-02-08
I find Graham Greene to be almost unreadable. I know that this is going to be considered near blasphemous, since literary critics have heaped such praise upon him and so many reviewers here have done likewise.
However, in a word, I find him depressing. His characters suffer from interminable analysis of their every thought and action. The larger story is merely a vehicle for these internal monologues that, frankly, I don't find particularly insightful or interesting. It was V. S. Pritchett who first remarked about Greene's 'perverse and morbid tendencies'. While Greene is no doubt highly intelligent and capable of a very high level of writing, the end result, for me, is something very unpleasant.
I first read 'The Heart Of The Matter'. God, what an endlessly depressing scene! Nor was there any particular character I could sympathize with or even care about. In spite of my negative reaction to this highly praised work, I thought I would give him another try with 'Stamboul Train' (a.k.a., 'Orient Express'), thinking that in this 'entertainment' as Greene called it I would actually be, well, entertained. Instead, I get a trainload of depressing characters whose every thought is scrutinized to an excruciating degree.
Example (from Myatt's suspicions about his business dealings):
'It was odd. He had chosen the samples with particular care. It was natural of course that even Stein's currants should not all be inferior, but when so much was suspected, a further suspicion was easy. Suppose, for example, Mr. Eckman had been doing a little trade on his own account, had allowed Stein some of the firm's consignment of currants, in order temporarily to raise the quality, had, on the grounds of that improved quality, indeed, induced Moults' to bid for the business. Mr. Eckman must be having uneasy moments now, turning up the time-table, looking at his watch, thinking that half Myatt's journey was over. Tomorrow, he thought, I will send a telegram and put Joyce in charge; Mr. Eckman shall have a month's holiday. Joyce will keep an eye on the books, and he pictured the scurrying to and fro, as in an ants' nest agitated by a man's foot, a telephone call from Eckman to Stein or from Stein to Eckman, a taxi ordered here and dismissed there, a lunch for once without wine, and then the steep office steps and at the top of them the faithful rather stupid Joyce keeping his eye upon the books. And all the time, at the modern flat, Mrs. Eckman would sit on her steel sofa knitting baby clothes for the Anglican mission, and the great dingy Bible, Mr. Eckman's first deception, would gather dust on its unturned leaf.'
Lord have mercy. This stuff is like fingernails on a chalkboard!
William Golding called Green 'the ultimate twentieth-century chronicler of consciousness and anxiety'. This does not, however, make for entertaining reading. Greene's writing is an examination of the human condition totally devoid of lightness, humor (at least as I understand the word) or romance. His characters are an unpleasant, unhappy bunch.
Ultimately all his writing reveals is the real Graham Greene.
Light-paced, deep-rummaging food for thought.............2005-04-24
Not a lot I can really add to some of the other fine reviews posted on this classic light novel, which consolidated Greene's reputation as properly interesting and versatile. Attempting a more cinematic approach, this story does use stereotypes, and the exposure of characters to random scenarios that only travel can present...where distilled, reflective lives are put on hold with their thoughts and dreams...Greene's roving, penetrating insight that is so worthwhile, moves the book beyond becoming dated or too old-fashioned.
What else will you find beyond the sheer knowledge of humanity..... the occasionally penetrating, timeless tone of world-weary, often forlorn and wisened prose, woven around the hearts of these vastly different but inter-linked characters? ....well, self-sacrifice and selfishness, assumptions and presumptions and hypocricy, need and love and class and discrimination.....It is all here disguised and yet surfacing suddenly and transparently, wrapped up in the thoughts of its time and day, but shocking us still in its provocation of how much we must all surely be wrapped up...in our own time.....Hopefully attitudes have changed, our minds more open, our dreams a little less selfish....
An almost palpable shock -.......2003-09-27
I've read a number of Graham Greene's more acclaimed and "serious" novels and had a variety of reactions, from "loved it!" ("The End of the Affair") to "couldn't get through a chapter" ("The Quiet American"). But none of these prepared me for "Stamboul Train." Modestly described as an "entertainment," and later more or less dismissed by its author, this novel turned out to be, truly, one of the most amazing and moving books I've ever read.
This is an early novel, but there's nothing raw about it. The characters are superficially "stereotypes," but the book turns out to be about the power that externally prescribed roles possess, in life as well as art. Each of the characters, from Myatt the "rich spoiled Jew" to Coral the plain, innocent chorus girl, turn out to be something different from their types, yet they're never wholly able to escape from them. I can't think of an author, except possibly Tolstoy, who does a better job conveying characters who believe two (or three or seven) things at the same time than Greene does here.
Greene does employ stereotypes, particularly of Jews and lesbians, and that might be one reason the book is out of fashion. Yet Greene explicitly grapples with and explodes the stereotype, in the case of Myatt. Even the lesbian lady journalist, who doesn't fare as well (Greene's portrayal of her borders on mean-spiritedness) is so richly characterized and individual that she takes on a life beyond the stereotype.
I haven't even touched on Greene's innovative use of point-of-view - a multi-faceted third-person, with sudden shifts hardly united by an overarching consciousness. The effect mirrors the way these "strangers on a train" slip in and out of each other's lives. It also produces one of the most amazing bedroom scenes I've ever read.
