Book Description
-Explores fireplaces and stoves. -Reviews fuel options. -Filled with beautiful color photos of fireplaces.
Customer Reviews:
More like a catalog.......2004-01-01
"A Portfolio of Fireplace Ideas" is mostly pictures of manufactured fireplaces without much mood inspirations or personal touches. The book covers the basics of convection and radiation but does not help with choosing your style and creating a room that works with the fireplace. The variety of fireplaces shown was not even remarkable. I bought the book because I liked one of the pictures previewed; but it wasn't even in the book. I recommend Better Homes and Gardens, "Fireplace Decorating and Planning Ideas".
A Portfolio of Fireplace Ideas.......1999-12-29
I wasn't completely thrilled -- we are building a new house and I was hoping for some really spectacular, innovative fireplace ideas, but found few. Many of the photos are old (60's)very boring and dated, and I couldn't understand why they would even be in the book. There were a few fireplaces that were very nice, and modern, but not enough to buy the book for. Does anyone have a suggestion for a great fireplace book?
A Portfolio of Inspiration.......1999-11-28
I bought this book for my husband as a Christmas present two years ago as a motivational tool to get him thinking seriously about having a fireplace installed in our sunroom. We actually used the idea of having a window backdrop for our new propane-gas fireplace. With a direct-vent fireplace and no chimney, we were able to create a frame for the stunning view of our 300 year-old maple in the backyard.
The kitchen fireplace photographs were also beautiful and I wish I could have implemented those ideas as well.
A beautifully photographed book with many refreshing ideas for fireplace installations.
Book Description
The authoritative and comprehensive text features countries not previously covered in other books, a new chapter on limited editions, and a chapter on materials from 1833 to the present day which defines processes such as lacquering, guilloche engraving and plastic identification. The development of design and logos is illustrated by specially produced line drawings. The text is complimented by many period advertisements.
Fountain Pens of the World provides more information on pens and illustrates more pens than any other book on the subject.
Customer Reviews:
Andy establishes his position as the preeminent authority.......2007-09-03
Andy establishes his position as the preeminent authority of an endangered writing instrument. The chronological and authoritative description of every major manufacturer is interlaced with some of the most beautiful and actual size photography of pens you'll ever see.
This volume is a work of art and effort of a true aficionado, the most comprehensive history of pens you'll ever see is inside this book, the book will become just as coveted as your most treasured pen.
Beautiful heavy stock paper ensures this volume will endure in your collection for decades.
Andy Lambrou's reputation is well deserved, and this is the work of art from the master.
The fountain pen bible.......2004-06-20
This is it. If you buy only one book on fountain pens, or if you are serious about fountain pen collecting, this is THE book to get. Unfortunately, it is Really expensive. Look around for a used copy using the usual suspects on the Web. The photos are great and the captions clearly identify each pen shown. Numerous non-US pen companies are written about and many pens are pictured here and nowhere else (in other standard pen ID books). Highly recommended.
Buying this book enhanced the joy of pen collecting!.......2003-07-08
I have always admired Lambrou's book, 'Fountain Pens of the World', but could not justify the price -- after all the cost of this book could go towards another fountain pen -- I WAS WRONG!!
I wished I bought my copy years ago, it would have saved me so much money in buying pens that were not exactly the model that the seller described (going to a few markets/pen shows and especially on-line auctions).
The history of pens from around the world is well documented. The pen manufacturers are grouped in chapters by country.
Every pen is life size. More than 2,300 pens are shown and the color representation is great. Even a Parker Snake, Aztec, Swastika, Forget-me-not and many, many more I just dream about! Only gripe -- no price list, but Lambrou states that people can abuse the information as the price list is only valid at the time of print.
To date, I 've yet to see any other book as well put together's as this one.
Don't use false economy like I did. Buy this book as soon as you can -- it gives many, many happy hours of pen collecting and reading!
Buying this book saved me making mistakes in collecting!.......2003-07-08
I have always admired Lambrou's book, 'Fountain Pens of the World', but could not justify the price -- after all the cost of this book could go towards another fountain pen -- I WAS WRONG!!
I wished I bought my copy years ago, it would have saved me so much money in buying pens that were not exactly the model that the seller described (going to a few markets/pen shows and especially on-line auctions).
