Book Description
Rare large-format prints offer detailed views of City Hall, State Street, the Loop, Hull House, Union Station, many other landmarks, circa 1904-1913. Introduction. Captions. Maps.
Customer Reviews:
Wonderful Photographs.......2007-01-29
This book contains full page photos, many of which I had never seen before. The clarity of the photographs is comparable to the digital photos we are able to take now. Although the book consists mainly of photos of buildings (of course) there are many which include pedestrians, carriages, automobiles, signs, etc. I think this book would be interesting to anyone studying Chicago, the history of the time period, architecture, clothing or photography, or to anyone who simply loves old photographs. The only complaint I have is that some of the photos were not dated. Very good book!
Big City Big Look.......2006-07-25
Great look into the "City of Big Shoulders" at the turn of the century. Good aid to understanding of urban America at the beginning of the 20Th Century
Photographs of Chicago during the early 20th century.......2005-07-19
I have been to Chicago many years since I lived in IL from 1933 to 1963. My mother's people came to Chicago in the 1830's.
I found the early photos extremely interesting as I am a former teacher of both high school & college history. I reall liked this book as I had seen it before & could not locate another copy until I saw it on Amazon.
Many Thanks for stocking this item.
Outstanding Views of Old Chicago.......2000-04-02
I can't say enough about this collection. This book includes a number of photographs that I have not seen in any other book. The large format allows one to see a lot of detail as every photo gets a full page.
Book Description
A comprehensive design source book of all types of Celtic crosses by leading exponent of Celtic art, Courtney Davis. The 101 crosses cover the whole history of Celtic design from the earliest examples found on ancient stone tablets and monuments to Courtney Davis's own celebrated modern interpretations. With crosses from the famous Celtic manuscripts such as the Lindisfarne Gospels and the Book of Kells and from intricate Celtic jewellery.
The 101 cross designs are all hand painted by Courtney Davis and printed in full colour. Each is accompanied by a black and white version of the same image on the adjacent page - perfect for scanning or photocopying for use on readers' personal art, design or craft project.
The introduction gives a brief history of the Celts and an explanation of the birth and development of their artistic style with particular relation to cross designs.
Customer Reviews:
101 Celtic Crosses.......2007-09-07
101 beautiful colored PLUS b/w Celtic crosses suitable for tracing and enlarging. Images are small, approx 4"-5" tall, but lovely.
What a great reference! .......2005-07-06
Courtney's Art is just fantastic. This book, as well as all of his other works that I have picked up, is well worth owning. Mr. Davis's designs are inspired and unique. Anyone interested in Celtic art or design should own this book.
Amazon.com
Landscape, says Henri Peretz, is the photographic genre which above all others "sets in competition the simple viewer, the painter, the amateur and professional photographer." This book, which marks the 50th anniversary of the Magnum Photo Agency, collects images by some of the most imaginative photographers of the century. Many have the eye of great painters: Henri Cartier-Bresson's study of picnickers on the bank of the River Marne is like a Renoir brought to life, while Bruno Barbey's exquisite color image of soldiers descending the hills of Kurdistan has the quality of an Albert Bierstadt canvas. There are some wonderfully surreal visions here too, such as Bruce Davidson's shot of the Statue of Liberty with a New Jersey junkyard in the foreground, and Richard Kalvar's image of a naked man on the Brooklyn Bridge.
Book Description
Landscape, says Henri Peretz, is the photographic genre which above all others "sets in competition the simple viewer, the painter, the amateur and professional photographer." This book, which marks the 50th anniversary of the Magnum Photo Agency, collects images by some of the most imaginative photographers of the century. Many have the eye of great painters: Henri Cartier-Bresson's study of picnickers on the bank of the River Marne is like a Renoir brought to life, while Bruno Barbey's exquisite color image of soldiers descending the hills of Kurdistan has the quality of an Albert Bierstadt canvas. There are some wonderfully surreal visions here too, such as Bruce Davidson's shot of the Statue of Liberty with a New Jersey junkyard in the foreground, and Richard Kalvar's image of a naked man on the Brooklyn Bridge.
Customer Reviews:
Good shipment.......2006-07-10
Ordered to be shipped to Australia, arrived fairly fast considering the distance. No complaints.
