Book Description
In 1926 the fabled alchemist Fulcanelli left his remarkable manuscript concerning the Hermetic Study of Gothic Cathedral Construction with a student. He than disappeared. The book decodes the symbology found upon and within the Gothic Cathedrals of Europe which have openly displayed the secrets of alchemy for 700 years.
Customer Reviews:
Le Mystere des Cathedrales is a Beautiful Treasure........2007-06-23
A classic in its own right. The occult philosophy that lies within the construction of the Great Cathedrals.
A wonderfully written book; however for one to fully comprehend its meaning one must be symbolically literate.
Esoteric, in its full meaning.......2007-02-20
I got this from Adventures Unlimited several years ago, and actually read it. The main problem I had with the book is that it is extremely cryptic, i. e. I had great difficulty understanding what Fulcanelli was talking about. This difficulty was in fact so great that I still don't understand most of it. I think that this book would be highly useful to someone who had spent a great deal of time studying alchemy, but for those (like me) with only a passing (or less) familiarity with the subject, it amounts to an exercise in mystification. If I knew more about alchemy, I might give this a higher rating; I give it the rating I did, because I have the feeling that Fulcanelli is giving an accurate account, but this rating is no higher because of the sheer incomprehensibility of the text. Also, the publication of this work may have had some purpose other than that of informing the reader; if so, I haven't divined this purpose, and thus cannot tell if the book was successful in it. My rating is therefore in the middle of the road.
For the happy few.......2007-01-12
The Fulcanelli book lifts a heavy lid covering the deep mysterious world of the builders of great gothic cathedrals in Europe to shed some light on what can be hidden from a profane eye, but is open book to the one who posesses a certain knowledge. Fulcanelli is very cautious not to lift the cover too high, he always stops himself at certain point, saying that he is not at liberty to say more. Fulcanelli, a full fledged alchemist, respected and admired by many, and no question feared by many more, had an access to the knowledge so serious that even one millionth of that whole could in the hands of a profane lead to the destruction of the world. Very few can even imagine what is hidden in that vault to which door Fulcanelly and his colleagues whose names we would never know. They keep their secrets well guarded. In comparison to their world, the fictional world of Brown's "Da Vinic Code" is as a speck of dust to the mount Everest.
Such people as Fulcanelli have been hunted throughout the ages, as late as during the last world war. They, however, managed to escape the sweeping search by the Nazis who spared no money and resources to find them. Lucky we, the Nazis weren't successful, otherwise we would be living today in a completely different world.
Now, when you know what kind of people Fulcanelli belonged to, and will appreciate a token of that great knowledge revealed to us by him when he leads us step by step to his humble but nevertheless powerful revelation.
In conclusion I would recommend this book to anyone who is interested in obtaining at least some understanding how one should read a great books written in stone and become hungry for more knowledge without which no man can consider himself a complete person. Good luck, and enjoy the book.
Not necessry to find the truth.......2006-11-03
This book was built up to be something special, and not that the information was interesting. However the information is just a side to the truth. Though I'm glad I did come across this tidbit of truth.
A Most Fascinating Book..........2006-04-15
One of the most fascinating books ever written...
The book (whose full title was Le Myst?re des Cath?drales et l'interpr?tation ?sot?rique des symboles herm?tiques du Grand Oeuvre ), lavishly interspersed with thirty-six illustrations - two of which are in colour, and one that is the original title-page by the artist Jean-Julien Champagne - is curiously dedicated to the Fr?res d'H?liopolis.
Before scrupulously studying - as far as hermetic tradition is concerned - the truly alchemical symbolism emanating from the cathedrals of Notre-Dame de Paris and Notre-Dame d'Amiens, Jacques-Coeur's palace and the Lallemant town-house in Bourges, Fulcanelli offers the reader in his introduction some particularly original concepts that deserve to be emphasized in more than one respect. First, he puzzles over the definition and origins of Gothic Art. He expresses his emotion by reiterating something written by J. F. Colifs in his Filiation g?n?alogique de toutes les ?coles gothiques (Paris, ?ditions Baudry, 1884):
The Language of Stone spoken in this new art, as stated with much truth by J. F. Colifs, is at the same time clear and sublime. This is why it speaks equally to both the soul of the humblest and to that of the most scholarly. What an inspiring and stirring language, the gothic [language] of stones.
