Book Description
This book focuses for the first time on sixteenth- and early-seventeenth-century country houses in their settings. Investigating the complex relations between Tudor and early Stuart houses and the landscapes in which they were set, Paula Henderson offers new perspectives on some of England’s most magical buildings. She examines natural and man-made landscapes as well as gatehouses, garden buildings, banqueting houses, and other ancillary structures. More than 200 splendid images illustrate the book, which also features a complete gazetteer.
Drawing on new documentary material and on research into many rediscovered buildings associated with original settings, Henderson refutes common perceptions that gardens of the period were confined and highly artificial and that “natural” landscapes were not appreciated until the eighteenth century. She explains how and why Tudor country estates were organized and designed, and she provides a new evaluation of what the gardens and other aspects of the landscape meant to those who created and visited them.
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Public and Private Spaces: Works of Art in Seventeenth-Century Dutch Houses (Studies in Netherlandish Art and Cultural History)
John Loughman , and
John Michael Montias
Manufacturer: B.V. Waanders Uitgeverji
ProductGroup: Book
Binding: Hardcover
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ASIN: 9040094446 |
Customer Reviews:
great text, lousy pictures.......2007-01-19
I am currently enrolled in a Baroque and Rococo art history class at my university. I was told to get this book, and I excitedly did. After reading it for a bit, I noticed a few aspects that bothered me. The text is informative and explores the artworks wonderfully. Unfortunately, in the description, the authors describe the colors of the piece and how critical they are in the piece, which would be wonderful, except for the fact that half of the images in the text are in black and white! I would have to wait until class or find the images online in order to see what they were talking about.
So, if you are looking to buy this book, just be aware that the writing and historical knowledge are wonderful, but the images are dull and mainly colorless.
Everything You Ever Wanted to Know About Seventeenth Century Art and More..........2006-01-07
Where can the interested reader find so much in one book about the great seventeenth century masters of art such as Caravaggio, The Carracci, Bernini, Rubens, Rembrandt, van Dyck, Velazquez, Hals, Vermeer, Poussin and Claude? The answer is in the recently published text "Seventeenth Century Art and Architecture" by Professor Ann Sutherland Harris.
In this wonderfully written and very well illustrated book - there are 411 illustrations of which 176 are in excellent color - Professor Harris glides through the seventeenth century with the grace and ease of a ballerina, covering the Baroque period from its inception in Catholic Italy to its final days in the Golden Age of the Dutch Republic. Major artists and a number of less well know artists are covered succinctly, lucidly, and without pedantry or reference to obscure scholarly works. The author is so well-versed in the subject matter that she is able to convey it clearly to the general reader with almost every painting described and discussed in detail.
Orginally conceived as a college text, this book is a must read for anyone interested in the art, lives of the artists, politics, and history of the most important century in European art and culture. Although the title gives equal weight to art and architecture, much more of the art of the period is discussed than architecture, yet the reader is given a full taste of the architecture of the period as well.
This is a book that one will want to read and re-read time and time again.
Great Book.......2005-12-05
I had to have this book for an art history course. It is definitely an easy read compared to other art history books I have read in the past. I like the background information on the politics of the time, along with the stories of the artists and their works. The information you get in this book allows you to associate stories and events with the artwork you study, which makes the artists and the works discussed more interesting and memorable.
Wow! What a book!.......2005-11-17
This wonderful book contains just about everything anyone could possibly want to know about the art and artists of the period, what they painted and why they painted the way they did, including background material on the political and economic environment in which the artists worked. Included are 410 illustrations with approximately half in color. This book will be treasured by students of art as well as those of us who are "merely" art appreciators. The writing is scholarly, but not stuffy and very accessible to any art lover. It is a book to be picked up over and over again. A real treasure that every museum-goer should own.