The history of pens from around the world is well documented. The pen manufacturers are grouped in chapters by country.
Every pen is life size. More than 2,300 pens are shown and the color representation is great. Even a Parker Snake, Aztec, Swastika, Forget-me-not and many, many more I just dream about! Only gripe -- no price list, but Lambrou states that people can abuse the information and the price list is only valid at the time of print.
To date, I 've yet to see any other book as well put together's as this one.
Don't use false economy like I did. Buy this book as soon as you can -- it gives many, many happy hours of pen collecting and reading!
The ultimate book on fountain pens.......2000-10-12
My love affair with fountain pens - particularly vintage fountain pens - entered a new stage the day that my copy of Lambrou's Fountain Pens of the World arrived. Covered with a gorgeous dust jacket, weighing in at several pounds and measuring 9" by 12.5", the book made an impression before the first page had even been turned.
This first impression, positive as it was, in no way prepared me for what I was to find inside: over four hundred pages with glorious color plates. Literally thousands of pens - mostly vintage - spectacularly photographed, and presented exactly life size. (Ever wonder whether your newly purchased vacumatic is a sub-deb, debutante, junior, slender, standard, major, oversized, or Maxima? Just lay it over the photographs in Lambrou's book!) Fascinating reproductions of vintage advertisements. Detailed histories - model by model - of all major manufacturers and many lesser-known ones, including Edward Todd, Triad, Diamond Point, Chilton, Stephens, Mentmore, Summit, Wyvern, Burnham, Soennecken, Osmia, Tropen, and so on and so forth, covering the U.S., the U.K., Germany France, Italy, the Netherlands, Belgium, and Japan. The book is, plain and simple, a work of art and of incredible beauty. I could spend weeks just browsing its pages.
In retrospect, my biggest mistake in fountain pen collecting was to wait for several years before purchasing a copy of Lambrou's Fountain Pens of the World...
Book Description
This report was created for global strategic planners who cannot be content with traditional methods of segmenting world markets. With the advent of a “borderless world”, cities become a more important criteria in prioritizing markets, as opposed to regions, continents, or countries. This report covers the top 2000 cities in over 200 countries. It does so by reporting the estimated market size (in terms of latent demand) for each major city of the world. It then ranks these cities and reports them in terms of their size as a percent of the country where they are located, their geographic region (e.g. Africa, Asia, Europe, Middle East, North America, Latin America), and the total world market. In performing various economic analyses for its clients, I have been occasionally asked to investigate the market potential for various products and services across cities. The purpose of the studies is to understand the density of demand within a country and the extent to which a city might be used as a point of distribution within its region. From an economic perspective, however, a city does not represent a population within rigid geographical boundaries. To an economist or strategic planner, a city represents an area of dominant influence over markets in adjacent areas. This influence varies from one industry to another, but also from one period of time to another. In what follows, I summarize the economic potential for the world\'s major cities for "fountain pens" for the year 2007. The goal of this report is to report my findings on the real economic potential, or what an economist calls the latent demand, represented by a city when defined as an area of dominant influence. The reader needs to realize that latent demand may or may not represent real sales. For many items, latent demand is clearly observable in sales, as in the case for food or housing items. Consider, however, the category "satellite launch vehicles". Clearly, there are no launch pads in most cities of the world. However, the core benefit of the vehicles (e.g. telecommunications, etc.) is "consumed" by residents or industries within the world\'s cities. Without certain cities, in other words, the market for satellite launch vehicles would be lower for the world in general. One needs to allocate, therefore, a portion of the worldwide economic demand for launch vehicles to both regions and cities. This report takes the broader definition and considers, therefore, a city as a part of the global market.
Book Description
This study covers the world outlook for fountain pens across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-à-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.
Book Description
On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying pens, pencils, and fountain pens? What is the dollar value of these imports? How much do the imports of pens, pencils, and fountain pens vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of pens, pencils, and fountain pens? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers? In what follows, Chapter 2 begins by summarizing the regional markets for imported and exported pens, pencils, and fountain pens. The total level of imports and exports on a worldwide basis, and those for each region, is based on a model which aggregates across over 150 key country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a volume of import and export values for each country and are aggregated to regional and world totals. In doing so, we are able to obtain maximum likelihood estimates of both the value of each market and the shares that countries are likely to receive this year. From these figures, rankings are calculated to allow managers to prioritize markets. In this way, all the figures provided in this report are forecasts that can be combined with internal information for strategic planning purposes.
