Customer Reviews:
The definitive fern guide.......2001-08-19
When a friend urged me to buy John Mickels' "How to Know the Ferns and Fern Allies" I was skeptical. I didn't think it could top Boughton Cobb's guide in the Peterson series. I was genuinely surprised by what I found. Mickel's book is superior in several ways. The drawings of fern anatomy are cleaner, letting the neophyte focus on the important features of fern identification. Range maps (missing from Cobb's book) let you eliminate species not in your area. And being a more recent publication, Mickel's taxonomic treatment is more up-to-date. However, I miss Boughton Cobb's outline drawings of fern blades, which are really neat for developing a general search image for species. That's why I keep both guides handy. You can never own enough field guides.
The definitive fern field guide.......2001-08-18
When a friend first introduced me to John Mickel's "How to know the ferns and fern allies" I was skeptical that Boughton Cobb's book (in the Peterson's series) could be bested. I was pleasantly surprised. Not only is Mickel's book more up-to-date, but the drawings are all more cleanly rendered, allowing the beginner to focus on the most important features of fern identification. Range maps (which the Peterson guide lacks) let you eliminate many species not in your area. The price is a bit daunting, but for the serious field botanist this book is a must!
Average customer rating:
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Hybrid Simulation Models of Production Networks
Vassilis S. Kouikoglou , and
Yannis A. Phillis
Manufacturer: Springer
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Binding: Hardcover
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ASIN: 0306465922 |
Book Description
This book is concerned with a most important area of industrial production, that of analysis and optimization of production lines and networks using discrete-event models and simulation. The book introduces a novel approach that combines analytic models and discrete-event simulation. Unlike conventional piece-by-piece simulation, this method observes a reduced number of events between which the evolution of the system is tracked analytically. Using this hybrid approach, several models are developed for the analysis of production lines and networks. The hybrid approach combines speed and accuracy for exceptional analysis of most practical situations. A number of optimization problems, involving buffer design, workforce planning, and production control, are solved through the use of hybrid models.
Book Description
The Hottest Collection of Comedy Monologues Available!
If you've ever searched for a good comic monologue-whether for a professional audition, a class, or a competition-you know how frustrating the hunt can be. We've combed over some of the world's best comic writing to bring you 222 Comic Monologues: Two Minutes and Under. It's all funny stuff here: classic and contemporary works; roles for men and women ages 7 to 100; entertaining voices from writers as varied as Christopher Durang and Langston Hughes, Dorothy Parker and Steve Martin, Margaret Cho and Molière. You'll find shades of comedy from light to dark: situational humor, word play, absurdity, and surrealism. These monologues are alternately romantic, silly, militant, downright zany-first-rate character work by both new and established comic writers.
Customer Reviews:
Monologue Heaven!.......2007-08-06
This book is so great for any actor! I would highly recomend it because it has such an array of pieces for anyone! And anybody who has had to audition knows the trouble it is to find good monologues that meet time requirements, age specifications, and come from an actual play! This book has it all if you're in a quick hurry to learn a monologue. My only problem with this book is picking a monologue out of such a great collection! But I better decide in less than a week! :-D
A Great Resource .......2005-08-04
This collection is a lot funnier than previous editions and I love the variety. I found a lot of material to use in my auditions and they're getting me plenty of laughs. Hey, I'm actually funny now!!!
Book Description
Shakespeare’s later comedies were written at the astonishing pace of about two plays a year. In them, he moves beyond the farce of his earlier comedies to richer and more varied dramas. These range from the famous “problem plays,” which blend humor with tragedy, to the idyllic romances set in such timeless locales as the Forest of Arden. They contain some of his wittiest and most memorable characters, from cross-dressing heroines, bantering lovers, and wisecracking fools to the villainous but sympathetic Shylock and the boisterous and bawdy Falstaff.
This volume contains The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, As You Like It, Twelfth Night, All’s Well That Ends Well, and Measure for Measure. The authoritatively edited text of the plays is supplemented with footnotes, bibliographies, a detailed chronology of Shakespeare’s life and times, and a substantial introduction in which Tony Tanner discusses each play individually and in the context of Shakespeare’s work.
Customer Reviews:
Great binding, good commentaries.......1999-03-02
We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).
Comedies, Volume 2 contains: The Merchant of Venice; the Merry Wives of Windsor; Much Ado About Nothing; As You Like It; Twelth Night; All's Well That Ends Well; Measure for Measure
Product Description
3 Volume Set in Blue Cloth slip case with Gilt Lettering
Average customer rating:
- Great intro to comediennes
|
Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women (Studies in Humor and Gender , Vol 2)
HOROWITZ
Manufacturer: Routledge
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Stand-up Comedy in Theory, or, Abjection in America (New Americanists)
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The Haunted Smile: The Story of Jewish Comedians in America
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What's So Funny?: Humor in American Culture (American Visions (Wilmington, Del.).)