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Nature as Model: Salomon de Caus and Early Seventeenth-Century Landscape Design (Penn Studies in Landscape Architecture)
Luke Morgan
Manufacturer: University of Pennsylvania Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0812239636 |
Book Description
"Luke Morgan bracingly tests conjecture and assertion against evidence and a shrewdly developed chronology; he turns a coolly evaluative eye to the kinds of interpretive assumptions underlying previous accounts; and he develops a fresh picture of Caus, his career, and the intellectual culture of garden-making in the period."--Michael Leslie, Rhodes College, Oxford
Salomon de Caus has been viewed as, variously, a Protestant martyr, the unsung inventor of the steam engine, one of the most important early hydraulic engineers, and a garden designer whose work was influenced by astrology and hermeticism. The first comprehensive book on this protean figure, Nature as Model sifts through historical material, Caus's own writings, and his extant landscape designs to determine what is fact and what is fiction in the life of this polymathic and prolific figure. In doing so, it clarifies numerous hitherto unresolved problems in his biography and historiography.
As Luke Morgan shows, Caus made important contributions to some of the most significant landscape projects of his period, including the gardens of Coudenberg Palace in Brussels, Richmond Palace, Hatfield House, Somerset House, Greenwich Palace in London, as well as, most famously, the Hortus Palatinus in Heidelberg, which he designed for the Elector Palatine, Frederick V, and his wife, Elisabeth Stuart, daughter of James I of England. In his work, Caus drew on his intimate knowledge of the late sixteenth-century Italian garden, and through his commissions the design principles and motifs of the late Renaissance garden were transmitted across Europe.
The book is a masterful exercise in historical reconstruction, showing how Caus has been read by subsequent generations intent on nationalism, romance, or magic. Morgan investigates the ways in which the early modern garden actually generated meaning through conventional motifs rather than through esoteric narrative programs.
Luke Morgan is Lecturer in the Department of Theory of Art and Design, Monash University, Melbourne, Australia.
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Invisible City: The Architecture of Devotion in Seventeenth-Century Neapolitan Convents
Helen Hills
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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ASIN: 0195117743 |
Book Description
More than any other European city, Baroque Naples was dominated by convents. Behind their imposing facades and highly decorated churches, the convents of Naples housed the daughters of the city's most exclusive families, women who, despite their cloistered existence, were formidable players in the city's power structure. Invisible City vividly portrays the religious world of seventeenth-century Naples, a city of familial and internecine rivalries, of religious devotion and intense urban politics, of towering structures built to house the virgin daughters of the aristocracy. Helen Hills demonstrates how the architecture of the convents and the nuns' bodies they housed existed both in parallel and in opposition to one another. She discusses these women as subjects of enclosure, as religious women, and as art patrons, but also as powerful agents whose influence extended beyond the convent walls. Though often ensconced in convents owing to their families' economic circumstances, many of these young women were able to extend their influence as a result of the role convents played both in urban life and in art patronage. The convents were rich and powerful organizations, riven with feuds and prey to the ambitions of viceregal and elite groups, which their thick walls could not exclude. Even today, Neapolitan convents figure prominently in the city's fabric. In analyzing the architecture of these august institutions, Helen Hills skillfully reads conventual architecture as a metaphor for the body of the aristocratic virgin nun, mapping out the dialectic between flesh and stone.
Book Description
This is a study of the manufacture of brass instruments, particularly the trumpet, in Nuremberg during the seventeenth and eighteenth centuries. The book begins with a brief history of the instrument and the city where it was made, and an introduction to the changes in style, shape, and ornamentation which occurred over more than two hundred years. The techniques of extraction and purification, and the chemical and physical structure of the metals are discussed, especially in relation to the use of authentic materials in reproductions. A separate chapter deals with solders for brass and silver and their use in the workshop. The tools and workshop facilities are identified and detailed using contemporary illustrations and examples from the author's workshop. The longest chapter, which is highly illustrated, deals with the techniques of fabrication as practised today, and draws parallels between them and historical practice. The book concludes with a discussion of the philosophy, ethics, and practicality of using historical instruments or accurate facsimiles in modern performance.
Customer Reviews:
Good content, terrible print quality.......2006-04-07
Robert Barclay surveys the processes and methods that went into the making of 16th, 17th and 18th century trumpets, mostly by German and Austrian makers. There is a great deal of information about the early metallurgy of brass as well as some detail on the actual construction techniques used by the early builders. Reproductions of illustrations from Agricola, Diderot, and Weigel are most welcome.
