Book Description
This book provides comprehensive review material and two full practice tests for the FE:PM Exam in Electrical Engineering. Explanations to practice test answers and test taking tips are included. This book can be used as a preparation for the Afternoon portion of the FE Examination. It can also be used as a companion to The Best E.I.T. Fundamentals of Engineering (FE) Exam AM Portion.
Customer Reviews:
Not a good book.......2006-11-10
I purchased this book in addition to the FE Review Manual by Lindeburg. I took the FE exam 2 weeks ago and the content in the Electrical PM book was nothing like that on the exam, in fact, the examples were much more difficult than the actual exam problems.
I would go with the PM Electrical book by the same publishers as the Lindeburg book, PPI. This book from REA was not helpful.
Update & Extend Please.......2005-06-06
I bought a new copy of this book for the April '04 FE exam. First off, the newest copywrite is 2000. This book has very few spelling or grammatical mistakes. Chapters are very short and don't go deep enough into each subject and don't provide enough examples. Each topic is covered in only a few pages, so don't look here for in depth coverage. I found the exam drastically different from this review guide. The exam has changed alot since 2000 and this book should be updated to reflect that fact. There are lots of questions on the exam dealing with digital systems and signal processing that aren't even mentioned here. The two practice exams were way off from the test itself. You'll notice the author has tons of questions on the practice tests about computers, their memory, etc, yet hardly any of that was on the test. I recommend that if you are still in school and have recently had courses in communications, digital systems and signal processing, consider taking the EE part of the afternoon exam. I've been out of school for a year now and really should have taken the general version of the afternoon exam. I barely passed with a 77 (70 being the minimum to pass) only because of the great general exam review guides by M. Lindeburg and M. Potter. [...]
Customer Reviews:
Analysis is great.......2007-10-03
I like that he has a full page to show the drawing and on the facing page he has a smaller version with commentary. He places capital letters on the drawing so you can see exactly which line or shape he is discussing.
Definative.......2007-07-13
Robert Beverly Hale was one of the masters in teaching figure drawing. A must for serious students of figure painting.
Not written by an artist..........2007-05-08
Although this is one of the best compilation books of old master drawings
available on the common market, I would not put too much stock in what
the author says. The author is correct in saying that many of these
great artists had to learn and understand anatomy in order to "make it up"
(e.g., a figure of a rearing horse drawn by Titian, impossible to be
taken from life), but he goes overboard in trying to get the student to
learn about anatomy. For example, he says "Please buy some bones". That's right--the way to paint like Rubens is to...buy some bones. I don't think so. Even if you learned how to draw the figure well, after perhaps 10 years, you'd still have to tackle drapery and then learn how to compose your figures in a painting and, well, be an artist. I have learned after much figure drawing study that after a while, "studies are
useless" (Rubens said that also). It is better for the true artist to simply plan painting after painting, and ignore all this wasteful "study effort" as if art is a science. This is not to say any knowledge of anatomy is bad. But you need to know only as much as it takes to know that
a head looks too big, or a shoulder "doesn't look right", esp. if you are already working from life. I have studied anatomy and tried to draw from my memory, and although my drawings have all the attendant parts, you cannot "guess" at how the aspect of a vastus medialis changes when it is in 10 different positions. It's much easier and quicker simply to draw a model from life--it will look more correct, even WITHOUT a knowledge of anatomy. And if you are a figurative artist, you may even want to "clothe" your figures at some point (Watteau made a name for himself for knowing how to do just that) so knowledge of anatomy, although not to be entirely discounted, should run second to drawing from life, having artistic vision, and working on a plan to make a nice painting instead of engaging in hours of fruitless "studies." After you die, do you want to have a bunch of academic drawings with correct anatomy laying around?
Only the art matters. This book, although much better than those awful books which use hack artists as models of excellence, still falls short
of what you really need to do to become a strong figurative painter. And that is, "draw from life". Pose your friends and family and draw them.