It is what it is.......2006-05-19
This is a book with no pretense: Fantastic images, from some of the world's greatest photographers, collected under the shaky title of "landscape," and put together in a well-designed, under-sized, cheaply produced pamphlet-book that can be purchased for under twenty dollars.
handy photo book.......2006-03-19
It's cheap, small and light weighted. But filled with wonderful photos.
You can read it everywhere, in subway, in park, in rest room.
Not your average landscape photography book.......2000-08-13
You wouldn't think Magnum, a photo agency best known for its outstanding photojournalism, could produce a compelling collection of landscape photographs. But going through the book, it made perfect sense. These photographs aren't the sublime visions of the natural world one associates with the art of landscape, whether in photography (e.g., A. Adams, the Westons) or painting (e.g., all of the Hudson River School artists), but are reports of the state of the world expressed through our landscape. It works much in the same way as Magnum Degrees (the more conventional Magnum collection, which sets forth a gripping vision of the state of the world at the end of the millenium), but instead of events and people, the environment is the primary mode of expression in Magnum Landscape. (There are some overlapping photos between the two books, in fact.) This isn't to say the photos aren't beautiful and artfully composed, because most of them are, in their own way. My admiration for Magnum photographers grows each time I discover one of their books. My admiration for the reproduction quality of Magnum Landscape, however, is nonexistent. The printing, frankly, blows (judging from a comparison of photos that are reproduced in both Landscape and Degrees). The book is probably still worth getting, because it's the only way you can get this fine selection of photographs.
Lessons in seeing.......2000-05-05
Look at a famous Ansel Adams print and you see (generalising grossly) a technically immaculate, beautiful image of something that is itself obviously impressive and beautiful. Which is not to belittle the level of visual imagination and craftsmanship that went into making those photographs.
Look at some of the images in this book and you see something utterly different -- the ability to see a picture, to pull a compelling and fascinating image, out of nothing, out of scenes most people wouldn't even glance twice at. Street corners, car parks, shadows on sand.
Again a gross generalisation, and there is work from a lot of different photographers in the book, but there is a coherent editorial eye at work here and a definite Magnum "house style".
I bought this book at the same time as a book of Ansel Adams classic prints. I looked through this one first and thought "oh no, now the Ansel Adams stuff will be boring". It isn't, it's completely different, but for me the Magnum pictures are more inspiring.
Average customer rating:
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10-Pak Magnum Landscape PB
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback
All French Books
| French
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| Specialty Stores
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ASIN: 0714836435 |
Product Description
A lover of comics Jules Feiffer puts together strips mostly from WW2
including Superman, Captain Marvel, Batman, Human Torch, the flash, green lantern, the spectre, hawkman, wonder woman, submariner, captain america, plastic man, the spirit
Average customer rating:
- Terrific, if out of date
- Invaluable Tome
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The Great Superman Book (His the Encyclopedia of Comic Book Heroes; V.3)
Rh Value Publishing
Manufacturer: Random House Value Publishing
ProductGroup: Book
Binding: Hardcover
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ASIN: 0517536773
Release Date: 1988-12-12 |
Customer Reviews:
Terrific, if out of date.......2006-05-03
This book is essentially a complete encyclopedia of Superman's adventures up through the mid-1960s. The Superman section alone is worth the price of purchase, never mind the other 400 or so pages.
Of course, it has little or no relevance to today's Superman and the characters with the same name, but if you have a fondness for the Golden and Silver Age versions of the character, get this book. I'm glad I did.
Invaluable Tome.......1997-10-31
This book is an invaluable tome of cross-referenced historical information covering every aspect of Superman's origin, his history, countless other characters in the mythos (including his friends, enemies, and lovers), and the mythology of Krypton. It is a labor of love and deserves to be in print.
Average customer rating:
- Good compilation of memorable Superman stories.