Don't expect this book to be a "how to build your own trumpet" guide, however--fully half the book surveys early metallurgy and tools and only the last half skims over construction techniques.
However, for a paperback of 186 pages, this book is very much overpriced. At $55, one would expect high-quality graphics, but instead what is delivered is blurry, low-contrast black-and white photographs. In addition, several pages in my copy were all but unreadable due to dropouts in the printing process.
In balance, this is an interesting read, but poor production and high price detract from this book's appeal.
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Architecture and Image-Building in Seventeenth-Century Hertfordshire (Oxford Historical Monographs)
Paul M. Hunneyball
Manufacturer: Oxford University Press, USA
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Binding: Hardcover
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ASIN: 0199263868 |
Book Description
The seventeenth century witnessed a radical and far-reaching transformation in English architecture, as new and purer forms of classical design became firmly established, sweeping away earlier fashions. How this dramatic change came about at local level has never been fully understood. Using Hertfordshire as a case-study, this ground-breaking, interdisciplinary book reconstructs the complete built landscape--not just houses but churches, momnnuments, and almshouses--to reveal a competitive and visually sensitive environment in which people at all social levels exploited architectural display to enhance their personal image. New fashions were an important weapon in this struggle. Because only the county elite possessed the necessary contacts and resources to obtain the latest classical designs, such patterns became badges of status, symbols not just of cultural aspirations but of social ambition. Paul Hunneyball demonstrates that classical architecture caught on at local level less because it was aesthetically superior than because its advocates were socially superior.
Book Description
Master Decorative Artist Sue Pruett teaches readers everything they need to know to create beautiful floral paintings. They'll learn to capture each element of the flower from the petal to the stem.
Whether it's a dusty pink rose readers want to paint, dramatic hydrangeas or a dainty lily of the valley, Sue will teach them how. Each stunning project includes a complete supply list, easy-to-follow worksheets and patterns. Ten different flowers are included, each one painted on a different surface for a unique variety of projects.
Book Description
THE KEY TO SUCCESSFUL PRINT PRODUCTION is an understanding of the entire workflow, from scanning and file creation through prepress and print production. Fully updated by author and publishing consultant Brian Lawler,
The Official Adobe Print Publishing Guide, Second Edition, brings together the collective knowledge and wisdom of the experts at Adobe Systems in a simple, elegant presentation of the fundamental concepts and issues related to producing high-quality printed output. The book includes succinct, expertly illustrated explanations of the basic concepts and terminology of print production, along with Adobe’s tried and true guidelines, tips, and checklists for ensuring a successful print job.
Customer Reviews:
Great School Resource .......2007-02-19
Great resource for designers who deal with the print aspect of thier projects. Good material to read through and very helpful.
Not what I'd expected........2007-01-29
This book wasn't what I'd expected from the reviews. It is largely a reference guide and less of a learning resource. Definitions are presented clearly, but then the application of things wasn't fully explained. For someone new to print publishing, this isn't a 'how-to' guide. It's more of a reference material and to discover new things about print publishing you may not have known about. I would recommend this tentatively to anyone who wants to bulk up their reference library on print publishing, but wouldn't recommend it to a absolute beginner wanting to know more about print publishing.
Information a plus.......2007-01-09
Great in detail book for Graphic Communications I used it in one of my classes. Learned a great deal in it. Thanks
Great Resource.......2006-08-07
The reality is that lots of graphic designers don't have formal design training, which can result in a problematic lack of production and printing knowledge. This book is easy to read (in a day), thoughtfully illustratrated, and covers the most important productino and printing issues that a designer should be aware of.
The book is really good about inustructing the designer on what they should know and then giving the reader a list of questions/issues to discuss with their printer when the matter is outside the domain of the designer. Great stuff!
New to print? You need this book.......2006-03-06
I know a teeny tiny bit of print. Spot colours - hmm I did know that one, but since I don't do much print (or haven't til this year) I was always at a loss when it came ready for the printer. This book is an essential guide for the non print designer.
