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Acid Toxicity and Aquatic Animals (Society for Experimental Biology Seminar Series)
Manufacturer: Cambridge University Press
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ASIN: 0521334357 |
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This book reviews and presents recent research on acid waters and their effects on aquatic animals. Starting with the environment, in order to assess why the problems have arisen in particular areas, the volume then deals with field and survival studies on invertebrates and vertebrates; examines the extent of the biological problem and the attempts that have been made to relate water quality and the susceptibility of animals. The natural progression of environmental and field studies, toxicity, and survival tests provide the background information for the physiological studies that follow. These form the major component of the book and they seek to analyze the toxic effects of acid waters and trace metals with cardiovascular and endocrinological effects.
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Milestones in 150 Years of the Chemical Industry (Special Publication)
P. J. T. Morris ,
W. A. Campbell , and
Henry L. Roberts
Manufacturer: Royal Society of Chemistry
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ASIN: 0851864562 |
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Partial Differential Equations and Group Theory: New Perspectives for Applications (Mathematics and Its Applications)
J.F. Pommaret
Manufacturer: Springer
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ASIN: 079232966X |
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The formal theory of systems of partial differential equations (PDEs) was developed by D.C. Spencer in the U.S.A. during 1960--1975; it studies the solution spaces of systems of PDEs without especially integrating them. It also allows the study of Lie pseudogroups, i.e. groups of transformation solutions of systems of PDEs. Although this work supersedes the classical approaches of M. Janet and E. Cartan, it is still largely unknown by mathematicians and has never been used by physicists.
This book provides a self-contained introduction to these methods, with illustrations and specific examples coming from many branches of physics, the engineering sciences and applied mathematics. The algorithms involved are presented in a way that allows the use of computer algebra for the intrinsic study of nonlinear PDEs. The book also for the first time presents the group-theoretical unification of the finite element methods for elasticity, heat and electromagnetism. The book contains the material of an intensive course which has been given many times with much success throughout Europe, and can be used for a one-year course at graduate level.
For researchers in mathematics, mathematical physics, computer algebra, control theory and theoretical mechanics.
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Pirandello's classic existentialist drama and two more plays.......2004-11-18
Luigi Pirandello's 1921 play "Six Characters in Search of an Author" ("Sei personaggi in cerca d'autore") has the deserved reputation of being the first existentialist drama and having a profound effect on later playwrights, especially those practitioners of the Theater of the Absurd such as Samuel Beckett ("Waiting for Godot"), Eugene Ionesco ("Rhinoceros"), and Jean Genet ("The Maids"). Pirandello's writing often focuses on elements of madness, illusion and isolation, all of which are inspired by the tragic aspects of his personal life in which his wife went insane and his daugther tried to commit suicide. In 1921 during a five week period Pirandello wrote his two acknowledged masterpieces, "Six Characters in Search of an Author" and "Henry IV." While "Six Characters" was successful when it opened in Rome it was also considered scandalous. However, it soon being performed in Milan, London, New York, and Germany.
The setting for "Six Characters in Search of an Author" is a rehearsal for a play (By Pirandello) that is interrupted by the arrival of six characters. Their leader, the father, tells the manager that they are looking for an author. It seems that the author who created them never finished their story and they are unrealized characters who have not yet been fully brought to life. The father insists that they are not real people but characters, and the manager and his cast can only laugh at the idea. But then they become intrigued by the bits and pieces of the story the six characters have to tell. The manager agrees to produce their story and become the author for whom they have been searching. He tries to stage the scene where the father meets the step-daughter in the dress shop but both characters insist that what the actors are doing is not realistic. The manager allows them to finish out the scene instead. This sets up the basic juxtaposition of "drama" and "reality" for the rest of the play, with the key scenes in the lives of these characters providing more questions than they answer about what happened and what it means. At the point when the manager can no longer tell the difference between acting and reality he becomes fed up with the entire thing and ends the rehearsal, providing an audience that has already been challenged by these changing notions of reality with an abrupt ending to the drama. There may or may not be a real story here, but the ultimate point of this play is that the tradition of reality in the theater no longer holds true.
The radical idea here is that there is an immutability of reality for these six characters. Because they are forms, forced into performing the actions for which they were imagined, there is an inherent conflict with life. This is why the son wants to escape but cannot leave the studio and must play his role, as must the Mother and the rest of the characters. This is just as true of all the other characters besides the six, although the others are less inclined to see the truth, or at least the reality, of their own situation until the end, when the final scene of the drama seeks to dissolve the "stage" reality completely. Where Pirandello succeeds in the end is in having it both ways, for we can interpret what we have seen as being reality or as being acting. Either way, you are left to the same conclusion.
