Biosocial Perspectives on Children (Biosocial Society Symposium Series)

Book Description

Childhood is a uniquely human life-stage, and is both a biological phenomenon and a social construct. Research on children is currently of wide-ranging interest. This groundbreaking book presents reviews of childhood from four major areas of interest--human evolution, sociology/social anthropology, biomedical anthropology and developmental psychology--to form a biosocial, cross-cultural understanding of childhood. The book places a strong emphasis on how childhood varies from culture to culture, offering examples from developed and developing countries, as well as from other animal species. It will be of interest to students and scholars within the fields of human biology, anthropology, sociology, health studies, and developmental psychology.

Emotional Development: A Biosocial Perspective

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Emotional Development: A Biosocial Perspective
Peter LaFreniere
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Hardcover

Adolescent Psychology | Psychology & Counseling | Health, Mind & Body | Subjects | Books

Developmental Psychology | Psychology & Counseling | Health, Mind & Body | Subjects | Books

Neuropsychology | Psychology & Counseling | Health, Mind & Body | Subjects | Books

General | Psychology & Counseling | Health, Mind & Body | Subjects | Books

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Emotions | Mental Health | Health, Mind & Body | Subjects | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0534348084

Book Description

Emotional Development is an area that has seen an explosion of research over the past 15 years. One of the central themes of this book is that emotions must be understood in an integrative way because of their complex connections with biological, cognitive, and social processes, all of which undergo development. Because of this essential unity, emotional development is discussed, not as a separate aspect of the self, but as intimately linked to cognitive, linguistic, social, and personality development. This book also defines and describes a biosocial perspective on emotional development. This biosocial perspective emphasizes the vital functions that emotions serve, illustrating the necessity of uniting nature and nurture in order to more fully understand the development and function of human emotions.

Biosocial Perspectives on Children.(Review) (book reviews) : An article from: Human Biology

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Biosocial Perspectives on Children.(Review) (book reviews) : An article from: Human Biology
Lincoln H. Schmitt
Manufacturer: Wayne State University Press
ProductGroup: Book
Binding: Digital
ASIN: B00099JX3M
Release Date: 2005-07-28

Book Description

This digital document is an article from Human Biology, published by Wayne State University Press on December 1, 1999. The length of the article is 1615 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Biosocial Perspectives on Children.(Review) (book reviews)
Author: Lincoln H. Schmitt
Publication: Human Biology (Refereed)
Date: December 1, 1999
Publisher: Wayne State University Press
Volume: 71 Issue: 6 Page: 1018

Article Type: Book Review

Distributed by Thomson Gale

Book Description

Volume 3 covers carbon-to-carbon single bond forming reactions involving sp ³, sp ² and sp carbon centers, but only those which do not involve additions to C-X &pgr;-bonds. The volume first compares and contrasts the alkylation reactions of all types of sp ³ carbon nucleophiles and also covers vinyl and alkynyl carbanions. Following on from Volume 2, a separate section covers Friedel-Crafts alkylation reactions, which is complemented by discussions of polyene cyclizations and electrophilic transannular cyclizations in synthesis. Coupling reactions leading to &agr;-bond formation, and involving all types of combinations of sp ³, sp ² and sp carbon centers are next covered, including those reactions based on pinacol, acyloin and phenol oxidative coupling reactions, and also the Kolbe reaction. Rearrangement reactions, leading to carbon-to-carbon &agr;-bond formation, are often used in a clever manner in synthesis. The volume includes all those rearrangement reactions based on intermediate carbonium ions and carbanions, and also includes the benzil-benzilic acid and the Wolff rearrangements. The volume closes with coverage of carbonylation reactions, and the use of carbene insertion reactions into the C-H bond in synthesis.

Book Description

Think of it as portable office hours! The Interactive Video Skillbuilder CD-ROM contains hours of video instruction, as well as an extensive Graphing Calculator Tutorial - with videos.

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The Third's the Finest

I can't go on, you must go on, I'll go on.