Terms, project proofing, even what a colour bar is (you know that strip of colour on the prepress and press proofs?) - it's all covered. There is a world of difference between making something for screen and print. If you have ever had someone ask to have a business card made, or a more complex print piece, and you usually export a 300 dpi TIFF and hope for the best this book helps take you further. Every introductory design course, not just a print course, should be covering this book to ensure that designers are well versed in all the verbage, processes and production issues that print demands.
A great chapter in this book covers project management which most will not think of to be in a book like this. The added value of having this chapter allows one who is not familiar with print to understand ones responsibilities to the client, the printer and themselves. Do not waste time creating something the client may love and the printer will not deliver - at your quoted budget anyway. It all intertwines and knowing what questions to ask is the key to a better project. And don't forget that File Checkoff List.
Book Description
The fully updated Adobe Creative Suite 2 Premium software (which includes Photoshop, Illustrator, InDesign, GoLive, and Acrobat) is a unified design environment. The Creative Suite 2 enables you to realize your ideas anywhere–in print, on the Web, or on mobile devices, and this info-packed guide lets users get right down to doing just that by focusing on the Creative Suite 2 features they're most likely to use and showcasing each in a stand-alone tip--complete with a relevant hint or two and a graphic example. In this fashion, readers learn just what they need to know, exploring the programs in a way that makes sense to them.
Download Description
The fully updated Adobe Creative Suite 2 Premium software (which includes Photoshop, Illustrator, InDesign, GoLive, and Acrobat) is a unified design environment. The Creative Suite 2 enables you to realize your ideas anywhere-in print, on the Web, or on mobile devices, and this info-packed guide lets users get right down to doing just that by focusing on the Creative Suite 2 features they're most likely to use and showcasing each in a stand-alone tip--complete with a relevant hint or two and a graphic example. In this fashion, readers learn just what they need to know, exploring the programs in a way that makes sense to them.
Customer Reviews:
It's all the information I was hoping to find in other books and didn't........2006-02-25
Clear but concise explanations of many of the features and functions you may already be marginally aware of, but may not understand how to use. These features are generally only mentioned in other books, but are more clearly explained here. I teach the Adobe suite, and feel pretty comfortable using these applications, but most of what I know has come from books because I live in an isolated area. Whenever a book comes along that helps me to understand features I haven't been using, I really appreciate it. Short on glamour, it is just black text on white pages; the techniques are most often presented in two page layouts with screen captures as needed. The book is small enough to hold on your lap or have next to the computer as you work. Reading and using one technique a day might be a great way to go through the book as opposed to just reading. Some tips will be of interest to new users, while others are aimed at the intermediate or advanced level, which is exactly how it's noted on the back cover. Easy reading, chapter headings make it simple to find what you need, but there's also a good index. I find the organization very helpful. There are general tips presented first, regarding the use of Bridge, and setting up preferences to work with the suite more interactively. Then techniques for individual application components are presented and I appreciate the inclusion of GoLive here since I use it. I know everyone else uses DW, but our school chose to go with the Adobe Suite way back when. I have been responsible for the extensive dept. web site and I found GoLive up to the task. And last, tips having to do with the use of Acrobat and Version Cue. I've been using Acrobat for years, but on a fairly rudimentary level and I didn't understand Version Cue at all, so this book has provided some terrific information there. All in all, I think this book is a bargain, excellent, much needed information presented in a simple format. Some tips may be over your head if you're just beginning, but later on you'll be glad they're here. Especially useful: tips on using Bridge more fully, the most useful and least understood aspects of Photoshop and Illustrator, using Master Pages and Frames in InDesign as well as creating books (something I need to do right now), CSS in GoLive (a special thank you for that), time-saving batch processing techniques, and Acrobat and Version Cue techniques that wrap up the final needed tips. This book is definitely not a rehash of anything you've seen elsewhere. It's all the information I was hoping to find in other books and didn't. This book is an excellent resource and I'll keep it handy. There isn't one thing in here I would consider filler. The subtitle is 100 essential techniques and that seems to fit the content perfectly.