After reviewing a few hypotheses about the origins of gothic art, initially those in which the classical school had linked it - against all verisimilitude - to the Goths or Germans, Fulcanelli comes round to linking the word gothic to the word goetic, via the famous phonetic Cabala referred to previously, thus considering it a magical art. This hypothesis, however, does not satisfy him. He then decides to favour the perfect phonetic closeness to the word argotique , which relates to both slang/cant and to the green language due to its aliveness and vitality, and the Greek myth of the Argonauts who were on a quest for the famous Golden Fleece. The "Argotiers" could only be the symbolic descendants who expressed themselves in a vivid language not understood by the uninitiated.
According to Fulcanelli, the minority of individuals using this secret (and sacred) language constitute the Sons or Children of the Sun, the gothic art being indeed the "art got or cot (Xo), the art of Light or of the Spirit". And Fulcanelli elaborates on this universal language of the birds, the diplomatic language taught by the goddess Athena to the seer Tiresias.
Deploring what he called, "Soufflot's vandalism", Fulcanelli extends his gratitude to the renovation work in Notre-Dame undertaken by the distinguished architects Viollet-le-Duc, Lassus, and Geoffroy Dechaume. He then examines the ground plan of medieval religious buildings where he sees the image of the Egyptian ankh (crux ansata - that is, the ansated, or "handled" or "looped" cross) in the semi-circular apse joined to the choir. This is the symbolic evocation, not of death, but of universal Life upon which is built the Christian temple. In addition, he states - by way of the phonetic Cabala - that the cross (crux) designates the alchemist's crucible.
Following this, Fulcanelli discusses the enigmatic labyrinths that are found in some churches such as those in Sens, Reims, Auxerre, Saint-Quentin, Poitiers, Bayeux, Chartres, and, above all, Amiens, to which he devotes an entire chapter later on in the book. Reminding us of the labyrinth's presence in ancient times, mentioning, among others, the one in Cnossos, (Crete) . He calls the labyrinth of the cathedrals "Solomon's Labyrinth" and gives the definition of it expressed by his prominent friend Marcellin Berthelot:
[It is] a cabbalistic figure found at the beginning of certain alchemical manuscripts, and which is part of the magical tradition associated with the name of Solomon. It is a series of concentric circles, interrupted at certain points, so as to form a bizarre and inextricable path.
Fulcanelli then embarks on a philosophical digression (in the alchemical sense of the term) on the myth of Ariadne and her legendary thread.
Next, Fulcanelli brings our attention to the alchemical symbolism to be found in the rose-windows of the cathedrals. He compares their blazing colours to the ones developed in the Egg during the coction of the third Work under the impulse of the fire of the wheel, an expression meant to designate the action of the "secret fire" in the ultimate phase of the Great Work. He states that it is "this latter fire, sustained by ordinary heat, which makes the wheel turn and produces the various phenomena which the artist observes in his vessel".
After this, Fulcanelli deals with the question of the "black Virgins" (virgini pariturae - the virgin about to give birth) in Chartres, Rocamadour, Puy-en-Velay, Limoux, and the unusual green-candle ceremony at Saint Victor church in Marseilles. Comparing the black Virgin to the ancient mother goddesses, Ceres, Rhea, and Isis, he identifies her with the symbolism in which is clad the mysterious materia prima of the Great Work.
Fulcanelli then proceeds with a long critique of the Renaissance period, favouring the spirit that characterised the medieval mind.
Further on Fulcanelli studies certain medallions on the central porch of the western fa?ade of Notre-Dame de Paris and gives these a truly alchemical interpretation, far removed from the studies previously carried out by the hermeticists Cambriel and Gobineau de Montluisant. The portal on the right, where can be admired the image of Saint Marcellus defeating a dragon and freeing a child held in limbo, perfectly illustrates to Fulcanelli the major operations in the alchemical Great Work.
Fulcanelli then takes us to the Cathedral of Notre-Dame de Amiens and finds in its central porch - the Porch of the Saviour - the same symbols as in Notre-Dame de Paris, the only difference being that here the figures are holding shields rather than discs, and that the philosopher's mercury is represented as a woman, and not as a man as in Paris. He then discusses the fire of the wheel and the scale of temperatures in the Great Work.