The Human Condition Exposed

A carcass in God's image and a contemporary skull

worth reading....if you like that sort of thing

Three Novels: Molloy, Malone Dies, The Unnamable
Samuel Beckett
Manufacturer: Grove Press
ProductGroup: Book
Binding: Paperback

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The Complete Short Prose of Samuel Beckett, 1929-1989

Endgame and Act Without Words

Murphy Murphy

Watt Watt

Nohow On: Company, Ill Seen Ill Said, Worstward Ho: Three Novels

ASIN: 0802150918

Amazon.com

Samuel Beckett's brilliance as a dramatist--as the creator of Waiting for Godot, Krapp's Last Tape, and that despairing pas de deux Endgame--has tended to overshadow his gifts as a novelist. Yet he's unmistakably one of the great fiction writers of our century. As a young man he took dictation (literally) from James Joyce, and absorbed everything that myopic maestro had to offer when it came to Anglo-Irish prosody. Still, Beckett's instincts would ultimately steer him away from Joyce's delirious play with high and low diction, toward a more concentrated, even compulsive style. His earlier novels, like Murphy or Watt, give us a taste of what was to come. But Beckett truly hit his stride with a trilogy of early-1950s masterpieces: Molloy, Malone Dies, The Unnamable. Here he dispenses with all the customary props of contemporary fiction--including exposition, plot, and increasingly, paragraphs--and turns his attention to consciousness itself. Nobody has ever evoked the pain of existence, or the steady slide toward nonexistence, with such poetic, garrulous accuracy. And once you've attuned yourself to the epistemological vaudeville of Beckett's prose, he turns out to be the funniest writer on the planet--ever.

None of the three entries in the trilogy is exactly amenable to summary. It's fair to say, though, that Molloy is the easiest to read, with at least a bare-bones narrative and an abundance of comical set pieces. In one famous episode, the narrator spends page after page figuring out how to vary the sucking stones he carries in his pockets:

And while I gazed thus at my stones, revolving interminable martingales all equally defective, and crushing handfuls of sand, so that the sand ran through my fingers and fell back on the strand, yes, while thus I lulled my mind and part of my body, one day suddenly it dawned on the former, dimly, that I might perhaps achieve my purpose without increasing the number of my pockets, or reducing the number of my stones, but simply by sacrificing the principle of trim. The meaning of this illumination, which suddenly began to sing within me, like a verse of Isaiah, or of Jeremiah, I did not penetrate at once, and notably the word trim, which I had never met with, in this sense, long remained obscure.

This nutty ratiocination goes on for much, much longer, until the narrator loses patience and throws the stones away. And that's a fair encapsulation of Beckett's philosophy: he argues for the essential pointlessness of life--the solitary, wretched splendor of human existence--but does so in a comic rather than a tragic register, which ends up softening or even overpowering the bleakness of his initial premise. So Malone Dies opens with a typically morbid mood-lifter ("I shall soon be quite dead at last in spite of it all") and then makes endless comedic hay out of Malone's failure to keel over. And by the time we hit The Unnamable, we're forced to wonder whether the narrator actually exists: "I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on." Happily, Beckett worried these same questions and hypotheses to the end of his career, with increasingly minimalistic gusto. But he never topped the intensity or linguistic brilliance of this mind-bending three-part invention. --James Marcus

Customer Reviews:

The Third's the Finest.......2006-12-01

Three powerful novels, each unique and perhaps so like (and unlike) the others in style that they stand together as much as apart, and readily stand up to evaluation, even deconstruction. I found, having never read Beckett before, The Unnamable to be the finest of the three; each reader though takes a different view. I appreciated the total lack of concern with the modern conventions of the novel in the last work, and The Unnamable lives up to its title in many ways, but draws the reader in to a world of exquisite minimalism and modernity. If experimental work of a higher order is your goal, you can hardly do better than Beckett.