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Great Comedians Talk About Comedy
ASIN: 2884492445 |
Book Description
Detailing both their public and private lives-as well as their many and varied performances- i Queens of Comedy /i examines the impact these women have had on the predominantly male-oriented world of comedy. Performers like Carol Burnett, Joan Rivers, and their more recent counterparts, comediennes Brett Butler and Roseanne, have helped to shift women's roles in comedy from object to subject. This book maps out this shift, providing an often brutally honest picture of women's lives in both the spotlight of comedy and this modern world. br Through candid personal interviews with Lucille Ball, Carol Burnett, and other visionary performers, i Queens of Comedy /i explores how comediennes have redefined the roles of women in not only the entertainment business, but society as a whole.
Customer Reviews:
Great intro to comediennes.......2000-04-06
I used this as a textbook for a film class I taught last year and the class loved it. The book contains solid biographical information and it's really fun to read. Plus, author Horowitz offers some very perceptive insights into women's comedy. My only criticism is that footnotes would have been really helpful because the students wanted to follow up on some of the sources -- but overall I highly recommend it.
Book Description
61 more 60s hits: And When I Die * California Dreamin' * Crying * The 59th Street Bridge Song (Feelin' Groovy) * For Once in My Life * Honey * Little Green Apples * MacArthur Park * Me and Bobby McGee * Nowhere Man * Piece of My Heart * Sugar, Sugar * You Made Me So Very Happy * more.
Customer Reviews:
Just buy it........2002-09-11
Milton Okun's collection has long been the benchmark in Sixties music compilations. Nearly every important song and songwriter is featured. The arrangements are easy to play, without being the stripped-down versions found in "easy piano" and "easy guitar" collections. The introduction offers excellent insight into the social and political upheaval that made the music of the Sixties more than just entertainment. If you play guitar or piano and want to learn (or relearn) the music of our most fascinating recent decade, this book will enthrall and delight you.
Best arrangements for piano and vocals of the sixties........1999-03-23
If you want one book that captures the songs of the 1960's, this is the book. The arrangements for piano are the best I've seen.
Customer Reviews:
Collected Plays of Neil Simon Vol I.......2007-01-12
Most Neil Simon plays are wonderful and I enjoyed reading them. Some of them were no so terriffic.
Treasure chest.......2002-04-26
This lovely volume of eight Neil Simon plays will assume an immediate place of honour on your bookshelf. Well laid out with easy-to-read type, it takes up where volume 1 leaves off. Even those folks not connected with the world of acting can have fun with these scripts. Reading/acting the plays aloud with your family, each person assigned a different role, can be a great activity for quality time -and will hone your comedy timing. Special nuggets include 'Prisoner of second avenue' and 'Chapter Two'. Reading Simon's work reveals greater depth beneath the priceless one-liners that he supplies. That, in fact, is his genius; like Woody Allen and Joseph Heller, Simon first draws you in with laughter only to move you with great humanity. These plays are among his deeper works, as life-experience go into the mix. The stories on these pages are our own, and youll have a ball!
Product Description
Shakespeare transplants the sophisticated denizens of the court to the starkly simple Forest of Arden, where witty clowns woo country wenches, philosophers wax melancholic and girls will be boys. Two 90-minute cassettes.
Customer Reviews:
Cambridge School Shakespeare: Nice Explanations for the Lay Reader.......2007-08-30
Note: This is a review of the particular "Cambridge School Shakespeare" edition [Edited by Rex Gibson, Cambridge: Cambridge University Press, 2000] of As You Like it and not a review of the play itself.
This edition (a) contains the unabridged play and (b) tries to explain and elucidate Shakespeare's play to teenagers of the age of maybe 15-17. It clarifies difficult language, highlights the main conflicts, puts the play into a historical context and the context of the literary tradition that it belongs to. It encourages the reader to think of different possible ways to play the characters and different ways to understand the play.
I am not a teenager and I am not 16 years old any more, in fact, I am 53 years old with a PhD in Economics and a Masters in Psychology. I read Shakespeare for fun, to challenge my brain, and to grow personally. I found this edition of the play very helpful and enjoyable. The commentary neither spoiled my fun by overanalyzing or showing off its learnedness nor did it offend my intelligence by oversimplifying. In addition, the layout of the book is quite reader-friendly.
If you are a Shakespeare scholar or a scholar of English Lit, this edition will probably be too simple for you. For people of my caliber, however, I can really recommend this edition. Enjoy!
Recommended.......2007-05-09
The Caedmon recording of As You Like It is well worth the purchase just to hear two Redgraves soar in their performances.
All the world is a romantic comedy........2006-08-20
I recently re-read AS YOU LIKE IT prior to attending The Colorado Shakespeare Festival's performance of this play under the summer stars here in Boulder. Shakespeare (1552-1616) produced this romantic comedy in 1599 and published it in the First Folio in 1623.