And if the last line doesn't break your heart, I'll give you your money back -
Early Greene novel hints at the greatness to come........2002-08-17
A sad cynicism lies at the root of Greene's dark humor in this very early (1932) novel, Greene's fourth novel and the first entertainment to be written and published for a wide audience. A Jewish businessman, a lesbian journalist, her rebellious young companion, a dancer in need of a job, a Socialist physician wanted in Serbia for treason, and an Austrian thief meet and interact aboard the Orient Express on a trip from London to Istanbul (Stamboul). Each person in this motley group hopes that some remarkable change will occur to him or her as a result of the trip, but though all eventually get their wish, fate has something devious up its sleeve for each one. These twists and turns, sometimes humorous and sometimes immensely sad, constitute the heart of the novel.
Unlike Greene's later novels, with their fully developed characters and religious themes, this novel's characters are often stereotypes, and the action is often designed simply to bring the characters down, showing that no matter what dreams or goals they may have, that ultimately they have no control over their destinies. Greene's later, much more intensely realized themes--sin and atonement, innocence and guilt, love of life and fear of death, piety and corruption, sex and religion--are missing here, and as the action unfolds and the characters are manipulated, the reader easily recognizes the "bones" of the themes which will later come into full flower in Greene's mature philosophical novels. As a series of tours de force, and as a glimpse into the creative process of a writer who, at this point, was just beginning to come into his own, this is an intriguing novel, loaded with insights, a fascinating and enjoyable read. Mary Whipple
An entertaining "Entertainment".......2002-04-23
As an "Entertainment," "Stamboul Train" is quite entertaining. Graham Greene writes with a strong sense of humor as he describes an interesting assortment of individuals riding the Orient Express across Europe to Istanbul. Though there isn't much of a plot, the odd and unpredictable occurs on this journey. Greene develops his characters to the point that the reader can't help but eagerly wonder how each individual will react to the many bizarre encounters on and off the train. Not one of Greene's better known works, but a pleasure to read nonetheless.
Average customer rating:
- A tense plot among sharply drawn characters
- Early novel contains the "bones" of Greene's later themes.
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Stamboul Train: An Entertainment
Graham Greene
Manufacturer: Penguin (Non-Classics)
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ASIN: 0140018980 |
Book Description
Centenary edition with an introduction by Christopher Hitchens: a gripping spy thriller, which unfolds aboard the majestic Orient Express as it crosses Europe from Ostend to Constantinople, weaving a web of subterfuge, murder, politics and passion along the way.
Customer Reviews:
A tense plot among sharply drawn characters.......2006-06-27
In this novel, Graham Greene tells the story of seven main characters who all embark on a train journey from Ostend to Istanboul. Coral Musker, a good natured variety dancer with a bad heart, Dr Richard John, Myatt Carleston, a Jewish tradesman dealing in currants, Mr Opie, a clergyman, Janet Pardoe and Mabel Warren, a couple of lesbian women, Dr Richard Czinner, a famous socialist agitator who disappeared from Belgrade five years before and is now returning to his country to stand trial and finally Joseph Grünlich, a notorious Viennese thief and murderer.
As the story unfolds, more and more is revealed to the reader about the characters' past, some having had a rather shady existence. Mr Greene skilfully shows how different personalities react and behave in a sort of mental struggle once they are thrown together and forced to spend three days in the confined space of a railway carriage. A short, tense and disturbing novel which shows that one rarely escapes one's fate. The reader, Michael Maloney, performs a commendable act, using an wide variety of accents. An excellent audiobook.
Early novel contains the "bones" of Greene's later themes........2005-03-17
A sad cynicism lies at the root of Greene's dark humor in this very early (1932) novel, Greene's fourth book and the first entertainment to be written and published for a wide audience. A Jewish businessman, a lesbian journalist, her rebellious young companion, a dancer in need of a job, a Socialist physician wanted in Serbia for treason, and an Austrian thief meet and interact aboard the Orient Express on a trip from London to Istanbul (Stamboul).
Each person in this motley group hopes that some remarkable change will occur to him or her as a result of the trip, but though all eventually get their wish, fate has something devious up its sleeve for each one. These twists and turns, sometimes humorous and sometimes immensely sad, constitute the heart of the novel.
Unlike Greene's later novels, with their fully developed characters and religious themes, this novel's characters are often stereotypes, and the action is often designed simply to bring the characters down, showing that no matter what dreams or goals they may have, that ultimately they have no control over their destinies. Greene's later, much more intensely realized themes--sin and atonement, innocence and guilt, love of life and fear of death, piety and corruption, sex and religion--are missing here.
As the action unfolds and the characters are manipulated, the reader easily recognizes the "bones" of the themes which will later evolve in Greene's mature philosophical novels. As a series of tours de force, and as a glimpse into the creative process of a writer who, at this point, was just beginning to come into his own, this is an intriguing novel, loaded with insights, a fascinating and enjoyable read. Mary Whipple
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STAMBOUL TRAIN: AN ENTERTAINMENT.
Graham. Greene
Manufacturer: Penguin
ProductGroup: Book
Binding: Paperback
Greene, Graham
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ASIN: B000LY0N6G |
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Stamboul Train. An Entertainment
Graham Greene
Manufacturer: William Heinemann LTD
ProductGroup: Book
Binding: Hardcover
Greene, Graham
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ASIN: B000LRLKB0 |
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Stamboul Train: An Entertainment
Graham Greene
Manufacturer: William Heinemann
ProductGroup: Book
Binding: Hardcover
Greene, Graham
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ASIN: B000J328OE |
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