I can't go on, you must go on, I'll go on........2006-07-18

Sharply influenced by James Joyce, this trilogy by Samuel Beckett is a truly remarkable achievement. It is a poetic descent into complete obscurity, words removed from their subjects, relations with no establishments. The first novel, Molloy, at least bears the semblance of a plot, and is, in my opinion, the weakest of the three. It tells two seemingly unrelated stories through a strict stream of consciousness technique. The second novel, Malone Dies, is much more abstract, bearing only a touching relation with actuality, the decaying stories and thoughts of a man resolved to die, a man trying to find his epitaph, a man in fear of the void in which there is only silence. The third novel, The Unnamable, is a unique piece in world literature. It is a novel about words, words speaking about words, narrated by a voice whose existence is melts and transforms with his ideas, an entity whose being is confirmed only by his speech. It is, to my mind, the most extreme form of stream of consciousness writing, bearing no relation to actualities, to reality, only related to ideas. The story, if one can call it that, is simply the story of the voice that tells it, a voice that wishes for the silence, that wants to find an end, the perfect sentence, the perfect phrase, who wishes to be still but is afraid to be still, who speaks words of no meaning, speaks only to avoid the silence that lies beyond his reach. This last novel is truly astonishing. A warning though: do not look for any sense of plot, character, or even reality in these books, for they are thoughts removed from the objects of thought.

The Human Condition Exposed.......2006-07-03

(old review from April 2005, on "Malone Dies")

This is the story of Malone, an old man about to die who can't do much except breathing. He's in a hospital room, maybe, and he tries to write a story, or stories.

It's a major book and it's a classic. I really loved it. I like Beckett anyway, but this book is truly awesome. Reflections on writing, living, etc. It's very ironic at times and the stories Malone writes can be really twisted. Some of which is really icky ick but unless you mind things that go off the beaten path, you'll dig it.

What else to say... it's a first person narrative, except for the parts that actually are stories written by Malone. The figure of Malone, alone in this strange room, is reminiscent of that of a feotus; and indeed, Malone sucks the corner of his pillow like a baby, and is treated just like a baby, since he cannot live on his own due to his very old age. The walls are also described as bones at some point, like a skull, I think, it's a bit like Malone is trapped in a head, which is the usual condition of our consciousnesses (or souls). The narrative solely comes from malone's trapped consciousness, it's what Genette would call "focalisation zero", if i'm not mistaken, which I could very well be, having skipped that book at uni. Basically, the narrator is far from omniscient and only knows what the character knows; which is logical since the character, Malone, is also the narrator. You get tons of mise en abymes with the fact that Malone, a character-narrator, writes stories. Stories within the story.

Major book of the 20th Century, I totally recommend it for anyone who likes good literature. And anyone who breathes, yeah, if you breathe, you need to read "Malone Dies". By the way, if Malone sounds like Alone, it's not a coincidence. Malone is always alone and yes he does die too, alone. Deep book about the human condition.

A carcass in God's image and a contemporary skull.......2006-04-14

The trilogy is Beckett HQ. Step right up. When you come back down might I suggest a trip through the anterooms that are Texts for Nothing? Go on, restore yourself to the feasible. Number 7 in particular is certain to unbuckle your trunions. Seriously, it is here we are reminded that heads are only wound up once. And that, as Denis Johnson might say, is almost too beautiful to laugh about.

Has anyone ever had a really good look at the blank page facing Text Number 1? The page in the library copy is blank but for this message:

Translated by the author

I couldn't believe I missed this the first time and actually did gallop back to my hut to double check. It's there alright, franker than ever:

Translated from the French by the author

Still, it's an encouragement though, isn't it? Right there you know you're in good hands. You know another thing I couldn't believe I missed the first time? The name Knott in either Johnson or Beckett.

Reading these two writers puts me in mind of that stunning little poem Emily Dickinson wrote:

The heart asks pleasure first,
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;

And then, to go to sleep;
and then, if it should be
The will of its Inquisitor,
The liberty to die.

I've just remembered something and boy is my face red. The trilogy right? The Unnamable in particular.

"These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed?"