That's what the masters did.
This is one of the best books ever!.......2007-01-25
This is a must have book. No matter what your subject matter you can benefit from reading and doing the exercises in this book. I read it with a highlighter and a pen. I don't usually write in my drawing books, but this one was too good to simply read I had to study it. I will be using this in my current class to help me draw people better. Lots of excellent examples. It doesn't matter what you are trying to learn to draw this book helps you think in terms of mass and shape, not legs, arms, faces, etc.
Must have book for all fine art students!.......2007-01-05
Robert Beverly Hale is the undisputed master of not only artistic anatomy, methods of drawing and the masters' techniques; but he is also a master at conveying ideas in clear concise language. He was the best lecturer on artistic anatomy. I attended his 10 session lectures twice before he died. The book reflects much of what he taught in his lectures, so it's the next best thing to having him in the room.
Amazon.com
Diane Arbus: An Aperture Monograph was originally published in 1972, one year after the artist's death, in conjunction with a retrospective of her work at the Museum of Modern Art. Edited and designed by Arbus's daughter, Doon, and her friend and colleague, painter Marvin Israel, the monograph contains eighty of her most masterful photos. The images in this newly published edition, marking the twenty-fifth anniversary of the collection's original publication, were printed from new three-hundred-line-screen duotone film, allowing for startlingly clear reproduction. The impact of the collection is heightened by the introduction, which contains excerpts of audio tapes in which Arbus discusses her experiences as a photographer and her feelings about the often bizarre nature of her subjects. Diane Arbus's work has indelibly impacted modern visual sensibilities, evidenced by the intensely personal moments captured in this powerful group of photographs.
Book Description
Diane Arbus-- born Diane Nemerov in New York City in 1923-- married Allan Arbus at the age of eighteen. She started taking pictures in the early 1940s and studied photography with Berenice Abbott in the late 1940s and with Alexey Brodovitch in the 1950s. It was Lisette Model's photographic workshops, however, that inspired her, around 1957, to begin seriously pursuing the work for which she has come to be known.
Her first published photographs appeared in Esquire in 1960. During the next decade, working for Esquire, Harper's Bazaar, and other major magazines, she published more than a hundred pictures, including portraits and photographic essays, many of which originated as personal projects, occasionally accompanied by her own writing. Diane Arbus: Magazine Work (Aperture, 1984) documents this aspect of her career and its relationship to her best-known imagery.
In 1963 and 1966 she was awarded Guggenheim Fellowships for her project on "American Rites, Manners, and Customs." She traveled across the country, photographing the people, places, and events she described as "the considerable ceremonies of our present." "These are our symptoms and our monuments," she wrote. "I simply want to save them, for what is ceremonious and curious and commonplace will be legendary."
A selected group of these photographs attracted a great deal of critical and popular attention when they were featured, along with the work of two other photographers, in the Museum of Modern Art's 1967 exhibition "New Documents." The boldness of her subject matter and photographic approach were recognized as revolutionary.
In the late 1960s, Arbus taught photography at Parsons School of Design, the Rhode Island School of Design, and Cooper Union, and continued to make photographs. Notable among her last works is a series of photographs she took at residences for the mentally retarded. Untitled (Aperture, 1995) is a collection of fifty-one of these photographs. "The extraordinary power of Untitled confirms our earliest impression of Arbus's work," wrote Hilton Als in the New Yorker. "It is as iconographic as it gets in any medium. These pictures are purely ecstatic."
In 1970, Arbus made a portfolio of ten prints, which was intended to be the first in a series of limited editions of her work. She committed suicide in July of 1971. In the years following her death and the Museum of Modern Art's posthumous retrospective-- which was seen by more than a quarter of a million people before it began its three-year tour of the United States and Canada-- exhibitions devoted exclusively to her work have been mounted throughout Western Europe, Asia, Australia, and New Zealand. To this day critics continue to debate the meaning of her photographs and the intentions behind them. Their indelible imprint on our visual experience has long been established beyond dispute.