Continuing, Fulcanelli takes his readers to Bourges where the Lallemant mansion and the great house of Jacques Coeur hold his attention. King Charles VII's great Minister of Finances was indeed an alchemist, and hermetic symbols are plentiful in his noble abode. However, such symbols can be seen in perhaps greater abundance in Jean Lallemant's residence, particularly on the enigmatic coffered ceiling, in the chapel, and its credence, which holds the secrets of the second and third Work.
Interestingly, the last chapter, which was dedicated to the cyclic cross of Hendaye, was not included in the first edition of The Mystery of the Cathedrals.
A careful and compelling companion book to Mystery of the Cathedrals would be "Fulcanelli," by Patrick Rivi?re, a student of Fulcanelli's amanuensis, Eug?ne Canseliet.
Rivi?re reveals with profuse documentary evidence the true identity of the enigmatic and prestigious author of The Mystery of the Cathedrals and The Dwellings of the Philosophers. Beginning with an overview of French alchemical life at the turn of the 20th century, Rivi?re carefully builds his case step-by-step with facts, documents, and photographs, introducing us to the well-known physicist who was known as Fulcanelli. Rivi?re also demolishes the scurrilous hypotheses that suggest Fulcanelli never existed. (ISBN 1-897244-21-5 Red Pill Press)
Book Description
Combine the joy of creativity, the delight of imagination, and the thrill of an art adventure. The Big Messy Art Book opens the door for children to explore art on a grander, and more expressive, scale. Paint a one-of-a-kind masterpiece from a swing, or try painting a hanging ball while it moves! With The Big Messy Art Book, you are giving children the opportunity to go beyond the ordinary and into the amazing!
Customer Reviews:
Messy Art is great........2006-08-02
I am a special education teacher and I am always looking for new ideas to enhance my sensory awareness program. This book has some awesome ideas and I can't wait to start using them this year.
More like Adventurous!.......2005-04-26
This book is my kids' favorite! Everything is either very LARGE and exciting, or SILLY and exciting, or ADVENTUROUS and exciting, or extremely INTERESTING and exciting. Don't buy this if you want your child to sit in a corner with crayons for the rest of her/his life and never look beyond the expected. This is for the kids that will challenge their imaginations and explore art from a new view, building who they will be as adults.
OUTRAGEOUSLY FUN FOR KIDS.......2000-06-19
THIS BOOK IS A FOR-SURE WINNER. IT ENABLES THE KIDS TO HAVE FUN AND GET DIRTY AT THE SAME TIME. I AM NO LONGER AFRAID FOR MY CHILDREN TO GET DIRTY! IT'S CLEAN UP IS EASY TOO. IT'S AN ULTIMATE GUIDE FOR FUN.
Some great new stuff to try!.......2000-06-16
I have been teaching preschool for many years and I love messy media... this book had some really neat ideas, things I had never tried before. When I got my copy, I couldn't wait to try out some of the ideas right away.
Success with all ages!.......2000-06-13
I used the stained glass project from the book with a group of 21 children, ranging in age from 4 to 12. The instructions were super-easy to explain to my group, and it was a real pleasure to see all the kids working so independently!At the end of the hour, each child had a great looking project and a sense of accomplishment! Ms. Kohl has another winner!
Book Description
Produced in conjunction with the preeminent Chrysler Museum in Norfolk, Virginia, Aperture's essential series Photography Speaks will be reissued as one newly revised and expanded edition in the fall of 2004. From Matthew Brady to Cindy Sherman, more than 150 artists are represented in this new, combined volume spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favorite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale, collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, and Rineke Dijkstra. The contributors expound on topics such as their method and intentions, the state of the arts, or the medium itself. Photography Speaks has been and will continue to be a vital reference source, an enduring testament to the art of photography and an engrossing text for artists and enthusiasts alike.
Amazon.com
Anonymous wears a black shroud and a hangman's noose. Unnamed and masked, perhaps he or she will avoid the fate suggested in the haunting photograph that graces the cover of this remarkable book. Anonymous is one of the mostly unsung heroes interviewed by Kerry Kennedy Cuomo who are fighting for human rights in places where torture, imprisonment, and death are the side effects of speaking out against such atrocities as child soldiers, sex slavery, honor killings, and repression of political rights. In Anonymous's case, teaching Sudanese women their rights where a civil war is being waged by Islamic extremists could land him or her in a "ghost house" of torture, or, if lucky, in prison for an undetermined amount of time. In an age when heroes seem almost a thing of the past, these 51 human rights defenders demonstrate that real moral courage is alive and well on planet Earth. As Kennedy Cuomo writes in her introduction, these are the Martin Luther Kings of the world, and "courage, with its affirmation of possibility and change, is what defines them."