Isn't that just as true a twang upon an ancient chord as you are ever likely to hear in print? How proceed indeed.

worth reading....if you like that sort of thing.......2006-01-10

It seems like most of the reviews for this book fall into one of two categories. Either the reviewer thinks these novels are exquisite for what they are to a literary movement, or else they don't like them because they're boring and nothing happens. It's true that these books stand up to thorough academic scrutiny, but I also think they're fun to read. They are by no means plot-driven novels. If you're looking for a good story, keep looking. But whether or not you're able to make it through all three of these novels probably has more to do with your taste in reading than your intellectual abilities. If you're a casual reader of popular fiction, you probably won't enjoy these novels much, but if you like Joyce, Kafka, and Eggers, you'll love Beckett.

[one love affair]: A million wallowing anemones, a thousand eyes peeping through, a thousand spies shivering, unnamable endless flowerings, countless empty ... one drowning, one nightclub called Juicy.

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Better Than Crack
One love affair with _ [one love affair]* _
The Art of Poetics Lives On!

[one love affair]: A million wallowing anemones, a thousand eyes peeping through, a thousand spies shivering, unnamable endless flowerings, countless empty ... one drowning, one nightclub called Juicy.
Jenny Boully
Manufacturer: Tarpaulin Sky Press
ProductGroup: Book
Binding: Paperback

Contemporary | General | Literature & Fiction | Subjects | Books

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ASIN: 0977901904

Product Description

[one love affair]* meditates on mud daubers, Duras, and the deaths of mentally ill and drug-addicted lovers, blurring fiction, essay, and memoir in an extended prose poem that is as much a study of how we read as it is a treatise on the language of love affairs: a language of hidden messages, coded words, cryptic gestures, and suspicion. As with Jenny Boully's debut book The Body (2002), [one love affair]* is full of gaps and fissures and "seduces its reader by drawing unexpected but felicitous linkages between disparate citations from the history of literature," a work that is "filled with the exegetical projection of our own imagination" (Christian Bok, Maisonneuve). Told through fragments that accrete through uncertain meanings, romanticized memories, and fleeting moments rather than clear narrative or linear time, [one love affair]* explores the spaces between too much and barely enough, fecundity and decay, the sublime and the disgusting, wholeness and emptiness, love and loneliness in a world where life can be interpreted as a series of love affairs that are "unwilling to complete."

Customer Reviews:

Better Than Crack.......2006-07-28

Intelligent, witty, and beautifully written. The dissolution of a relationship doomed by drugs and mental illness--lushly detailed, deeply felt. This is a quick read--my only critique is that it should go on--and yet it lingers long in the heart, the mind, the ear: the sound of Boully's prose is as stunning as its content. Her flowers are gritty and her grit is flowery: "When it was her turn to hit the pipe, she declined, saying that she had already had her crack today and no thank you." Highly recommended.

One love affair with _ [one love affair]* _.......2006-07-06

I love this book for its gorgeously constructed sentences, its oddly constructed sentences, its insanely long sentences, and its truncated sentences--sentences that just end without ending and without a period

I love its little list on page 11: I wonder if everything might be classified under "Things that bruise," "Things that fly," or "Things that ripen to die."

I love its footnotes--as surprised as I am to find them in a book by Jenny Boully.

I love the play between image and exposition, between very human narratives and painstaking deconstructions of the same.

I love how, as a reader, I am made to bear witness to the narrative/essay/prose poem's construction, its underpinnings--and yet I never feel mired in any of the typical postmodern trappings, never feel that vacancy-at-heart that plagues me in pieces that confuse po-mo's infinite possibilities with the negation of exquisite singular moments.

I love that this book risks being beautiful (a quality all too rare among other writers Boully's age), but handles beauty with the same deftness with which it handles the topics of gas and enemas. And the topic of smoking crack, of course.

I love how, in Boully's book, we may be searching for mushrooms among cow flops, but we find "unnamable endless flowerings."

The Art of Poetics Lives On!.......2006-05-23

Boully is a poet that most assume is extinct in this era in which poetry is not your usual fare of the day. The poet's knowledge of subject matter ranging from Greek language to popular culture and so on, coupled with her undeniable talent to convey ideas about such a variety of subject matter, in such assured and confident language, is unmatched.

