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Sat II Success 2001 : Biology E/M
Gloria Dyer ,
Gordon Chenery ,
Tract Halward , and
Tracy Halward
Manufacturer: Petersons
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ASIN: 0768904129 |
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SAT II Success Biology E/M (Peterson's SAT II Success Biology E/M)
Petersons Publishing
Manufacturer: Tandem Library
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ASIN: 0613919637 |
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Magnesium: Current Status and new Developments: Theoretical, Biological and Medical Aspects
Manufacturer: Springer
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ASIN: 0792348214 |
Book Description
This volume contains the Proceedings of the 8th International Symposium on Magnesium. It presents research and applications in order to interface between medical doctors, clinicians and scientists responsible for magnesium involvement in the pathogenesis of diseases, its biological significance, metabolism and many other utilizations which are associated with membranes and cells. The topics which are discussed concern mechanisms of the mode of action of free magnesium cations, hydrated cations and magnesium-linked cations.
Customer Reviews:
Mach's Principle Conference.......2007-02-11
I'm hopeful that we will be hearing more about Mach's Principle in the future. Modern Physics may provide the theoretical underpinings that eluded Mach and his contemporaries. It was fascinating to learn just how sketchy Mach's contribution's were- and that the development of a theory of inertia were instead made by Mach's colleges. My only regrets were that the work of Dennis Sciama and Roger Penrose were not included. This book illuminates a topic in physics that is controversial, problematic, and very interesting.
Informative and Entertaining.......2001-12-16
If you are interested in Mach's Principle, you will like this book . Experts discuss what Mach really intended when he formulated his principle. The book provides english translations of some classic articles on Mach's Principle, and it discusses some of the lastest research and thinking on the topic. I recommend it very highly.
Book Description
"This beautiful little book is certainly suitable for anyone who has had an introductory course in physics and even for some who have not."—Joshua N. Goldberg, Physics Today
"An imaginative and convincing new presentation of Einstein's theory of general relativity. . . . The treatment is masterful, continual emphasis being placed on careful discussion and motivation, with the aim of showing how physicists think and develop their ideas."—Choice
Customer Reviews:
Verbal Description of General Relativity.......2004-06-01
The author presents fundamental ideas of theory of relativity in a non-mathematical form using conversation approach to readers with little science background. The book is highly descriptive and the reader is bound to get bored since this is a discussion of about basic ideas about space and time using two-dimensional space-time diagrams. The first part of the book describes the notion of space and time in terms of Aristotelian and Galilean view points. The second half describes how the idea of spatial distance and elapsed time (interval) are incorporated into space time as geometrical entity. The author uses a general framework in this book for explaining general relativity. This is done by describing an event and assemble them into space-time (in a space-time diagram) and describe what is going-on in the physical world in terms of collection of events, and relationships between events is evaluated using measuring instruments such as light pulses and clocks. The intrinsic relationship between two events is described by interval (measured by physical experiences of observers). From the interval, one determines how light goes and how clock move and tick. The author eventually explains how equating intervals leads to relationship between `real' physical measurements. The interval is a sort of misty thing that stands in the background and integrates into space-time. In the final chapter the author discusses an application of general relativity to understand the properties of blackholes: It is here that the readers appreciate the importance relativity. The reader must have patience to read this book and he/she must be prepared to read chapters 5 and 6 second and perhaps third time to understand the underlying concept. If you do not have patience you will be lost and you will dislike this book
A Grand First Step. Well, maybe a quarter step.........2003-04-15
This still ranks as one of my favorite relativity books. There is virtually no math to speak of. Yet, the author in a very descriptive way, will take you from Aristotelian view to the Galilean view and finally to the relativistic paradigm. Concepts such as events, event horizons, interval etc. are explained quite beautifully. The idea of the interval and the physics and geometry of the same is shown in a most interesting way.
The chapters are organized very well and the writing is very good. To follow the text a certain degree of concentration is required because the diagrams need to be checked as one proceeds.
This text is quite suitable for junior high and high school students not to mention college graduates who wish to know something beyond the cursory in relativity theory.
I happened to come across this book at a used bookstore in 1979. Very few of my friends were even aware of this book. It was one of those sleepers so much so that a while back this volume had gone out of publication. However, now it's back, thank God. If you want a non-technical but quite thorough peek into Special Relativity get this book. If you are one of those who would prefer a tad more math and a less wordy introduction go with James A. Smith's An Introduction To Special Relativity, published by Dover.
Very simple introduction.......2001-10-22
This book is not a college book on relativity. it is written for curious mind who wants to know something about the relativity and author gives a very layman introduction to it.It starts with space-time concept of Aristotelian, Galilean view and than slowly enters into relativistic view. A lot of space has been delegated to definition and explanation of the concept of Iterval and than jumps into physical meaning of the concepts. It is only as the author says from A to B and no more.
Delightfully Enlightening........1999-07-07
For anyone who wishes to gain a deep and true understanding the meaning of General Relativity's space-time, this a book to read. And that this understanding is gained with mathematics no more sophisticated than high school geometry and algebra tells you that the author is not only a master, but also a superb expositor, of this subject. A highschooler having a passion for Physics to a Graduate Student struggling to "internalize" the meaning of her complex equations will be delightfully enlightened reading this book.