When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence-- even something of a legend-- among photographers, although only a relatively small number of her most important pictures were widely known at that time. The publication of Diane Arbus: An Aperture Monograph in 1972-- along with the posthumous retrospective at the Museum of Modern Art-- offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented.
The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus's friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation.
This twenty-fifth anniversary edition celebrates one of the most important photographic books in history on the work of a single artist. Every image in this edition has been printed from new three-hundred-line-screen duotone film, bringing to the reproductions a clarity and brilliance unattainable until now. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus's photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.
Customer Reviews:
Exactly what I expected. . ........2007-03-08
I bought this book as a birthday gift for my twenty-one year old niece. She is a photographer who would very much like to take photographs professionally. I read about Diane Arbus in a news story because there was a movie which was recently released into theaters, which gave a fictional account of her life. She seemed like a very strong woman, with a lot of the same tastes as my niece. When I got the book it was wrapped, and I was a little disappointed. But when I gave it to her, I had a chance to look through it. The photographs are top-notch, and striking. Arbus' subject matter and composition are striking. I highly recommend this book to anyone who is interested in photography.
"Cast A Cold Eye On Life, On Death. Horseman, Pass By!" Epitaph of W.B. Yeats.......2006-06-14
It is not overstating the case to say that creating these photographs cost Diane Arbus her life, her suicide followed soon after they were assembled. When you study them, (and you study them, you don't look at them), you quickly understand why. Arbus was a brittle and emotionally volatile woman long before taking these haunting images, the product of a privileged upbringing who cut her teeth in the world of fashion photography, making perfect-looking people look even more perfect. Having refined her technical skills she ventured into the opposite side of that world, seeking out the people society hid and desperately tried to forget.
Arbus said famously that most of us live in fear of a traumatic disaster while her subjects had already endured theirs and were, in a sense, aristocrats as a consequence - free from the fear of being unwanted - secure in the knowledge that they most certainly were unwanted. Arbus was so obsessed with presenting unadulterated reality that she never cropped her photos, indeed, the "live area" of the prints goes beyond the photo and includes some of the film's border - to prove the picture wasn't cropped. She dove into the dark side like an obsessive child at a circus freak show, nothing was disturbing enough to satisfy her and even the commonplace became bizarre by the time she was done with it.
Arbus was passionate about photographing the mentally retarded, but giants, transsexuals, twins, triplets, skinheads, nudists and other bits of social flotsam and jetsam lured her as well. Whether it was a boy holding hand grenades or a teenage couple looking like creepy miniaturized adults, Diane Arbus gravitated for the slice of humanity certain to engender revulsion. Her genius lay in the ability to bring nothing to the proceedings, she approached her subjects on their own terms. Because she did this, the subjects did not "rise" to meet the camera, they remained fixed in their personal nightmares. This made for profound, well-crafted photographs. Arbus didn't see beauty or pathos in her subjects, simply their reality. She invited us to behold what we dread and honor the dignity of her subjects. We are able to do that because we are more or less healthy, and because we can close the book when it becomes too painful; she could not.
Every Arbus photograph is a self-portrait; every lost, hideous freak was Diane Arbus looking in the mirror. For the most part it seems that the people in her pictures survived her completely unsentimental scrutiny, she did not. What's more unsettling is that the popularity of these pictures gave rise to a wave of young copycat photographers who thought it was "cool" to photograph the disadvantaged, disabled, and mentally ill. The copycats never understood that for it to be art you have to care, you have to get involved. Arbus got too involved.
You Must Change Your Life.......2005-04-06
I first came across "An Aperture Monograph" by accident, many years ago. The images were astonishing, and when I later read Susan Sontag's famous essay, I immediately recognized the photographer she was referring to. Arbus' images are unforgettable, and do not diminish in power with time. Wisely, those in control of her estate have not released any of these works as posters, t-shirts, or other consumer items -- you have to buy the book or attend an exhibit if you want to see them. It's possible that the artist's sensibility is so powerful that even with repeated viewing, the photographs would retain their power to surprise.