Much like The Body, Boully's previous work, One Love Affair not only shows her passion for language, but an enjoyment for language. One Love Affair is unlike any book of verse this reader has read in many years, and I believe it is safe to say that Ms. Boully and her work are a genuine zeitgeist, or more appropriately, loving and forceful blows to the heart.

Buy this book, it will leave you wanting more.

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Beautiful

Unnamable
Samuel Beckett
Manufacturer: Grove Press
ProductGroup: Book
Binding: Paperback

General | Poetry | Literature & Fiction | Subjects | Books

ASIN: 039417030X

Customer Reviews:

Beautiful.......2007-02-06

This is absolutely fantastic
a beautiful performance.
thank godot the actor is irish.
in my humble opinion an american accent would not have worked

Its the best book I have heard scince Jeremy Irons reading Lolita

but dont forgeot to get the other two in the trillogy as well

Samuel Beckett: Molloy/Malone Dies/the Unnamable (Calderbooks)

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A triumph of his own style

Samuel Beckett: Molloy/Malone Dies/the Unnamable (Calderbooks)
Samuel Beckett
Manufacturer: Calder Publications
ProductGroup: Book
Binding: Paperback

French | World Literature | Literature & Fiction | Subjects | Books

Classics | General | Literature & Fiction | Subjects | Books

Contemporary | General | Literature & Fiction | Subjects | Books

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A triumph of his own style.......2000-05-24

An amazing book with a stylish touch that explores the paradox of the self that can never know itself; in the very act of observing itself the self splits in two, an observing consciousness and an object that is being observed. The self perceives itself as a stream of words, a narration. Each time it tries to catch up with itself, it merely turns into another story, thus putting before the reader a succession of storytellers. A must-read for anyone who cares about literature and who think that it still matters.

Beckett's "Molloy Malone Dies" (Modern critical interpretations)

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Beckett's "Molloy Malone Dies" (Modern critical interpretations)
Harold Bloom
Manufacturer: Chelsea House Publishers,U.S.
ProductGroup: Book
Binding: Paperback

French | World Literature | Literature & Fiction | Subjects | Books

General | Drama | Literature & Fiction | Subjects | Books
ASIN: 1555460577

Beckett's "Molloy", "Malone Dies", "The Unnamable" (20th Century Interpretations)

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Beckett's "Molloy", "Malone Dies", "The Unnamable" (20th Century Interpretations)

Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Hardcover

French | World Literature | Literature & Fiction | Subjects | Books
ASIN: 0135995558

Collected Works of Samuel Beckett: The Unnamable

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Collected Works of Samuel Beckett: The Unnamable

Manufacturer: Grove Press
ProductGroup: Book
Binding: Hardcover

El Innombrable / The Unnamable (Literatura / Literature)

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El Innombrable / The Unnamable (Literatura / Literature)
Samuel Beckett
Manufacturer: Alianza (Buenos Aires, AR)
ProductGroup: Book
Binding: Paperback

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Fangoria Magazine Issue #117: Dust Devil (October 1992)

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Fangoria Magazine Issue #117: Dust Devil (October 1992)

ProductGroup: Book
Binding: Paperback
ASIN: B000NVGSCK

HORROR HUNTERS: Thing on the Roof; Gateway of the Monster; Ancient Sorceries; Unnamable; Mr. Ames' Devil; In the X-Ray One Foot and the Grave; I Kiss Your Shadow

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HORROR HUNTERS: Thing on the Roof; Gateway of the Monster; Ancient Sorceries; Unnamable; Mr. Ames' Devil; In the X-Ray One Foot and the Grave; I Kiss Your Shadow
Roger; Ghidalia, Vic (editors) (Robert E. Howard; William Hope Hodgson; Algernon Blackwood; H. P. Lovecraft; August Derleth; Fritz Leiber; Theodore Sturgeon; Robert Bloch) Elwood
Manufacturer: Manor Books
ProductGroup: Book
Binding: Paperback

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Macabre

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