History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Early Art and Architecture of Africa (Oxford History of Art)

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Early Art and Architecture of Africa by peter garlake

Early Art and Architecture of Africa (Oxford History of Art)
Peter Garlake
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0192842617

Book Description

This new history of over 5000 years of African art reveals its true diversity for the first time. Challenging centuries of misconceptions that have obscured the sophisticated nature of African art, Peter Garlake uses the latest research and archaeological findings to offer exciting new insights. All the main regions are covered: southern Africa, Nubia, Aksum, the Niger River, West Africa, Great Zimbabwe, and the East African coast. Acknowledging the universal allure of the African art object, this book restores it to its original social and historical context, helping us to understand more about the ways in which this art was produced, used, and received.

Customer Reviews:

Early Art and Architecture of Africa by peter garlake.......2007-02-19

book was in good condition well packed

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EARLY ART AND ARCHITECTURE OF AFRICA
Peter Garlake
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback
ASIN: B000OJRKPK

Book Description

In this first comprehensive study of patrons in the Italian quattrocento, Mary Hollingsworth shows how the patron--rather than the artist--carefully controlled both subject and medium in artistic creation. In a competitive and violent age, she explains, image and ostentation were essential statements of the patron's power. As a result, perceived cost became more important than artistic quality (and buildings, bronze, or tapestry were considered more eloquent statements than cheaper marble or fresco). Artists in the early Renaissance were employed as craftsmen, Hollingsworth concludes, and only late in the century did their relations with patrons start to adopt a pattern we might recognize today.

"Many readers, specialists and nonspecialists alike, will welcome this book as a reliable and straightforward introduction to an important and interesting subject."--Literary Review

"A synthesis of the current state of knowledge about Renaissance patronage... The author is particularly well qualified to assess the amount of personal involvement of patrons, and she emphasizes the extent to which Lorenzo de Medici, Ercole d'Este, and Federigo da Montefeltro, as well as several Popes, can be considered their own 'architects.'"--Apollo

Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century.: An article from: Renaissance Quarterly

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Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century.: An article from: Renaissance Quarterly
George R. Bent
Manufacturer: Renaissance Society of America
ProductGroup: Book
Binding: Digital

Book Description

This digital document is an article from Renaissance Quarterly, published by Renaissance Society of America on June 22, 1998. The length of the article is 623 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century.
Author: George R. Bent
Publication: Renaissance Quarterly (Refereed)
Date: June 22, 1998
Publisher: Renaissance Society of America
Volume: v51 Issue: n2 Page: p610(2)

Article Type: Book Review

Distributed by Thomson Gale

Book Description

Introduction by Giorgio Armani. Essays by Michelangelo Sabatino and Luigi Ballarini. Boasting to everyone that his forum would be grander than the Coliseum, Mussolini created the Stadio dei Marmi, or Stadium of Statues, an arena built outside Rome for the 1944 Olympic Games that were postponed by World War II. Believing a fascist state required the top level of physical fitness, II Duce provided inspiration for his nation in the form of monumental art, commissioning sculptors from all over the country to creat sixty Herculean statues of white marble to be put atop six-foot pedestals surrounding the stadium. The statues, based on figures from Italian war memorials, embodied the glorification of the athlete and the mannered heroism of the soldier. Startingly erotic and poetic, each statue stands twelve feet tall, nude but for the occasional headband or sandals. So blatant was their sexual presence that the statues later provoked furtive attempts at "decency" involving fig leaves and loincloths. Once relegated to the category of political kitsch, these statues have, in recent times, been re-evaluated and are being recognized as objects of beauty and merit. "The Foro Italico...sustains a guileless, perhaps unique, male eroticism which at odds with the grandiloquent intentions of its planner and creators in Mussolini's fascist regime," explains George Mott, who first glimpsed the statues in 1962 and photographed them twenty years later. His black-and-white and color images of the statues have been sought by collectors in Europe and America, and have been used repeatedly by fashion designers and art directors. In Foro Italico, for the first time, these photographs are being shown collectively, exquisitely reproduced in a remarkable, deluxe, slip-cased edition which includes an introduction by Giorgio Armani, himself a connoisseur of 1930s art and architecture.

Customer Reviews:

Giant male beauties from another time and place.......2005-08-22

George Mott's 1982 photographs of some of the most beautiful of the male athletic statues that surround the Foro Italico is the subject of this book. Mussolini, attempting to glorify the althetic male body in his Stadium of Statues, was disappointed that the 1944 Olympics in Rome were cancelled because of World War II. Yet the stadium and these 12 foot marble statues remain and are captured well by Mott's black and white presentation.