"Henry IV" "("Enrico IV"), is a 1922 tragedy in three acts about a man who goes insane after being knocked off of a horse during a masquerade where he was dressed as the Holy Roman emperor Henry IV of Germany. For twenty years the man believes that he is the 11th century monarch and the play begins with Berthold, a new valet being taught everything he needs to know about the "king." Others arrive who want to cure Henry IV of his madness, but when he "recognizes" one of them, they become more despearate in their attempts to bring him back to sanity. Pirandello's twist is that Henry returned to sanity after a dozen years, at which point he realized he was more comfortable playing Henry than with dealing with a world that has changed. So for eight years he has pretended to be Henry IV and he will do anything to maintain the pretense. Piradnello's point is that madness is not wearing a mask, because everyone does, but rather it would be wearing a mask and not being aware of it.
"It Is So! (If You Think So!)" ("Così è, se vi pare!") is a 1917 three act play that also contrasts art and life to demonstrate that "truth" is a subjective and relative concept. Since no one has ever seen Signor Ponza's wife and her mother, Signora Frola, together. This curisoity becomes a pressing concern for Ponza's employer, Councillor Agazzi who wants to discover the truth. Ponza claims that his wife is really his second wife. His first wife died in an earthquake that destroyed all of the records that would prove this to be the case. He also claims that his wife pretends to be Signora Frola's daughter to humor the old lady, whom he claims in insane. Pirandello makes his point in the final scene, which refuses to resolve the matter and make the truth clear to the audience.
Usually "Six Characters" is the extent to which a student of drama and/or existentialism is introduced to Pirandello. But including these other two plays certainly develops his existentialist views in interesting ways, particular with regards to his dramatization of the problem of reality and unreality. Because of his great influence on modern theater, Pirandello was awareded the Noble Prize for Literature in 1934. Two years later, while in negotiations to appear in a film version of "Six Characters," he died.
A nearly flawless work of the theater well ahead of its time.......2002-03-27
As with Laurence Sterne's TRISTRAM SHANDY, Pirandello's 1921 masterpiece, SIX CHARACTERS IN SEARCH OF AN AUTHOR, was well ahead of its time. It confronts issues in the fields of metaphysics, epistemology, postmodernism (structuralism and deconstruction) as well as prefacing experimental theater, metatheater, and performance art. Pirandello's work is a nearly flawless play which breeches the topics of self-identity (a la Descartes), truth and illusion (before Albee), and aesthetics (questioning the legitimizing factor in Aristotle's theory of catharsis). Furthermore, it forces the audience--as too many works of art fail to do--to think without lapsing into philosophic didacticism. Highly recommended.
Masterpiece.......1998-01-29
Pirandello had writer's block. Luisa felt sorry for him. "Just write whatever's in your head", she said, "That's what you're always telling me. Everyone who's ever written a play-- I suppose that leaves out the critics and the university professors--knows that YOU don't write the play, you let the CHARACTERS write the play. Here", she said, "have a glass of wine. It'll help relax you." Two days later, when he was done, Luigi took the manuscript over to Alphonse, the literature teacher. Alphonse declared, after scanning it, "You've written a masterpiece!" "Really?" said Pirandello, "I mean, of course!" Alphonse stood up and gestured grandly with his arms, saying "Ah, the metaphysical ramifications! Reality and the imagination! You've started Postmodernism!" So Luigi did a little dance and headed home to bed.
One review in search of a reviewer.......1997-05-13
He must be around here somewhere. Let me see, hello? Mr. Reviewer? Ms. Reviewer? How I am I supposed to start this? I guess I am a review for the Luigi Pirandello play, "Six Characters in Search of an Author." What am I supposed to say about it? I guess I could say that it is a wonderful piece about the search for truth. A reflection of the human experience. Dazzled and question ridden, on a journey to nowhere. But I haven't even read the thing! Mr. Reviewer? Ms. Reviewer? Tell me what it's about so I could have some idea to tell the readers out there. What? I can't hear you. Pirndello's best play? A post modern triumph? An easily stageable highway? Substitute for butter? What? I give up, you wicked person. Find someone else to be your slave, I am going to sleep now
Customer Reviews:
A Perfect Collection.......2000-04-10
This collection defines modern drama. From Ibsen's realistic masterpiece The Wild Duck, to Pirandello's brilliant and revolutionary Six Characters in Search of an Author, to Eugene O'Neill's pitch-perfect character study Long Day's Journey Into Night, this collection is the epitome of modern dramatic literature in all its variations. Even the criticism for each play is brilliant. A definite recommendation for serious readers who haven't read any of these, but want to.