The exhibit "A Family Album" (currently at the Portland Museum of Art) contains several of Arbus' proof sheets. They demonstrate that Arbus (like many photographers) took many shots of the same subject, in similar poses, before choosing the one image that expressed what she wished to convey. What she was searching for was not so much a dwarf, a transvestite, twins, or any other subject, but her own artistic vision. Sometimes these are unhappy people in opulent surroundings, or people we might think should be miserable and hopeless, conveying a strange sense of command.
It would be a trite observation to say that each of these photographs implies a "story" behind the subject. Any photograph can do that. We are, of course, curious about them. Why do so many of the couples seem distant from each other? What is the older man doing with the boy on the park bench? Others are deliberately suggestive: the nude couple in the forest clearly evokes Adam and Eve; the flower girl at a wedding, a fairy princess emerging from the mist. What saves them from appearing posed or artificial (which they certainly were) is Arbus' ability to give the simultaneous impression that these were candid snapshots. This multi-level presence is the mark of a true artist, in total control of her medium.
The book concludes with several untitled photographs taken at a home for the developmentally disabled. The first of these shows two elderly women, the first couple in the book who seemed truly present with each other, and happy. The final photograph, of a masked woman leading a group through a field, suggests nothing less than the progress of civilization itself.
Arbus' work forces the viewer to look at the world and themselves more deeply. The most apt description is from Rilke's poem, Torso of an Archaic Apollo:
"...nor would this star have shaken the shackles off,
bursting with light, until there is no place
that does not see you. You must change your life."
Our World in the Eyes of Diane Arbus.......2004-06-16
A rather interesting, yet democratic photographer, Diane Arbus was an individual who was never afraid. She was a motivational and influential photographer whose life possessed no limits. Her subject matter was unique in that the pictures she took were on the abnormalities of life. These subjects centered mostly on freaks such as midgets, drag queens, giants, hookers, nudists, and drugees. Taking pictures such as these shows that she was a person who was never afraid to display the irregularities of life to the world around us.
Diane Arbus lived life one day, one moment at a time. In this book, I get the feeling that her pictures show a meaning in the way she captured life, not just focusing on the photograph alone. Her subjects depicted on each page makes the viewer wonder how she got herself as well as her subjects in that position. Were they cooperative or not? Did she tell them to strike a pose or did they do it on their own? Each of her pictures in the book have a story behind it and some would seem more interesting than others. From her book, I see that the significance of her life and her photography is through this quote "The thing that's most important to know is that you never know. You're always sort of feeling your way."
Very Intriguing!.......2004-06-16
The photography of Diane Arbus has always intrigued me. Her photographs are beautiful to me not because of the composition or lighting or any tools a photographer might use. They intrigue me because of her subject matter and even more so because of the intentions behind her subject matter. She takes pictures of people that are not considered beautiful, people that are "freaks" or "weirdos", or in some way different. She wants the viewer to identify with her subject in some way. In a way she takes the ugly, the thing that you're afraid to look at on the street and forces you to look at it and beyond that see it as art. She is "not evading facts, not evading what it really looks like". I agree with her purpose. It is best to show thing as they really are and to photograph something familiar or something often looked at is sort of boring to me.
For her, taking pictures was not about the final image - because she believed that anything you plan never turns out the way you intend anyways - but it was about the experience. It was about learning and making connections with her subjects. This was interesting to me because I never thought of photography that way. Mostly when I photograph I am so concerned with the final product, but now I realize that I actually enjoy the process of taking the pictures and dislike the developing. So I see photography in the same way, it is some how meditative and the actual action of photographing helps me release a certain kind of creative energy that I harbor.