The core of the book is 32 photographs of these graceful statues of athletic men. The Boxer is certainly one of the most impressive and is featured not only on the book cover but by two photographs inside the book showing the statue of heayweight champion Primo Carnera from two views. The Diver is of a youth that looks like an image from classical antiquity. Hercules is shown twice, once as the discus thrower and then again with the head of the defeated lion covering the back of his head and shoulders. The Boxer donated by Mantova is a strong work of art, showing the expanded brow and broken nose of a powerful and confident man. The Bare Fisted Boxer by Bellini also is a work of masculine power with the characteristic expanded brow and broken nose, adding to the masculine attraction rather than distracting. The Soccer Player by Morescalchi again evokes the sublime youth of classical antiquity.

If someone was purchasing this book purely for male erotica, I would think they will be disappointed. The figures of young male athelets in the prime of their youth and power are certainly compelling, but the statues are of unequal appeal and Mott selects only half for this book. The images are of marble statues and whereas the bodies are stunning, they are also stylized in a manner later seen in Soviet social realism. However, in 4 or 5 images, the essence of male beauty is captured in these marble giants in powerful almost architypal simplicity and grace.

Stunningly Beautiful.......2003-07-30

For anyone who has seen the statues of the Foro Italico in Rome, this book will come as a surprise. A visit to the Foro will not impress the viewer in the same way as this book. The photographer has captured the allure and grave dignity of the most beautiful (they are not all of the same high quality) of these statues in an array of close-ups and full figure shots. The essays by Sabatino and Ballerini are fascinating and well written. The book itself is magnificently produced. Mott seems to have taken the photographs before the statues were disfigured by the effects of air pollution. One wonders how long it will take the Italian authorities to realize the value of these works from the 30s and restore them?

Stunningly Beautiful.......2003-07-30

Not In The Least Erotic.......2003-06-19

The book is beautifully printed and bound, but the photographer (Mott) uses almost exclusively head and upper-chest shots of the statues. In the rare occasions where the full body is displayed, a side or back view is often shown. Half of the photos are in color, which is a waste. These statues demand black and white film. Only a small fraction of the 60 statues were photographed. Luigi Ballerini's long (6 pages) piece was so long-winded and convoluted, I had to read it three times and I still don't understand what he was trying to say. For such a short book, I was surprised to find detail shots of a hand with a ball in it and a hand with a discus in it. What is the point? The 8-page article by Michelangelo Sabatino was interesting, but I would have preferred more full shots of more statues instead. Mott, clearly, has spent too much time in the United States to have an understanding of the meaning of eroticism. I'd love to see these statues photographed by a northern European!

Striking and beautiful work.......2003-05-26

This book reveals a little known part of Roman and Italian history that is incredible. The photos and the information presented are fascinating and this book makes a wonderful addition to any collection of art books, photographic volumes or Italian cultural texts. The composition and presentation of the photographs is truly striking and erotic without being in any way prurient. It is absolutely a true work of art about incredible works of art!

Foro italico (Atlante storico delle citta italiane)

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Foro italico (Atlante storico delle citta italiane)
Antonella Greco
Manufacturer: Multigrafica
ProductGroup: Book
Binding: Unknown Binding

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ASIN: 8875971145

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Il Foro Italico

Manufacturer: CLEAR
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Binding: Unknown Binding

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ASIN: 8838500177

Il Foro italico e lo stadio olimpico: Immagini dalla storia

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Il Foro italico e lo stadio olimpico: Immagini dalla storia

Manufacturer: Tomo
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Binding: Unknown Binding

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ASIN: 8871510038

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1991 EISNER HALL OF FAME INDUCTEE. 1990, 1993, 1995, 1996 HARVEY WINNER, BEST DOMESTIC REPRINT PROJECT. Robert Crumb would like to be king..that way, he would be able to have a black woman to fan him and hundreds of hours to do whatever he felt like doing. Profiles of Robert Crumb have been produced by Newsweek, People, Time and the BBC. Crumbis also a major motion picture based on the artist's life; it won the Grand Jury Prize at the Sundance Film Festival. No other artist so dominates any medium as does Crumb, [who] reinvented the art form into comix. Then he got better. Through the following decades Crumb continued to stretch the form's limits with his mix of biting satire and naked autobiography. --Time

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