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The Great Superman Comic Book Collection
Manufacturer: DC Comics
ProductGroup: Book
Binding: Hardcover
Superman
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ASIN: 0446303569 |
Product Description
A collection of Superman comics from The Origin of Superman to The Double-or-nothing Life of Superman. 15 separate stories. 8.75 x 11.25 inches; Puffed and padded cover
Customer Reviews:
Good compilation of memorable Superman stories........2006-04-10
This book is NOT a comprehensive collection of Superman comics through the ages. The introduction is by well known DC editor, E. Nelson Bridwell but unlike "Superman from the 30's to the 70's", only selected classic stories from the 50's to the 70's are included. Nevertheless, ALL stories are in full color:
Action #500: an updated "Origin of Superman". Story by Bridwell. Art by Curt Swan and Murphy Anderson. and layouts by Carmine Infantino.
Adventure #271: "How Luthor met Superboy!" (and became bald).
Action #252: "The Supergirl from Krypton" Supe's cousin's first "real" appearance.
Superman #141: "Superman's Return to Krypton" written by Jerry Siegel and in three parts:
I. "Superman Meets Jor-El and Lara again!"
II. "Superman's Kryptonian Romance!"
III. " The Surprise of Fate!"
Superman's Girl Friend Lois Lane: "Three Nights in the Fortress of Solitude!". Lois' antics at Supe's bachelor pad.
Superman's Pal Jimmy Olsen #16: "The Boy of Steel". Jimmy becomes invulnerable after being irradiated at a nuclear bomb test Supe's flew him to (thanks, pal!).
Superman #167: "The Team of Luthor and Brainiac!"
Part I: "the Deadly Duo!"
II: "The Downfall of Superman!"
III: "The Hour of Kandor's Vengeance!"
Superman #296: "Who Took the Super out of Superman!" Part I of a good four part story about Supe/Kent's identity crisis.
Superman #297: II:"Clark Kent Forever--Superman Never!"
Superman #298: III:"Clark Kent, Get Out of My Life!"
Superman #299: IV:"The Double-or-Nothing Life of Superman!"
Overall, a good Superman collection but diehard fans will be yearning for more!
Average customer rating:
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Superman/Flash/Race Arnd World (Golden Look-Look Books)
Golden Books
Manufacturer: Golden Books
ProductGroup: Book
Binding: Paperback
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| Ages 4-8
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ASIN: 0307129314
Release Date: 1996-03-15 |
Book Description
A 19th-century literary masterpiece, tremendously influential in the arts and in philosophy, uses the Persian religious leader Zarathustra to voice the author's views, including the introduction of the controversial doctrine of the Übermensch, or "superman," a term later perverted by Nazi propagandists. A passionate, quasi-biblical style is employed to inspire readers.
Download Description
I used to have a copy of the Portable Nietzche from Penguin or whoever. Most of part three from Zarathustra was gone, replaced by a repeated big chunk from part II, then went straight to part IV. You won't have that problem.
Customer Reviews:
Too much thee, thou, doeth for my taste.......2007-09-12
Ah, heck. Call me uncouth or whatever, but reading these 150 year old philosophy works can often be taxing on a today-man like myself. Honestly, I wasn't ready for the thee, thou... Anyway, sorry I tarnisheth a worketh such as thiseth. My bad. Otherwise, love Nietzsche so far. I've only read two books of his, and I guess I'm surprised by how far ahead of his time he was on religious matters. Philosophy with a hammer, indeed.
the Realm of Existentialism.......2007-06-18
God is dead?
Do You really care? ...
"But he "had" to die: he saw with eyes that saw everything; he saw man's depths and ultimate grounds, all his concealed disgrace and ugliness. His pity knew no shame: he crawled into my dirtiest nooks. This most curious, over obtrusive, over pitying one had to die. He always saw me: on such a witness I wanted to have revenge or not live myself. The god who saw everything, even man---this god had to die! Man cannot bear it that such a witness should live. Thus spoke the Ugliest man."
After reading Thus Spoke Zarathustra several times, I've decided it is not reviewable and, perhaps, not meant to be reviewed, as it will be something different to each individual mind -- like God, the color blue, or the taste of a fine wine.
Thus Spoke Zarathustra is absolutely one of the most informative, easy to read, humorous, internationally-debated, philosophical - theological, psychological writings to date -- and still, not many have a clue as to what Nietzsche has brought to the table, or even why. Indeed, this is better than Da Vinci Code (sorry Mr. Brown). It is a book for None and All, to be sure. I dub Nietzsche's Thus Spoke Zarathustra the 8th Wonder of the World.