Average customer rating:
- funny and true
- Sickening
- The pros and cons of office slavery
- There was a lot carefully left unsaid.
|
Temp Worker's Guide to Self-Fulfillment: How to Slack Off, Achieve Your Dreams, and Get Paid for It!
Dennis Fiery
Manufacturer: LOOMPANICS UNLIMITED
ProductGroup: Book
Binding: Paperback
 Job Hunting
| Job Hunting & Careers
| Business & Investing
| Subjects
| Books
General
| Popular Economics
| Business & Investing
| Subjects
| Books
General
| Business & Investing
| Subjects
| Books
General
| Self-Help
| Health, Mind & Body
| Subjects
| Books
ASIN: 1559501723 |
Book Description
Temporary employment, or 'temp work,' can be a treasure trove of opportunity for the dedicated practitioner. Rather than being a series of dead-end or meaningless short-term jobs, temp work offers numerous advantages. Author Dennis Fiery, who has temped in many industries, including ad agencies, book publishers, magazines, retail shops, fashion studios, financial companies, telecommunications and technology firms, educational institutions, and government offices, has learned how to effectively exploit and undermine the temp system. This invaluable book contains all the information needed to successfully obtain steady, good-paying work as a temp, while effectively satisfying the requirements of the employers who are seeking competent temp workers and fulfilling your own special needs. Don't let the vagaries of the American work force get you down! Read this book today - and you'll never look at temporary employment as 'work' again!
Customer Reviews:
funny and true.......2003-07-21
I wish I had this book when I was temping...it's right on the money, and I laughed my _____ bottom off. Any book from Loompanics you know is going to be hard-edged and not mainstream. Sounds like some other people here thought they were dipping their toes in a tender stream and found out it was a flow of hot lava.
Sickening.......2001-11-11
Reading this book made me feel sick. The author tells you to lie, cheat, steal, forge IDs and other immoral things. The few good tips in the book cannot make up for this.
Don't waste your money on this book.
Better get a well rounded book about job-hunting like What Color Is Your Parachute by Richard N. Bolles.
The pros and cons of office slavery.......2000-06-01
This book is quite a mixed bag.
Its description of temporary office work is completely accurate: the enormous egos, the cold receptions, and the days of boredom. It is a funny, light-hearted look at below-entry-level office life, which outlines its bad parts (no respect, little security, no benefits) and its good (quick cash, little responsibility, free time to pursue your own goals).
Where I start to have problems is in the 'advice' sections, which make up about half the book. Some of it is good, like taking office supplies within reason and lying on your resume. His tips on dealing with large temp factory-agencies is great.
However, When he tells you to steal unused equipment that is lying around, I wanted to laugh. If you work for an organisation of any size, you are a fool to think that their stuff isn't inventoried, and that you are not being watched on camera. Most office buildings have camera surveillance, sometimes very extensively.
I found the section where he mentions becoming a sexual predator to the young, insecure temp-worker population particularly repugnant.
There was a lot carefully left unsaid........1998-10-15
The Temp Worker's Guide to Self-Fulfillment : How to Slack Off, Achieve Your Dreams, & Get Paid for It by Dennis Fiery
Gosh what a mouthfull for such a small and to the point book. Mostly a book on obtaining cushy work at temp agencies, (I mostly did donkey work there, get them to see you as a person), the book also contains necessary survival tips for large cities.
Average customer rating:
|
How the University Works: Higher Education and the Low-Wage Nation
Marc Bousquet , and
Cary Nelson
Manufacturer: NYU Press
ProductGroup: Book
Binding: Paperback
Workplace
| Organizational Behavior
| Business & Investing
| Subjects
| Books
Labor & Industrial Relations
| Economics
| Business & Investing
| Subjects
| Books
General
| Business & Investing
| Subjects
| Books
Labor & Industrial Relations
| Politics
| Nonfiction
| Subjects
| Books
ASIN: 0814799752
Release Date: 2008-01-01 |
Book Description
“Marc Bousquet is the most trenchant theorist of the current academic labor situation, and
How the University Works is the best study of academic labor conditions in the U.S. since the 1970s. It is thoroughly and creatively researched, theoretically bold, often mercifully frank, and frequently poignant in its arguments and findings.”