Book Description
On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying propelling or sliding pencils, ball point pens, felt-tipped or porous-tipped pens and markers, fountain pens, stylographs, and other pens? What is the dollar value of these imports? How much do the imports of propelling or sliding pencils, ball point pens, felt-tipped or porous-tipped pens and markers, fountain pens, stylographs, and other pens vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of propelling or sliding pencils, ball point pens, felt-tipped or porous-tipped pens and markers, fountain pens, stylographs, and other pens? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers? In what follows, Chapter 2 begins by summarizing the regional markets for imported and exported propelling or sliding pencils, ball point pens, felt-tipped or porous-tipped pens and markers, fountain pens, stylographs, and other pens. The total level of imports and exports on a worldwide basis, and those for each region, is based on a model which aggregates across over 150 key country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a volume of import and export values for each country and are aggregated to regional and world totals. In doing so, we are able to obtain maximum likelihood estimates of both the value of each market and the shares that countries are likely to receive this year. From these figures, rankings are calculated to allow managers to prioritize markets. In this way, all the figures provided in this report are forecasts that can be combined with internal information for strategic planning purposes.
Average customer rating:
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The 2003-2008 World Outlook for Fountain Pens
Manufacturer: ICON Group International, Inc.
ProductGroup: Book
Binding: Digital
 General
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General
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| PDF (printable)
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ASIN: B00009KF48
Release Date: 2003-06-02 |
Download Description
This study covers the world outlook for fountain pens across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-a-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.
Book Description
WHAT IS LATENT DEMAND AND THE P.I.E.?
The concept of latent demand is rather subtle. The term latent typically refers to something that is dormant, not observable, or not yet realized. Demand is the notion of an economic quantity that a target population or market requires under different assumptions of price, quality, and distribution, among other factors. Latent demand, therefore, is commonly defined by economists as the industry earnings of a market when that market becomes accessible and attractive to serve by competing firms. It is a measure, therefore, of potential industry earnings (P.I.E.) or total revenues (not profit) if a market is served in an efficient manner. It is typically expressed as the total revenues potentially extracted by firms. The “market” is defined at a given level in the value chain. There can be latent demand at the retail level, at the wholesale level, the manufacturing level, and the raw materials level (the P.I.E. of higher levels of the value chain being always smaller than the P.I.E. of levels at lower levels of the same value chain, assuming all levels maintain minimum profitability).
The latent demand for fountain pens is not actual or historic sales. Nor is latent demand future sales. In fact, latent demand can be lower either lower or higher than actual sales if a market is inefficient (i.e., not representative of relatively competitive levels). Inefficiencies arise from a number of factors, including the lack of international openness, cultural barriers to consumption, regulations, and cartel-like behavior on the part of firms. In general, however, latent demand is typically larger than actual sales in a country market.
For reasons discussed later, this report does not consider the notion of “unit quantities”, only total latent revenues (i.e., a calculation of price times quantity is never made, though one is implied). The units used in this report are U.S. dollars not adjusted...
Average customer rating:
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The 2006-2011 World Outlook for Fountain Pens
Manufacturer: Icon Group International - POD
ProductGroup: Book
Binding: Digital
General
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General
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ASIN: B000A6NXVC
Release Date: 2005-06-30 |
Book Description
WHAT IS LATENT DEMAND AND THE P.I.E.?
The concept of latent demand is rather subtle. The term latent typically refers to something that is dormant, not observable, or not yet realized. Demand is the notion of an economic quantity that a target population or market requires under different assumptions of price, quality, and distribution, among other factors. Latent demand, therefore, is commonly defined by economists as the industry earnings of a market when that market becomes accessible and attractive to serve by competing firms. It is a measure, therefore, of potential industry earnings (P.I.E.) or total revenues (not profit) if a market is served in an efficient manner. It is typically expressed as the total revenues potentially extracted by firms. The “market” is defined at a given level in the value chain. There can be latent demand at the retail level, at the wholesale level, the manufacturing level, and the raw materials level (the P.I.E. of higher levels of the value chain being always smaller than the P.I.E. of levels at lower levels of the same value chain, assuming all levels maintain minimum profitability).