Book Description
Ever since Newton created dynamics, there has been controversy about its foundations. Are space and time absolute? Do they form a rigid but invisible framework and container of the universe? Or are space, time, and motion relative? If so, does Newton's 'framework' arise through the influence of the universe at large, as Ernst Mach suggested? Einstein's aim when creating his general theory of relativity was to demonstrate this and thereby implement 'Mach's Principle'. However, it is widely believed that he achieved only partial success. This question of whether motion is absolute or relative has been a central issues in philosophy; the nature of time has perennial interest. Current attempts to create a quantum description of the whole universe keep these issues at the cutting edge of modern research. Written by the world's leading expert on Mach's Principle, The Discovery of Dynamics is a highly original account of the development of notions about space, time, and motion. Widely praised in its hardback version, it is one of the fullest and most readable accounts of the astronomical studies that culminated in Kepler's laws of planetary motion and of the creation of dynamics by Galileo, Descartes, Huygens, and Newton. Originally published as Absolute or Relative Motion?, Vol. 1: The Discovery of Dynamics (Cambridge), The Discovery of Dynamics provides the technical background to Barbour's recently published The End of Time, in which he argues that time disappears from the description of the quantum universe.
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Einstein from 'B' to 'Z'
John Stachel
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Albert Einstein: A Biography
ASIN: 0817641432 |
Book Description
John Stachel, the author of this collection of 37 published and unpublished articles on Albert Einstein, has written about Einstein and his work for over 40 years. Trained as a theoretical physicist specializing in the theory of relativity, he was chosen as the founding editor of
The Collected papers of Albert Einstein 25 years ago, and is currently Director of the Boston University Center for Einstein Studies.
Based on a detailed study of documentary evidence, much of which was newly discovered in the course of his work, Stachel debunks many of the old (and some new) myths about Einstein and offers novel insight into his life and work. Throughout the volume, a new, more human picture of Einstein is offered to replace the plaster saint of popular legend. In particular, a youthful Einstein emerges from the obscurity that previously shrouded his early years, and much new light is shed on the origins of the special and general theories of relativity. Also discussed in some detail are Einstein's troubled relationship with his first wife, his friendships with other physicists such as Eddington, Bose, and Pauli, and his Jewish identity.
The essays are grouped thematically into the following areas:
* The Human Side
* Editing the Einstein Papers
* Surveys of Einstein's Work
* Special Relativity
* General Relativity
* Quantum Theory
* Einstein and Other Scientists
* Book Reviews
Because the essays are independent of one another, readers will be able to dip into this collection to satisfy varying interests. It will be of particular interest to historians of 20th century science, working physicists, and students, as well as to the many members of the general reading public who continue to be fascinated by aspects of Einstein's life and work.
Customer Reviews:
Einstein for Today.......2007-03-09
In his book, professor Stachel imparts the reader an insight into both Einstein as a scientist and as a human being. Stachel's massive knowledge of and affection for his subject makes his book a worthy companion to the best accounts of Einstein's life and scientific contribution. In addition to being profound, what sets this book apart from others is not playing down the rebellious site of Einstein's personality. Passions of the injustice defiant Einstein shine through the pages of this outstanding work.
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Medieval vision of the afterlife.......2007-05-01
This was required reading for a graduate course in medieval history.
Dante Alighieri's (1265-1321) "Devine Comedy" weaved together aspects of biblical and classical Greek literary traditions to produce one of the most important works of not only medieval literature, but also one of the great literary works of Western civilization. The full impact of this 14,000-line poem divided into 100 cantos and three books is not just literary. Dante's autobiographical poem Commedia, as he titled it, was his look into the individual psyche and human soul. He explored and reflected on such fundamental questions as political institutions and their problems, the nature of humankind's moral actions, and the possibility of spiritual transformation; these were all fundamental social and cultural concerns for people during the fourteenth-century. Dante wrote the Commedia not in Latin but in the Tuscan dialect of Italian so that it would reach a broader readership. The Commedia was a three-part journey undertaken by the pilgrim Dante to the realms of the Christian afterlife: Hell, (Inferno), Purgatory, (Purgatorio), and Paradise, (Paradisio).
The poem narrated in first person, began with Dante lost midlife. He was 35 years old in the year 1300 and in a dark wood. Being lost in the dark wood was certainly an allegorical device that Dante used to express the condition of his own life at the time he started writing the poem. Dante had been active in Florentine politics and a member of the White Guelph party who opposed the secular rule of Pope Boniface VIII over Florence. In 1302, The Black Guelphs who were allied with the Pope, were militarily victorious in gaining control of the city and Dante found himself an exile from his beloved city for the rest of his life. Thus, Dante started writing the Commedia in 1308 and used it to comment on his own tribulations of life, and to state his views on politics and religion, and heap scorn on his political enemies.