Summarizing the play is rather challenging. It basically tells the story of Duke Frederick, who has banished his brother, Duke Senior, into the Forest of Arden, thereby usurping the kingdom. In his exile, Duke Senior has found a humble life of merriment with his court. Following a wrestling match, Duke Frederick also banishes Orlando (son of the late Sir Roland de Boys) and Rosalind (daughter of Duke Senior) into the forest. At the match, the two have fallen into love at first sight. Out of friendhip, Duke Frederick's only child, Celia, and the court jester, Touchstone, follow Rosalind (now disguised as a boy, "Ganymede") into the forest. Soon, Orlando, Rosalind, Celia, and Touchstone are all welcomed into the merry life of banished Duke Senior. Orlando, however, is lovesick for Rosalind, and Rosalind (still disguised as a boy) decides to cure Orlando of his lovesickness. While counseling him in the ways of true love, Rosalind (disguised as Ganymede) finds herself falling deeper in love with Orlando. Meanwhile, Celia has fallen in love with Orlando's brother, Oliver. The two decide to get married the next day. Even witty Touchstone has fallen in love with a dull-witted goatherd girl, Audrey. In the final scene, and after many hilarious mixups, all romantic entanglements are resolved by marriage; and after a sudden religious conversion, Duke Frederick returns the throne to his brother--thereby righting all wrongs and uniting all couples with love and happiness.
G. Merritt
Arguably Shakespeare's Greatest Comedy........2006-07-16
As far as Shakesepare's comedies go, "The Comedy of Errors" will always be my favorite. And while this "As You Like It" never quite obtained the popularity of "A Midsummer Night's Dream" or "The Taming of the Shrew," one probably could argue that "As You Like It" is the best of Shakespeare's comedies. This play contains several plots that Shakespeare cleverly intertwines and it offers a happy ending with love triumphant. But more important than the triumph of love, the theme of reconciliation carries through to virtually everyone in the story. The story begins with the sibling rivalry of Orlando and his older brother Oliver who has hoarded the family inheritence. After a brief fight, Oliver hopes that Orlando may accidentally die in a wrestling match against Charles. This is where a 2nd plot comes in. The Duke Frederick (who has a daughter Celia) has banished his older brother (the true Duke who has a daughter Rosalind). But for now, Rosalind is allowed to stay and she has made good friends with Celia. Orlando meets these 2 girls and falls into favor with Rosalind. After the wrestling match, things start to go bad. Orlando learns that his brother Oliver is planning to kill him, and Rosalind is banished. But all is not lost. Orlando takes his loyal servant Adam and flees while Rosalind (in the male disguise of Ganymede), along with Celia, and the comical Touchstone will flee to look for Rosalind's father. And here is where the play becomes mostly comical. (Good comedies can often have a sad start. "The Comedy of Errors" shows this well.) Moving on, we meet Rosalind's father and his crew who have made exile into a paradise. From Duke Sr's party, we meet the melancholy Jaques. But he is arguably the most interesting character in the story. (In fact, the most famous passage from this play belongs to Jaques. The 7 stages of man which end in nothing. Perhaps Macbeth took lessons from Jaques: 'Tomorrow, and tomorrow, and tomorrow.') Duke Sr welcomes Orlando and Adam, and it isn't long before Orlando and Rosalind run into each other. Shakespeare maintains the comedy when Rosalinde keeps her male disguise on and tells Orlando he must practice wooing on him/her. Touchstone has some comical romantic moments with Audrey. And there is an interesting triangle where the shepherd Silvius loves Phebe, but Phebe loves Rosalinde (seeing only Ganymede)! We may recall this from "the 12th Night" when Olivia loved Viola in her male disguise. But after this comical moment, all begins to resolve. Oliver comes on the scene and he and Celia fall in love. (So much so that Oliver is willing to reconcile with Orlando and grant him all.) The play ends with not only the reunion of Rosalind and her father, but the joyous weddings of Rosalind / Orlando, Celia /Oliver, Audrey /Touchstone, and Phebe / Silvius, but more good news comes. Celia's father mends his ways and returns all to Rosalind's father. Jaques offers the crowning touch. Despite his cynical nature, he is NOT a villain. Ironically, this hermit type man converses with more characters than anyone in the story, and while he can not take part in the play's final happiness, he DOES wish everyone well. As I said, my favorite comedy will always be "The Comedy of Errors." But don't make the mistake of overlooking this comedy.
One of the most entertaining of Shakespeare's comedies........2005-07-03
As with all of Shakespeare, the concept of love at first sight is given far too much credit, but other than that, this is a delightful romp filled with much amusement. The language is as beautiful as one expects in Shakespeare, but is somewhat less difficult for the modern reader to follow than in some of his plays; I found myself being more distracted than helped by most of the footnotes. As with most Shakespearean comedies, it was easy to see that this play was intended for the amusement of the common people; the similarities in style between the plot here and in much modern pop culture were striking (the sexual innuendo to be had when a woman passes for a man and finds another woman falling in love with her, for instance). If it had a flaw, it was that the ending was just a little TOO pat and contrived, even for a comedy, but that's just a minor quibble.
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