The latent demand for fountain pens is not actual or historic sales. Nor is latent demand future sales. In fact, latent demand can be lower either lower or higher than actual sales if a market is inefficient (i.e., not representative of relatively competitive levels). Inefficiencies arise from a number of factors, including the lack of international openness, cultural barriers to consumption, regulations, and cartel-like behavior on the part of firms. In general, however, latent demand is typically larger than actual sales in a country market.
For reasons discussed later, this report does not consider the notion of “unit quantities”, only total latent revenues (i.e., a calculation of price times quantity is never made, though one is implied). The units used in this report are U.S. dollars not adjusted f
Book Description
OUR APPROACH
This report was created for strategic planners, international executives and import/export managers who are concerned with the market for pens, pencils, and fountain pens. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics that appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for pens, pencils, and fountain pens for those countries serving the world market via exports or supplying from various countries via imports. I do so for the current year based on a variety of key historical indicators and econometric models.
On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying pens, pencils, and fountain pens? What is the dollar value of these imports? How much do the imports of pens, pencils, and fountain pens vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of pens, pencils, and fountain pens? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers?
In what follows, Chapter 2 begins by summarizing the regional markets for imported and exported pens, pencils, and fountain pens. The total level of imports and exports on a worldwide basis, and those for each region, is based on a model which aggregates across country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a vol
Download Description
OUR APPROACH
This report was created for strategic planners, international executives and import/export managers who are concerned with the market for pens, pencils, and fountain pens. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics that appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for pens, pencils, and fountain pens for those countries serving the world market via exports or supplying from various countries via imports. I do so for the current year based on a variety of key historical indicators and econometric models.
On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying pens, pencils, and fountain pens? What is the dollar value of these imports? How much do the imports of pens, pencils, and fountain pens vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of pens, pencils, and fountain pens? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers?
In what follows, Chapter 2 begins by summarizing the regional markets for imported and exported pens, pencils, and fountain pens. The total level of imports and exports on a worldwide basis, and those for each region, is based on a model which aggregates across country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a vol
Amazon.com
Picture an image from the grunge movement of the 1990s and odds are it was Charles Peterson who clicked the camera's shutter. As unofficial photographer of the SubPop record label, Peterson put a face on the scene that began in Seattle and shaped the landscape of popular music. With its title taken from Mudhoney's anthemic underground hit, Touch Me I'm Sick is more than a rehash of Peterson's 1995 Screaming Life. This high-quality collection includes an introduction by Pearl Jam frontman Eddie Vedder and over 90 photos of the stars before they became household names, plus many who never reached notoriety beyond the Seattle city limits. There are classic photos that have been seen before--Kurt Cobain sprawled across Chad Channing's drum set, the roiling mosh pit of Seattle's Endfest, the blacked-out teeth of L7's Suzi Gardner--but more than 80 have never been published. Peterson's open shutter technique stretches spotlights and blurs movement, bringing still images to life, while his black-and-white photos abound in texture: from the rubber soles of Converse high-tops to the ripped and frayed knees of worn-out blue jeans and greasy knots of flailing hair. Touch Me I'm Sick is a required title for music fans who wore the flannel as well as those who only watched in awe from the edge of the pit. --Ben Reese
Book Description
Poised at the epicenter of an explosive underground scene, photographer Charles Peterson witnessed the birth of a brash new era of music that grabbed the world by it throat and refused to let go. Grunge, the bastard child of 60s garage and 70s punk, revived the original gritty spirit of rock and roll: rebellion ain't pretty, but it sure is fun. Featuring ninety-two photographs - eighty of them never-before-published - spanning sixteen years, Touch Me I'm Sick, Peterson's third monograph, documents the raw power of live performances by the soon-to-be-famous artists and their dedicated fans. Yet Peterson's photographs don't rely on the cult of celebrity to tell this compelling tale of angst, anxiety, and acoustics. Rather, they capture the cathartic ritual between musician and fan played out in the seedy clubs reeking of sweat and stale beer. Bored, alienated youth with nothing better to do than bash their instruments and mosh their bodies in a barrage of sound, song, and furious energy are captured through Peterson's signature style of wide-angle intimacy, swirling lights, and a strange sense of grace. Peterson creates timeless, artistic imagery out of this swiftly passing frenzy, and shatters the godhead of the rock star, revealing the band and audience as co-conspirators in rock's latest, greatest revival. Featuring photographs of Nirvana, Pearl Jam, Soundgarden, Sleater-Kinney, Mudhoney, Sonic Youth, L7, Hole, and Black Flag, among others, as well as excerpts from Your Flesh, Flipside, Melody Maker, B-side, Swellsville, and Chemical Imbalance, Touch Me I'm Sick is the perfect mix of art and journalism for music purists and connoisseurs. "And you know what? I think other photographers secretly want to be like Charles and Charles secretly wants to be like other photographers. And it a hard call - would you rather have that street cred, punk rock hipness and respect from all the cool bands, or industry suave that gets major magazine editors and record exec dorks to fly you all over the world for photo shoots and pay you outrageous amounts of money?" (Jennie Boddy, Your Flesh #25)
Customer Reviews:
Get this book!.......2006-07-29
For those of us who somehow can't seem to get enough of this stuff (you all know the "G" word), this book is perfect. In the wacky world of late 80's/early 90's Seattle, Peterson's photos are absolutely iconic.