For instance, there is Ka Hsaw Wa, who, after hearing stories of horrific torture and abuse from Burmese villagers, took the bold step of bringing a lawsuit against the American oil company Unocal for using human rights abuses to further its profit margins. To protect himself as he gathers documentation, he travels the jungle in black clothes and has had to interview victims using only his memory for lack of pen and paper. Fauziya Kassindja came to her work through no choice of her own--when she fled Togo to escape genital mutilation she found herself shackled and abandoned in the U.S. prison system, and has become a force for change in both countries. Others have seen a need and filled it, such as Muhammed Yunus, who has achieved miraculous results in Bangladesh by giving small loans to those who no one else would entrust with money--poor women without collateral. The results have been nothing less than the transformation of the women, their families, and the political landscape of a nation.
There are also the famous here: Desmond Tutu, Elie Wiesel, Rigoberta Menchu Tum. Václav Havel speaks on becoming a dissident and the divine, while the Dalai Lama talks about compassion, suffering, and nonviolence. These are extraordinary people, and yet they are as human as the rest of us. As Oscar Arias Sanchez says, "One works for justice not for the big victories, but simply because engaging in the struggle is itself worth doing." An inspiring work made beautiful by photographs by renowned photographer Eddie Adams. --Lesley Reed
Book Description
Inspiring interviews about the quality of courage with fifty remarkable men and women, including Wangari Maathai, Desmond Tutu, and the Dalai Lama. Kerry Kennedy explores the issues that compel human rights defenders: from free expression to religious self-determination, from minority rights to environmental activism, from child soldiers to sexual slavery.
Kerry Kennedy established the Robert F. Kennedy Center for Human Rights, serves on numerous boards committees, and is chair of the Amnesty International Leadership Council.
Eddie Adams, among the most decorated and published American photographers, has received over five hundred awards, including the Pulitzer Prize.
Customer Reviews:
Powerful and frightening.......2006-12-27
In the interst of full disclosure, I have not read through this book in its entirety. Nor to I contemplate doing so soon. The perils faced by the men and women who work for justice are often too hard to read in large doses. The savagery of the human heart is grotesque and seemingly insurmountable. Yet men and women of good will, as beautiflly told in this book, find the courage and strength to look into the face of evil and tell it "No."
The stories are taken from all over the world -- the Americas, Europe, Asia and Africa. They tell of the lonely struggle of those who seemingly cannot stop themselves from pursing freedom and dignity for their fellows. The stories are simultaneously ennobling, terrifying and challenging. Why are we not all fighters for the rights of our neighbors? WHy are we so often craven and complicit with oppresive powers? Why are so few able to face and withstand the fire of persecution?
As I said, "Speak Truth to Power" is not a light read. But the stories are inspiring and need to be told. For this, I thank Kerry Kennedy Cuomo for her introductions and her selection of material, and to Eddie Adams for the stark and powerful images of the men and women who raise us as a species above the level of beasts.
Excellent, touching reading.......2001-12-28
I bought this book for the sole purpose of a class where I was required to do some outside reading. This book was on our recommended reading list. I read the entire book, only one story was required. It was astonishing how these people change the world. I was moved by these stories.
almost religious in its power.......2001-09-06
The stories and photographs are deeply moving profiles of several of the most courageous people in the world. There are few terms to describe the total power, since I turn to this work on many occasions to gain some inspiration.
For someone not immediately interested in the field of human rights, the work is probably not quite as affecting, as personal stories about those who are involved in human rights will be unlikely to move the unconcerned. "Speak Truth to Power" is essential sustenance for the converted.
Shallow Treatment of a Vital Subject.......2001-01-01
The people described in this book are true heroes, and their stories make me feel humbled and ashamed. But the book attempts to describe 50 different people. Each person gets 3-6 pages, and at least one of the pages is a photograph, leaving room for only a short, unsatisfying glimpse of each life story.