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- Different from your normal play
- What if?
- Pirandello's classic play, the first existentialist drama
- Signet version...
- Captivating!
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Six Characters in Search of an Author (Dover Thrift Editions)
Luigi Pirandello
Manufacturer: Dover Publications
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Similar Items:
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Waiting for Godot: A Tragicomedy in Two Acts
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Mother Courage and Her Children
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The Cherry Orchard (Dover Thrift Editions)
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ASIN: 0486299929 |
Book Description
This 1921 intellectual comedy contrasts illusion with reality by introducing 6 individuals to a bare stage occupied by actors in rehearsal. Proclaiming themselves the incomplete creations of an author's imagination, the 6 demand dialog for the story of their lives. A classic dramatic exploration of the many faces of reality. Publisher's Note.
Customer Reviews:
Different from your normal play.......2005-06-08
A play containing a play within a play. Just as the title states, 6 characters go in search of someone to tell their story and portray their life. It is cleverly well-written with the characters getting in fights with the actors who are to portray them as well as getting into arguments with the director who is to write their story. The story they tell is insignificant in relation to the set-up they provide. After hearing their story, you are left with a feeling of "is that all?" If I were approached by these 6 characters, I would turn down writing their story. Then again, the play isn't about their story, it is about them finding someone to tell their story. Pirandello stepped outside the normal barriers for playwriting and came up with an incredible play that I can only hope to see performed in my lifetime.
What if?.......2004-12-19
Luigi Pirandello kicked theatre convention out the door with "Six Characters in Search of an Author." Illusion and reality get a bit bent out of shape, as fictional characters stroll about and converse with managers and actors. It's a brilliant piece of existentialist work, and one that had a distinct effect on theatre after that.
It opens with several unnamed theatre people -- the Manager, the Leading Man, the Prompter -- rehearsing a play in an empty theatre. "During this manoeuvre, the Six CHARACTERS enter, and stop by the door at back of stage," Pirandello tells us: a florid Father, timid Mother, equally timid Boy, arrogant Son, sexy Step-Daughter and too-young-to-have-much-personality Child.
"As a matter of fact . . . we have come here in search of an author . . ." the Father tells the manager. The characters have been abandoned by their author, who "no longer wished, or was no longer able" to put them into a story. And now they want the theatre company to provide them with a vehicle that will make them immortal -- and they have to convince the Manager that they are worthy.
Pirandello dispels the unreality of the play with "Oh sir, you know well that life is full of infinite absurdities, which, strangely enough, do not even need to appear plausible, since they are true." While the events of this play seems to be sort of gimmicky, Pirandello uses them with unusual grace (and not a few moments of bizarre comedy).
The characterizations are among the weirdest I've ever seen -- we have an entire family drama going on without a play/novel/film for it. Lovers, illegitimate kids, sibling rivalry and marital fights. Ironically, the Character family overshadows the "real" people on the stage. The Manager is a fun character, though, perpetually impatient and overstressed. "Pretence? Reality? To hell with it all!" the Manager cries near the end of the play.
But Pirandello's odd play "Six Characters in Search of an Author" is both pretense and reality, and it's a fun and enlightening ride while it lasts.
Pirandello's classic play, the first existentialist drama.......2004-09-20
Luigi Pirandello's 1921 play "Six Characters in Search of an Author" ("Sei personaggi in cerca d'autore") has the deserved reputation of being the first existentialist drama and having a profound effect on later playwrights, especially those practitioners of the Theater of the Absurd such as Samuel Beckett ("Waiting for Godot"), Eugene Ionesco ("Rhinoceros"), and Jean Genet ("The Maids"). Pirandello's writing often focuses on elements of madness, illusion and isolation, all of which are inspired by the tragic aspects of his personal life in which his wife went insane and his daugther tried to commit suicide. In 1921 during a five week period Pirandello wrote his two acknowledged masterpieces, "Six Characters in Search of an Author" and "Henry IV." While "Six Characters" was successful when it opened in Rome it was also considered scandalous. However, it soon being performed in Milan, London, New York, and Germany. Because of his great influence on modern theater, Pirandello was awareded the Noble Prize for Literature in 1934. Two years later, while in negotiations to appear in a film version of "Six Characters," he died.