Great memories of great period of music.......2005-09-06
Absolutely awesome book of photographs from a period of music I had the pleasure of being part of. If you like music; especially the artists in this book. Then this is your new coffee table book.
blurred arms + swooshing lights + flailing hair = fantastic!.......2004-05-24
When I close my eyes and think about the early 90's rock scene, I see Charles Peterson's photographs. I remember going to record stores and buying albums solely on his cover shot - blurred arms, swooshing lights, flailing hair. The cover photographs were so powerful that I could almost feel the greatness of the music inside the sleeve. Nirvana, Mudhoney, L7... fantastic bands captured live in amazing black and white.
In "Touch Me I'm Sick" you get some of the famous photos we all know and also tons that have never been released. These are the ones that had me in awe. Seeing ten year old photos for the first time of bands I love, it's like a treasure trove!
I am so happy that Charles Peterson took these photos and that he continues to share them with us. If I could give this book higher than 5 stars, I certainly would.
Great photographer for someone who wasn't there.......2003-11-10
Unlike the other reviewers of this work, I was not there. I just love the artful quality photos in a book that is a collection item. The detail of the photos and the quality of the printing make this a work to savor. This is a forever book, should be on all shelves of collectors of fine photography.
A CRAZED, KINETIC MASTERPIECE!.......2003-11-06
A divine marriage of vision, design and subject matter. Peterson's wild, free and spontaneous shooting style provides the perfect visual metaphor for the beer-stained and adrenaline-stoked Seattle grunge era. His pictures look like the music sounds - reckless, courageous, and always threatening to spin completely out of control.
An aggresive book design and a minimum of text keeps the emphasis where it belongs - on the music's energy and the exhilarating, ritual co-dependence of performers and fans. You can't slam out power chords on a Leica M6 - but Peterson comes closer than any other "Rock" photographer at pulling it off.
DSR
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Touch Me, I'm Sick
Tom Reynolds
Manufacturer: Portrait
ProductGroup: Book
Binding: Hardcover
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ASIN: 074995146X |
Book Description
Here's Garfield at his most appealing. Debonair, wise beyond his years--and funny! When you crave sarcasm, rapier wit, pithy comments, and lots of belly laughs, Garfield's the one who has it all! So take a look inside at the latest collection of vignettes from the life of the most lovable cat around.
Customer Reviews:
GARFIELD RULES!.......2000-06-24
Everybody out there keep buying Garfield books! They can be worth a lot of money someday and can become collector's items! I'm always going to keep all of mine so when I have kids they can read them!
One of the best.......1998-10-17
I am a tremendous fan of Garfield, and own and have read the first 32. And make no mistake. I well read 33. And, I certainly do have favourites. SWALLOWS is not my favourite but is certainly one of them, because of the story about Garfield and Odie running away to join the circus, a well thought out, fantastically funny and clever bit.
Average customer rating:
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Garfield Swallows His Pride
Jim Davis
Manufacturer: New York: Ballantine Books, 1987
ProductGroup: Book
Binding: Paperback
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ASIN: B000NVDVMU |
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- Bali Modern: The Art of Tropical Living
- Barragan - The Complete Works
- Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
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