It is Essential you buy this book........2006-02-01
"100 Essential Techniques" solved at least a half dozen situations right off the bat. George's writing style is clear and concise and his selection of techniques are those that you need to be aware of. Having flipped through the book several times reading what was intriguing, I am reading from front to back. I found that I could read this book on my comute and remember the simple steps on how to impliment the techniques when I was in front of the computer. Real sweet, what's next George?
Excellent.......2006-01-24
An excellent book, particularly helpful in discovering the new nooks and crannies of the CS line. It's definitely a book I wish I had sooner. It shed a lot of light on the Bridge as well as Version Cue that I just wasn't getting before.
I am familiar with George's style of writing and this book is no exception, to his casual yet informative tone.
So straightforward - a must read when upgrading! .......2006-01-24
This book was super helpful getting me up to speed when I did an upgrade from the pre-CS product line. It covers the basics, but also gets you into some of the more advanced time savers. There's a website for it too, which has been updated with a couple of new tips.
100 Essential Techniques- really essential!.......2006-01-23
Thank goodness! Finally, a resource that's quick access, a quick fix to my problems and helpful, succinct answers to my questions. A must-have for anyone using the new CS2.
Book Description
Illustrator CS2 How-Tos is a highly focused survey of the one-hundred most essential things anyone needs to know to use Illustrator CS2. Folks new to Illustrator will find clear, basic, easy-to-understand explanations of the techniques, tools, and tricks they need to quickly become productive with Illustrator. Experienced users will find a handy reference with insights, tips, and shortcuts that will help even experts be more productive.
Illustrator CS2 How-Tos was written specifically for CS2, and integrates the important new features of Illustrator CS2, including Live Paint, Live Trace, new Type format features, and helpful new interface innovations.
Written by veteran illustrators
David Karlins and
Bruce K. Hopkins, Illustrator CS2 How Tos breaks down confusing concepts and clearly explains and illustrates how to master the challenges of drawing and editing vector paths. David Karlins teaches Illustrator at San Francisco State University Multimedia Studies Program, and Bruck K. Hopkins has been a professional illustrator for a decade, creating everything from fine art to technical drawings.
The book:
- Demystifies the process of creating and editing vector artwork
- Covers new Illustrator features: Live Paint, Live Trace, Type formatting, and the Control Palette
- Includes survival tips and tricks that will guide new illustrators through the program, and provide time-saving tricks for Illustrator veterans.
Customer Reviews:
Great Problem Solver.......2007-03-15
This book is structured exactly as you would imagine from the title. It's great for looking up a solution quickly when you get stuck. I felt that I needed more "Instruction", being a novice ... so I bought "Exploring Illustrator CS2 (Design Exploration Series) to go with it ... together they are great for the beginner! Both Highly recomended.
Great for Illustrator Newbees.......2006-12-31
Yes, as stated in other reviews, this is a book for those new to Illustrator. Simple, to the point, and clearly written, this book takes the dread and frustration out of using a program that has such an extremely steep learning curve. There is a bit of redundancy when using this book cover-to-cover, but the chapters can also be used as stand-alone reference material in such fashion.
Great book for Illustrator NOVICES.......2006-07-10
At first glance at this book, I really liked how the book was formatted by numbers and "quick tips". This made me feel like learning illustrator would be short and to the point. I liked the screenshots and shortcuts that were included and I felt like the first few chapters (or "tips") were a good way to get introduced to each topic in a quick and easy way. The reading in this book is good. It is easy to follow and straightforward. The reference guide is plus too!
But, for me personally--I did not find this book extremely helpful to my knowledge of Adobe Illustrator. I think it would be great for a REAL Illustrator novice--someone who has absolutely NO prior Adobe Illustrator experience because it explains to the Illustrator student how each step should be taken in a thorough and explanatory way. For someone who has had experience with Illustrator--you might be looking more for a tooltip book like the QuickStart guides that Peachpit press puts out. But for the true Illustrator novice--I think this book can be really beneficial for you!