The setting for "Six Characters in Search of an Author" is a rehearsal for a play (By Pirandello) that is interrupted by the arrival of six characters. Their leader, the father, tells the manager that they are looking for an author. It seems that the author who created them never finished their story and they are unrealized characters who have not yet been fully brought to life. The father insists that they are not real people but characters, and the manager and his cast can only laugh at the idea. But then they become intrigued by the bits and pieces of the story the six characters have to tell.
The father is an intellectual who married the mother, a peasant woman. However, she fell in love with his male secretary and the father, bored with his wife, encouraged her to leave. She does, leaving behind the eldest son who is embittered by the abandonment. The mother has three children with this other man but then the father starts to miss her and watches the other children grow up. This new family moves away, but after the other man dies the mother and her children return to the city. The mother gets a job at Madame Pace's dress shop, but it turns out to be a brothel where the step-daughter ends up being employed. One day the father shows up and is set up with the step-daughter. However, the mother stops them from reaching the obvious conclusion and the entire family moves in with the father and the resentful son.
The manager agrees to produce their story and become the author for whom they have been searching. He tries to stage the scene where the father meets the step-daughter in the dress shop but both characters insist that what the actors are doing is not realistic. The manager allows them to finish out the scene instead. This sets up the basic juxtaposition of "drama" and "reality" for the rest of the play, with the key scenes in the lives of these characters providing more questions than they answer about what happened and what it means. At the point when the manager can no longer tell the difference between acting and reality he becomes fed up with the entire thing and ends the rehearsal, providing an audience that has already been challenged by these changing notions of reality with an abrupt ending to the drama.
Almost all of the characters in the play are known by their roles rather than their names, such as the Leading Man and the Second Female Lead. One of the few characters in the drama who has a name is Madame Pace, who is in charge of the dress shop that also serves as a brothel where the step-daughter works. It is perhaps this formality that serves to distance us from the production more than the strangeness of the action or the aged of the words, even though they are adapted to the modern ear. There may or may not be a real story here, but the ultimate point of this play is that the tradition of reality in the theater no longer holds true.
The radical idea here is that there is an immutability of reality for these six characters. Because they are forms, forced into performing the actions for which they were imagined, there is an inherent conflict with life. This is why the son wants to escape but cannot leave the studio and must play his role, as must the Mother and the rest of the characters. This is just as true of all the other characters besides the six, although the others are less inclined to see the truth, or at least the reality, of their own situation until the end, when the final scene of the drama seeks to dissolve the "stage" reality completely. Where Pirandello succeeds in the end is in having it both ways, for we can interpret what we have seen as being reality or as being acting. Either way, you are left to the same conclusion.
Signet version..........2004-03-17
I highly recommend the Signet Classics edition of this play, translated by Eric Bentley. He provides a wonderful opening essay, as well as Pirandello's own forward.
The plot, I'm sure you know, involves six characters who stumble upon a theater rehearsal. They are not so much looking for an author as a play in which to exist. Pirandello breaks the fourth wall as no other author had before him. It is a very daring and original piece. A must for any serious student of drama.
Captivating!.......2004-02-20
"Six Characters in Search of an Author" is truly a unique play. For some readers, characters on paper are actual human beings, but once we see them portrayed by genuine living people on the stage and big/small screen, we abandon our imagination about the person the character began as. Luigi Pirandello took this idea and wrote an ingenious play. Is reality in fact reality, or is it only what we perceive it to be? This play opens up a world of uncertainty. The concept of the play challenges the mind. I recommend.
Book Description
Since its premiere in Rome in 1921, Six Characters in Search of an Author has gained worldwide recognition. Pirandello's challenge to stage representation was taken up by leading directors and changed theater's perception of itself. Jennifer Lorch examines the play's impact through close analysis of individual productions in the context of theater history and practice. Her book includes a chronology of the most important productions, a bibliography and illustrations from major productions.
Book Description
1922. Contains Six Characters in Search of an Author; Henry IV.; and Right You Are! (If You Think So). Pirandello, Italian author, who was awarded the Nobel Prize for Literature in 1934. Pirandello's plays are often seen as forerunners for theater of the absurd. Right You Are (If You Think So) marked Pirandello's interest in the examination of the relativity of truth. The story was about a woman whose identity remains hidden and who could be one of the two very different people. Six Characters in Search of An Author created a scandal when it was first performed in Rome, but was hailed as a masterpiece in Paris. Henry IV received much better reception in Italy. It told about a man who believes he is the German emperor Henry IV. To accommodate his illness his wealthy sister has placed him in a medieval castle surrounded by actors dressed as eleventh-century courtiers.
Book Description
incl 'Six Characters in Search of an Author' et al
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