"I walk among this people and keep my eyes open: they do not forgive me that I do not envy their virtues. They bite at me because I say to them: small people need small virtues --- and because I find it hard to accept that small people are needed.
I am like a rooster in a strange yard, where the hens also bite at him; but I am not angry with the hens on that account. I am polite to them as with all small annoyances; to be prickly to what is small strikes me as wisdom for hedgehogs."
Highly Recommended! --Katharena Eiermann, 2007, the Realm of Existentialism -- Presidential Hopeful
Censored Nietzsche.......2007-06-14
Nietzshe's sister, who edited this version, distorted his ideas. Also, the translation is in a quasi-biblical style which may not be suitable for the style of the book.
German Literature at it's Best.......2007-06-14
I don't like Nietzsche. His theories are inhumane, and his insights psychotic. But anyone who reads the man's work knows that even after translation (by the prestigious RJ Hollingdale), Nietzsche's ability to write beautiful prose is an indisputable fact. One must often wonder where his ideas would be today if he had been a mediocre story teller?
Thus Spoke Zarathustra is, in my humble opinion, the place where anyone who wants to read Nietzsche should start. The ideas are deliniated clearly and the fashion in which they are strew is fully comprehendable. Or, if you prefer, try Beyond Good and Evil.
RSM
Radical and Brilliant.......2007-05-31
Nietzsche's Thus Spoke Zarathustra remains one of the most powerful and cryptic tomes in the history western thought. Is this a work of philosophy or poetry? Due to the immense power of Nietzsche's writing, it remains highly readable, even for those who are not usually comfortable reading philosophy. In the prologue, Nietzsche describes Zarathustra's isolation in the mountains and his intention to descend so that he can teach mankind. Zarathustra proclaims that God is dead and the overman, the sort of man who has overcome his own nature. Zarathustra proclaims: "The time has come for man to set himself a goal. The time has come for man to plant the seed of his highest hope" (17). Nietzsche is passing his philosophical project onto Zarathustra as an author might pass his personal impressions onto a fictional character. Zarathustra is a new symbol of wisdom in the modern era; he teaches that man is now burdened with the task of creating a meaning for himself. In Zarathustra's speeches, he speaks of the "three metamorphoses of the spirit" (25), which include how the spirit becomes a camel, the camel a lion, and the lion a child. For Nietzsche, even the lion of freedom is not sufficient; the child who can create represents the possibility of an overman. Zarathustra says: "The child is innocence and forgetting, a new beginning, a game, a self-propelled wheel, a first movement, a sacred `Yes.' For the game of creation, my brothers, a sacred `Yes' is needed: the spirit now wills his own will, and he who had been lost to the world now conquers his own world" (27). Zarathustra teaches man that God is the result of an act of creation, that man is capable of willing new gods and goals. He says: "this god whom I created was man-made and madness, like all Gods!" (33). Zarathustra might be called the God of the Body as he claims that it was originally the sick and decaying who hated the body and nature and subsequently created heaven. Zarathustra provides and alternative: "Listen rather, my brothers, to the voice of the healthy body: that is a more honest and purer voice. More honestly and purely speaks the healthy body that is perfect and perpendicular: and it speaks of the meaning of the earth" (33). Zarathustra warns man of the power of `Good and Evil,' of preachers of virtues and the soul. However, for all of man's creative efforts in conjuring systems of value, man still is left without a clear goal. Zarathustra concludes the first book by insisting that he will only return when his listeners have denied him, for he desires to cultivate an independence of thought.