—Vincent B. Leitch, General Editor of the Norton Anthology of Theory and Criticism
As much as we think we know about the modern university, very little has been said about what it's like to work there. Instead of the high-wage, high-profit world of “knowledge work,” most campus employees — including the vast majority of faculty — really work in the low-wage, low-profit sphere of the service economy. Tenure-track positions are at an all-time low, with adjuncts and graduate students teaching the majority of courses. This super-exploited corps of disposable workers commonly earn fewer than $16,000 annually, without benefits, teaching as many as eight classes per year. Even undergraduates are being exploited as a low-cost, disposable workforce.
Marc Bousquet, a major figure in the academic labor movement, exposes the seamy underbelly of higher education — a world where faculty, graduate students, and undergraduates work long hours for fast-food wages. Assessing the costs of higher education's corporatization on faculty and students at every level,
How the University Works is urgent reading for anyone interested in the fate of the university.
Average customer rating:
|
Just a Temp: Expectation and Experiences of Women Clerical Temporary Workers
Maureen Martella
Manufacturer: Diane Pub Co
ProductGroup: Book
Binding: Plastic Comb
Economics
| Business & Investing
| Subjects
| Books
| Agricultural
| Commercial Policy
| Comparative
| Consolidation & Merger
| Cooperatives
| Debt & Deficits
| Development & Growth
| Econometrics
| Economic Conditions
| Economic History
| Economic Policy & Development
| Exports & Imports
| Free Enterprise
| Inflation
| International
| Labor & Industrial Relations
| Macroeconomics
| Microeconomics
| Money & Monetary Policy
| Natural Resources
| Privatization
| Public Finance
| Statistics
| Sustainable Development
| Theory
| Unemployment
| Urban & Regional
General
| Business & Investing
| Subjects
| Books
ASIN: 0788146157 |
Average customer rating:
|
Renault, regards de l'interieur (Notre temps/societe)
Claude Poperen
Manufacturer: Editions sociales
ProductGroup: Book
Binding: Unknown Binding
Labor & Industrial Relations
| Economics
| Business & Investing
| Subjects
| Books
Industry
| Automotive
| Nonfiction
| Subjects
| Books
French
| Foreign Language Nonfiction
| Nonfiction
| Subjects
| Books
Nonfiction
| French
| Foreign Language Books
| Specialty Stores
| Books
Professional & Technical
| French
| Foreign Language Books
| Specialty Stores
| Books
All French Books
| French
| Foreign Language Books
| Specialty Stores
| Books
ASIN: 2209055385 |
Average customer rating:
|
Temp Worker's Handbook: How to Make Temporary Employment Work for You
William Lewis , and
Nancy Schuman
Manufacturer: Amacom Books
ProductGroup: Book
Binding: Paperback
Job Hunting
| Job Hunting & Careers
| Business & Investing
| Subjects
| Books
Economics
| Business & Investing
| Subjects
| Books
| Agricultural
| Commercial Policy
| Comparative
| Consolidation & Merger
| Cooperatives
| Debt & Deficits
| Development & Growth
| Econometrics
| Economic Conditions
| Economic History
| Economic Policy & Development
| Exports & Imports
| Free Enterprise
| Inflation
| International
| Labor & Industrial Relations
| Macroeconomics
| Microeconomics
| Money & Monetary Policy
| Natural Resources
| Privatization
| Public Finance
| Statistics
| Sustainable Development
| Theory
| Unemployment
| Urban & Regional
General
| Business & Investing
| Subjects
| Books
Management & Leadership
| Business & Investing
| Subjects
| Books
| Business Ethics
| Consolidation & Merger
| Decision-Making & Problem Solving
| Distribution & Warehouse Management
| Industrial
| Information Management
| Leadership
| Management
| Management Science
| Motivational
| Negotiating
| Operations Research
| Planning & Forecasting