The flyleaf states that "'Speak Truth to Power' is accompanied by a major exhibition opening at The Corcoran Gallery of Art, Washington, D.C., then traveling nationally." It almost appears that the story is secondary to the photographs--a pity.
Stories of important and incredible strength and vision.......2000-12-25
This is an inspirational and important book. The biographical portraits of the human rights activists are compelling, and their stories shocking, infuriating, sad, and ultimately inspirational. These are amazing people - prevailing against enormous odds. You read it in awe of the subjects, and their often appalling stories. The black and white photographic portraits are respectful, serious, and appropriate. The one thing I would change about this book is its "coffee-table-book" presentation. It's not an "art" book, there is intensity of feeling and action in its stories, and so is really too important to browse. In my view the big (and expensive) format invites a sort of readerly casualness that is at odds with the subject. There is outsized courage in these stories, but a surfeit of human suffering and cruelty, too. I wanted to be able to take it with me, and the size of this book makes that impractical. So I hope that it will eventually be published in a more accessible format. Five Amazon stars for excellence in all ways but that one.
Average customer rating:
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Photography Speaks : 66 Photographers on Their Art (Vol 1)
Brooks Johnson
Manufacturer: Aperture Book
ProductGroup: Book
Binding: Paperback
 Collections, Catalogues & Exhibitions
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ASIN: 0893813559 |
Average customer rating:
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My Heart Speaks Forth: Inspirational Christian Poetry with Bible Sciptures and Photography
Penney Ann Whittemore
Manufacturer: 1st Books Library
ProductGroup: Book
Binding: Paperback
20th Century
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ASIN: 0759640459 |
Book Description
?My Heart Speaks Forth,? by Penny Ann Whittemore. A glimpse of life filled with insight, wisdom, humorous wit, and charm intertwined into a collection of poetry embellished with Bible scriptures. For people of all ages and stages of life.
Average customer rating:
- Great book that helps a good cause...
- Haiti - an enchanting depiction
- Beautiful book
- Breathtaking Photography, Moving Poetic Verse
- It took me back to a place I love
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Paroles et Lumieres-Where Light Speaks: Haiti
Carl Hiebert
Manufacturer: Intl Child Care
ProductGroup: Book
Binding: Hardcover
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ASIN: 0968557902 |
Product Description
Haiti is a nation exploding with expression. Deep below the flow of everyday life is a rhythm that knows innately how to celebrate being alive -- a giving of memory to all of the senses. You will see it in the color of carnival or in the white upon white at first communion. Listen and you will hear it in the familiar ring of the shoeshiner's bell as he passes in the street, and in the laughter of storytelling by candlelight at night. Photographer Carl Hiebert and writers Anthony Phelps, Sandy Noble Yates and Syto Cave present this Haiti, loved and calling to be remembered. Where Light Speaks is a rediscovery, not only of what is Haitian, but of what is human.
Customer Reviews:
Great book that helps a good cause..........2007-04-20
I love this book because it is so positive and shows the beauty of the people and places of Haiti. The combination of photography and poetry is striking and really draws you in. Every time I open it, it's like being back in Haiti again. Best of all, the proceeds go to International Child Care, a non-profit health development organization that is working to help children and families in Haiti live better lives. What more could you want from a coffee table book?
Haiti - an enchanting depiction.......2001-03-01
This book provides powerful, beautiful photography, sensitive narrative, and original poetry. It respects the country, its culture and its language. It has a depth not expected in "table top" books. It is the number one book on my gift list this year! (not found in most book stores). Wonderful -
Beautiful book.......2000-11-21
I lived in Haiti for 18 years and I must say that this book does a wonderful job of portraying Haiti. If you've ever traveled to Haiti or lived there, this book will bring back fond memories. If you've never been to Haiti, you might find yourself longing to visit. This book will help you see why so many people who visit Haiti end up falling in love with it despite the fact that it's one of the poorest, most destitute countries in the world.
Breathtaking Photography, Moving Poetic Verse.......2000-08-31
I am the adoptive mom of a little Haitian girl. The other night we went to a church to hear a missionary speak about Haiti, and this gorgeous book was on the missionary's display table as a way of showing Americans the beauty of the people in that desperate land. Though we have plenty of photographs ourselves from my husband's trip there in 1997 (to finalize the adoption and bring our daughter home) we were deeply moved by the professional photography in this book. It shows the poverty, yes, but it also shows beauty and community, the natural splendor of the land and the warmth of a people so ravished by the cruelty of their government, but still able to smile. This is a book of hope, and a book of brilliant color, and a book which shows the strength of the Haitian people. Each gorgeous photo has an accompanying poetic verse in Creole and in English. A truly lovely book....