Dante's first leg of his journey out of the dark wood was through the nine concentric circles of Hell (Inferno), escorted by his favorite classical Roman poet Virgil, author of the Aeneid. Dante borrowed heavily from Virgil's Aeneid. Much of Dante's description of hell had similarities to Virgil's description in his sixth book of the Aeneid. Dante's three major divisions of sin in hell where unrepentant sinners dwelled, had their sources in Aristotle and Augustinian philosophy. They were self-indulgence, violence, and fraud. Fraud was considered the worst of moral failures because it undermined family, trust, and religion; in essence, it tore at the moral fabric of civilized society. These divisions were inversions of the classical virtues of moderation, courage, and wisdom. The fourth classical virtue, justice, is what Dante came to believe after his journey through hell that all its inhabitants received for their unrepentant sins. There were nine concentric circles of hell inside the earth; each smaller than the previous one. For Dante the geography of hell was a moral geography as well as a physical one, reflecting the nature of the sin. Canto IV describes the first circle of hell, Limbo, which is where Dante met the shades, as souls where called, of the virtuous un-baptized such as Homer, Ovid, Caesar, Aristotle, and Plato.
In the four circles for the sin of self-indulgence Dante met shades who where lustful, gluttons, hoarders and wrathful. In the second circle of Hell, lustful souls were blown around in a violent storm. In Canto V, one of the great dramatic moments of the poem, Dante had his first lengthy encounter with an unrepentant sinner Francesca da Rimini, who committed adultery with her brother-in-law. Like all the sinners in hell, Francesca laid the blame for her sin elsewhere. She claimed to be seduced into committing adultery after reading the story of Lancelot and Guinevere. At the end of the scene, Dante fainted out of pity for Francesca.
In Canto X, the sixth circle of hell reserved for heretics who are punished by being trapped in flaming tombs, Dante took the opportunity to use the circle to chastise political leaders for participating in political partisanship. A Florentine who was a leader in the rival Ghibbelline political party, Farinata degli Uberti, accosted Dante. Both men aggressively argued with each other, recreating in hell the bitterness of partisan politics in Florence. Farinata predicted Dante's exile. Dante used this Canto to show the dangerous tendencies of petty political partisanship that he harbored.
The seventh circle of hell was subdivided into three areas where sinners were punished for doing violence against themselves, their neighbors, or God. In Canto XIII Dante encountered Pier della Vigne in the wood of the suicides. The shades there were shrubs who had to speak through a broken branch. Pier spoke to Dante about how he had been an important advisor to Emperor Frederick II, and how he blamed his fall, and his suicide, on the envy of other court members. This Canto was especially important because Dante came to grips with his own "future" fall from political power and exile. Pier's behavior served as a strong example to Dante how not to act in exile. Whether he had been tempted to commit suicide is not clear; however, he certainly had been prone to the selfish and despairing attitude that Pier represented.
The last two circles of hell contained the sinners of fraud. In the eighth circle, there were ten ditches for the various types of fraud such as Simony, thievery, hypocrisy, etc. Canto XIX described the third ditch, which contained those guilty of Simony, the sin of church leaders perverting their spiritual office by buying and selling church offices. Simonists were buried upside down in a rock with their feet on fire. Pope Nicholas III mistakenly addressed Dante as Pope Boniface VIII who was the current Pope in 1300, and whose place in hell was thereby predicted. This is not surprising since Boniface was the person most responsible for Dante's exile. In an interesting literary twist, Nicholas "confessed" to Dante, as if he was a priest, his sin of greed and nepotism. He admitted that even after becoming Pope he cared more for his family's interests than the good of the whole Church. Dante responded to Nicholas' "confession" with a stinging condemnation of Simony drawn from the Book of Revelation. After this encounter, Dante came to understand that hell was a place of justice.
Canto XXXIV, the last one in the Inferno, depicted Satan with three heads. Each head was chewing the three worst sinners of humankind. The middle head was chewing on the head of Judas Iscariot, who was a disciple to Jesus and his betrayer. The other two heads were chewing Brutus and Cassius; the murderers of Julius Caesar, and the two men Dante faulted for the destruction of a unified Italy. Dante considered the two ultimate betrayals against God and against the empire as the worst betrayals perpetrated in the history of humankind.
Thus, Dante's intent in his Commedia was to teach fourteenth-century readers that if one wanted to ascend spiritually towards God then one needed to learn the nature of sin from the unrepentant. By doing this, one could learn to overcome the same tendencies found in themselves. He wanted people to realize what he had come to learn that political partisanship would only stand in the way of unifying Italy and keep it from regaining any of its former glory that it enjoyed during the time of the Roman Empire.
Recommended reading for anyone interested in literature and medieval history.
Key to the commedia.......2005-10-29
Reading the Commedia in translation is always second-best to working through it in Italian; but unless you are a native speaker who also knows some Spanish and Latin, it can be tough going. That is where the three Singleton companion volumes are worth their weight in gold. They contain a canto-by-canto analysis of the multiplicity of allusions and references to all things political, philosophical and theological that make the depth of the work virtually unparalled in Western Lit.
While the Commedia isn't for everyone, the Singleton glosses are for anyone who wants to read and understand Dante on his terms. Combine these three volumes with the Grandgent Italian text, e non c'e bisogna d'altre cose per incontrar la via diritta ed esso che move il sole e l'altre stelle.
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