| Pricing
| Production & Operations
| Project Management
| Quality Control
| Risk Assessment
| Statistics
| Strategy & Competition
| Systems & Planning
| Systems Analysis
| Teams
| Total Quality Management
| Training
College Guides
| Education
| Reference
| Subjects
| Books
ASIN: 0814476813 |
Book Description
This digital document is an article from San Fernando Valley Business Journal, published by Thomson Gale on July 31, 2006. The length of the article is 651 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Decision puts strict rule on pay of temp workers.(Guest Column)
Author: Sue Bendavid-Arbiv
Publication:
San Fernando Valley Business Journal (Magazine/Journal)
Date: July 31, 2006
Publisher: Thomson Gale
Volume: 11
Issue: 16
Page: 35(1)
Distributed by Thomson Gale
Book Description
This digital document is an article from The Register-Guard (Eugene, OR), published by The Register Guard on May 18, 2004. The length of the article is 5298 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Hynix hires temps during upgrade.(Business)(The workers will replace a chip transport system for a month or two this summer while the west Eugene plant is retooled)
Publication:
The Register-Guard (Eugene, OR) (Newspaper)
Date: May 18, 2004
Publisher: The Register Guard
Page: B1
Distributed by Thomson Gale
Book Description
This digital document is an article from Cornell Hotel & Restaurant Administration Quarterly, published by Cornell University on April 1, 1992. The length of the article is 579 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: The new temps. (work force analysis of contingent workers)
Author: Glenn Withiam
Publication:
Cornell Hotel & Restaurant Administration Quarterly (Refereed)
Date: April 1, 1992
Publisher: Cornell University
Volume: v33
Issue: n2
Page: p8(1)
Distributed by Thomson Gale
Book Description
This digital document is an article from San Diego Business Journal, published by CBJ, L.P. on June 18, 2001. The length of the article is 824 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Report Cites County's Increase in Temp Workers.
Author: Mike Allen
Publication:
San Diego Business Journal (Magazine/Journal)
Date: June 18, 2001
Publisher: CBJ, L.P.
Volume: 22
Issue: 25
Page: 14
Distributed by Thomson Gale
Books:
- Everything You Need to Know About Building the Custom Home: How to Be Your Own General Contractor
- Experiencing Architecture - 2nd Edition
- Fireplace: Decorating and Planning Ideas (Better Homes and Gardens(R))
- Folding Architecture: Spatial, Structural And Organization Diagrams
- Fulcanelli: Master Alchemist: Le Mystere des Cathedrales, Esoteric Intrepretation of the Hermetic Symbols of The Great Work (Le Mystere Des Cathedrales ... of the Hermetic Symbols of Great Work)
- FYI: For Your Improvement, A Guide for Development and Coaching (4th edition)
- Good Green Homes
- Great Houses on a Budget
- Green Building Products: The Greenspec Guide to Residential Building Materials
- Greene & Greene: Creating a Style
Books Index
Books Home
Recommended Books
- Triangle: The Fire That Changed America
- Return of the Warrior
- History: Fiction or Science
- History: Fiction or Science
- Light: Science and Magic: An Introduction to Photographic Lighting
- The Business of Sports: Cases and Text on Strategy and Management
- Rueful Death: A China Bayles Mystery
- Scandimodern
- Living in the Key West Style Anywhere
- Wildflowers of the Columbia Gorge: A Comprehensive Field Guide
FE Review Manual: Rapid Preparation for the General Fundamentals of Engineering Exam (F E Review Manual), 2nd ed.
Fundamentals of Engineering: FE Exam Preparation (Fundamentals of Engineering: Fe Exam Preparation)
Fundamentals of Engineering Supplied-Reference Handbook
FE/EIT Sample Examinations, 2nd Edition
Electrical Discipline-Specific Review for the FE/EIT Exam