It took me back to a place I love.......2000-01-04
The photos and text of this book are truly amazing. As soon as I opened the book, it was as if I were back in Haiti once again. Smelling the smells, hearing the sounds, seeing the sights.
A wonderful gift for someone who has been to Haiti and was touched by the beauty and simplicity of a country so close to the U.S. in proximity and so far away in reality.
Average customer rating:
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Photography Speaks II: 76 Photographers on Their Art
Manufacturer: Aperture Book
ProductGroup: Book
Binding: Paperback
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ASIN: 0893816523 |
Amazon.com
This collection of pictures, which spans 150 years and ranges from daguerreotypes to digital images, is a follow-up to an acclaimed 1989 volume. Johnson draws from a variety of sources--including interviews, letters and obscure publications--to assemble an anecdotal history of photography; he largely eschews big names in favor of strong images. Pioneer landscape photographer Thomas Roche talks about his working methods; Gertrude Kasebier, who encouraged women to pursue photography, discusses the medium as an art form. The most surprising inclusions are Thomas Eakins and surrealist Rene Magritte, both better known as painters.
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The Portraits Speak: Chuck Close in Conversation with 27 of his Subjects
Chuck Close
Manufacturer: A.R.T. Press
ProductGroup: Book
Binding: Hardcover
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Close, Chuck
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ASIN: 0923183175 |
Book Description
Chuck Close's frighteningly intimate, deceptively straightforward portraits have become an indelible part of American art iconography. In The Portraits Speak, Close applies his close-range approach to interviews with artists he has painted over the years, including Kiki Smith, Philip Glass, William Wegman, Cindy Sherman. Each word portrait offers another candid glimpse into the minds of three generations of American artists and the world of contemporary art, giving an insider's view of the creative process. Dimension: 8¾ x 12¾, b&w reproductions.
Customer Reviews:
Morbidity made hilarious.......2006-07-15
Even people who are not fans of morbid humor laugh at the cartoons of Charles Addams. The absurdity and incongruity of his characters will draw a smile from even the most stiff-lipped and sophisticated of persons. This collection has some of the best that he has ever inked. Some of my favorites are:
*) Where two men are tying a third to a track and a woman on a nearby hill says, "It may be none of my business, but there hasn't been a train over that line in eight years."
*) A crowd is watching a movie and there are tears on nearly all the faces. However, an Addams character is laughing heartily.
*) A man is sleeping outside in a hammock and a storm is brewing. His wife is connecting him to the lightning rod on the house.
*) The editor of a magazine called "The Outdoor Boy" is sitting in a chair in his office. He is trying to commit suicide by shooting himself in the head with a slingshot.
There is no one more morbidly funny than Charles Addams, he can take the most absurd and disgusting thoughts and make them hilarious.
Early works of the master........2003-05-27
This 1950 collection is perhps a tad less sophisticated than some of his later work. But there are classics here that have stuck in my mind for at least that half-century. Who can forget
"George, George, drop the keys!" Or the mothballed captain on the bridge of the mothballed warship? Or the ghoul (later dubbed Uncle Fester) laughing as others weep in the movie theater?
I had to have this book. It is classic literature that won't be found in any prescribed reading list. I bought it for my grandchildren.
John Culleton
Rowse Reviews
Books:
- FYI: For Your Improvement, A Guide for Development and Coaching (4th edition)
- Good Green Homes
- Great Houses on a Budget
- Green Building Products: The Greenspec Guide to Residential Building Materials
- Greene & Greene: Creating a Style
- Half-Life 2: Raising the Bar
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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- Majesty of the Garden District
- A Field Guide to Rocky Mountain Wildflowers: Northern Arizona and New Mexico to British Columbia
The Mysteries of the Great Cross of Hendaye: Alchemy and the End of Time
The Dwellings of the Philosophers
Secrets of Alchemy - The Great Cross and the End of Time by Jay Weidner
Fulcanelli and the Alchemical Revival: The Man Behind the Mystery of the Cathedrals
The Secret History of the World and How to Get Out Alive