One last point, I think that I would've liked to see more examples and images of Illustrator-created work as examples for each of the tools that were explained and expounded on in each chapter. This is what helps inspire me as a designer, seeing other people's work and seeing how I can do something similar with an ordinary Illustrator tool.
Again, for a beginner who is just starting out--this book is to the point, well written and can help you be on the road to learning Illustrator in an easy & topically driven way.
graphicsglommer.......2006-04-01
I purchased this book based on another review on this site. However,I was very disappointed. This book may be great for a beginner but it is way too basic for anyone
familiar with the previous Illustrator versions. I also did not like the formatting in this book as well as the formatting in other Adobe CS series books.
Really Really Good. You are gonna want to hang on to this book!.......2006-03-01
I have used photoshop for years and bought this book the day i got CS2, and took my first leap into Illustrator. THIS BOOK IS GREAT! I am almost all the way through it and feel like i know this application. The book is simple and breaks Illustrator into 100 techniques with brief but QUALITY instructions. It has a very good index and is great for turning to with questions -- a great refrence or read.
I like and use the book so much that i went and had the binding cut off and spiral bound it (so it lays open flat) with tabs for each chapter. if you are a beginner, this is the book for you. if you have experience with illustrator, you will find this book a helpfull boost of your skills.
I recomend it, and look at the price!! you really can't go wrong.
Amazon.com
Luanne Seymour Cohen has assembled another solid design "cookbook" in which the recipes are complete meals, not just snacks. Design Essentials for Adobe Photoshop 7 and Illustrator 10 has step-by-step instructions for real-world design and illustration problems using Photoshop and Illustrator. It's perfect for those times when you know exactly which visual style you need--perhaps a neon lighting effect or that cool "graphic novel" look. And it's equally as helpful for times when you're just looking for inspiration or to sharpen your skills--for example, learning how Channels can be better for turning a photo from color to grayscale.
Projects include transforming a photograph into various styles of painterly images and into a mosaic composition that looks handcrafted out of tissue paper. Readers also find out how to simulate marbled paper, make transparent shadows and gradients on a path, draw 3-D packages and bar charts, create type with a scratchboard fill or even in the style of a '60s psychedelic poster. One section shows a sampling of filter combinations, like "Mosaic + Ripple" and "Dry Brush + Graphic Pen."
Design Essentials is laid out with the steps on the left of the page, color screen shots on the right. Although this is not a "basics" book, even a beginner would be able to follow along. The book assumes that readers are familiar with Photoshop and Illustrator, but a nifty appendix of shortcuts and handy tips (for example, hit the X key to switch the foreground/background colors) makes this a great reference for readers of all levels. And even though the focus is on the latest versions of Photoshop and Illustrator, several of the sections will still make sense to those readers who haven't yet upgraded.
Featuring completely new examples, this book's usefulness will last long after newer versions of Photoshop and Illustrator have come out. I still regularly reach for my copy of Cohen's 1993 Imaging Essentials (featuring similar tips on using Photoshop 2.5 and Illustrator 5!). This new edition has now earned a prominent place on my bookshelf as well. --Mike Caputo
Book Description
Adobe Photoshop and Illustrator are two of the most widely-used and powerful image-editing and illustration programs available. Graphic designers, illustrators, artists, and Web gurus often turn to both products in tandem to create professional-quality graphics for print and the Web.
Design Essentials, which has been called "the Joy of Cooking for designers," is part tutorial, part inspirational resource for graphic designers and illustrators who are familiar with Adobe Photoshop and Illustrator and want to produce superb graphics. Perhaps you need to create text effects, patterns, textures, or transparent shadows? Look up the technique you want to learn, and this book leads you through the paces. Concise two-page spreads let readers digest the information quickly and easily--just follow the step-by-step text and four-color graphics. Readers will discover operations and techniques that open up new avenues of creativity.
Tudor Style: Tudor Revival Houses in America from 1890 to the Present
The English House: English Country Houses and Interiors
The Royal Palaces of Tudor England: Architecture and Court Life, 1460-1547 (Paul Mellon Centre for Studies in Britis)
Storybook Style
Historic Interiors