In the second book, Zarathustra returns and begins to speak about creation and pitying. In the second section (Upon the Blessed Isles), he argues that "God is a conjecture; but I desire that your conjectures should not reach beyond your creative will. Could you create a god? Then do not speak to me of any gods. But you could well create the overman [...] of the overman you could recreate yourselves: and let this be your best creation" (86). For Zarathustra, creation is the solution to redeem man from his suffering. Additionally, man's will to power is a potentially liberating capacity. In the fifth section, Zarathustra critically examines different conceptions of traditional virtue. He says: "you are too pure for the filth of the words: revenge, punishment, reward, retribution" (94). After much vivisection and refutation, Zarathustra moves into a discussion of the possible meaning of existence for man in the section On the Tarantulas. Here, he makes a proposal: "For that man be delivered from revenge, that is for me the bridge to the highest hope, and a rainbow after long storms" (99). Zarathustra warns man to mistrust all who have a powerful inclination to seek revenge and enact punishment.In book three, Zarathustra continues his prophetic teachings to mankind, though he insists that he is "Godless" (170). He reflects about the absence of having a true audience; one gets the impression that Zarathustra is echoing Nietzsche's loneliness as a largely unrecognized philosopher and writer. He continues with a transvaluation of all values wherein Zarathustra declares the `three best cursed things,' which are: "sex, the lust to rule, [and] selfishness" (188). He condemns Christianity's disapproval of these things, arguing that sex represents a happiness of the body, the lust to rule is a variant of the will to power, and selfishness is a mode of self enjoyment. Zarathustra is concerned that the dominant institutions of our time have conditioned human beings to hate and fear themselves. Additionally, he teaches man about man's ultimate purpose, which he describes in the third section of `The Old and New Tablets,' where he writes: "There it was too that I picked up the word `overman' by the way, and that man is something that must be overcome-that man is a bridge and no end" (198). For Zarathustra, a going under is a crossing over, a transition. In this way, mankind is taught to confront his own mortality.
In `The Convalescent,' Zarathustra rests for seven days after a collapse in his cave. He is upset with the animals for watching him in pain, for pain and cruelty (whether it is directed inward or outward) is the greatest flaw of man. It is here that Zarathustra gives his most profound teaching: "Alas, man recurs eternally! The small man recurs eternally!' Zarathustra has established his reason for being: to teach the eternal recurrence of the same. All events and beings of the universe have existed an infinite number of times and will continue to repeat eternally. Zarathustra claims: "I myself belong to the causes of the eternal recurrence. I come again, with this sun, with this earth, with this eagle, with this serpent-not to a new life or a better life or a similar life: I come back eternally to this same, selfsame life, in what is greatest as in what is smallest, to teach again the eternal recurrence of all the things" (221). It is because of the eternal recurrence of the same that mankind should affirm life and will subsequently overcome nihilism. Zarathustra expresses a desire that mankind embrace himself as such, and to be willing to act as a bridge for something greater. He declares: "You are mere bridges: may men higher than you stride over you. You signify steps: therefore do not be angry with him who climbs over you to his height" (283). According to Zarathustra, it is only since God has died that mankind can be resurrected. In `On the Higher Man,' Zarathustra announces the life of the overman, an indication of a higher being able to climb over man. Zarathustra announces: "O my brothers, what I can love in man is that he is an overture and a going under [...] Overcome these masters of today, O my brothers-these small people, they are the overman's greatest danger" (287). Human beings must, in accordance with their nature, be willing to go down in order to go across. They are the bridge to something higher. The thought of eternal return contains many facets and implications. One the one hand, the notion of eternity without the trajectory of a goal and without a definitive close could be viewed as the essence of nihilism or pessimism. However, this is not a complete thought of eternal recurrence. Yet if the thinker understands the relation between nihilism and the eternal recurrence of the same, he can fully affirm life.
Average customer rating:
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Marvel Tales #207 : Starring Spider-Man and Power Man in "The Smoke of that Great Burning" (Marvel Comics)
Chris Claremont
ProductGroup: Book
Binding: Paperback
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Byrne, John
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ASIN: B000PO3CSS |
Books:
- Cocktails In Tahiti
- Community Planning: An Introduction To The Comprehensive Plan
- Cottages on the Coast: Fair Harbors and Secret Shores
- Crystal Cove Cottages: Islands in Time on the California Coast
- Deco LAndmarks: Art Deco Gems of Los Angeles
- Digital Design and Manufacturing: CAD/CAM Applications in Architecture and Design
- Domesticities: At Home with The New York Times Magazine
- Earth Shelter Technology
- East Meets West: Global Design for Contemporary Interiors
- Easy Flea Market Style: Creative Ideas & Fabulous Fix-Ups
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